Light-Bright Night

25 January 2018 – I’m still playing with light, admiring the way it pops up at unexpected times, in unexpected places. Well… not all that unexpected really, if one stops to think about it, but really quite new to my own awareness. (Where have I been, all this time?) And all triggered by my finally noticing that rain brings with it enormous riches of colour and light.

Not that Light is consciously on my mind, as we open the doors of the Contemporary Art Gallery and leave the blue-indigo of late afternoon behind us.

But oh, we are showered with light.

We’ve come for this show: Brent Wadden‘s massive hand-weavings of wool, cotton & acrylic fibres, stretched over canvas and framed.

I line up, close to that same hanging (but scrupulously not touching!), sighting along the planes & textures of its surface.

Opposite wall, a line of vertical panels, in call-response with the massive horizontality that they face.

Dazzled, we return to the outside world, its blue-indigo now almost fully transformed to deep grey-black.

And … are again dazzled.

This is the work of Lyse Lemieux, the other artist currently on exhibit at the CAG. I like the concept: one artist exhibited within the space; the other, in great vinyl panels that wrap its façade.

We cock our heads, rock gently leg to leg, let all that light-bright night flood our senses.

Which perhaps explains why, as we head for the outing’s next objective (pizza), we become acutely aware of messages and images that shine in the night.

Like this one, right at our feet.

It has us in stitches. “Exit for what?” we ask each other, giggling. Deep down, we know perfectly well (or think we do…) that it is an exit for humans sent below to do Important Subterranean Things to keep the City both healthy & functioning. But we’d rather imagine urban-legend alligators & golems, and yes, I do have chase scenes from the 1949 classic, The Third Man, dancing in my head.

Well, it’s the City’s fault for not being clear. At least when B.C. Hydro wants to warn you off, they are downright graphic. “Electrical Hazard” shouts the hatch, with  lightening bolts for emphasis: “Keep Out.”

But then again, what’s the fun in that? Far more amusing to conjure up alligators and third men …

Or to enjoy the next sight that smacks us in the eye, its rain-slick brilliance shining in the street’s gaudy lights.

The first time I saw eyelash headlight wipers was on the Isle of Wight. Later, once, in Toronto. But these are the most flamboyant of all! And all the better for fluttering at us by night.

Almost at our pizza destination by now, but one more light-bright message stops us in our tracks.

First we giggle (more giggling, it’s a night of laughter). Then we begin discussing, at least half-seriously, what kind of life-philosophy is here on offer.

We are still discussing it as we pass the van, and a friendly (but amused) voice comments, “You like that, do you?”

Which leads to an explanation of the very limited, very precise, expectation behind the message.

It’s a reminder from the Provincial Air Emergency Program that, should you be unfortunate enough to be in a plane that has just crash-landed somewhere … you are to stay with the plane. Do not strike out on your own. As the nice man points out: “It’s easier for us to spot a plane, than the top of your head.”

We tuck away knowledge we hope we will never have to use, and then, in short order, also tuck away our pizza.

After that it’s boot-boot-boot through the lights of the night to the real purpose of this entire excursion: the 6:30 screening of The Walkers, a documentary hosted by VIFF as part of the City’s Push Festival. Ten years in the making, the film studies the life and impact of Taiwanese choreographer and dancer Lin Lee-chen, and her Legend Lin Dance Theatre.

Once we stop expecting it to unfold the way an occidental documentary usually unfolds, and instead relax into its own Taiwanese sensibility, we are mesmerized.

Afterwards, I walk back home, umbrella domed well down over my head, thinking how light-bright this night has been. And expecting nothing more from it.

Then, as I climb the gentle southbound curve of the Cambie Bridge, I am dazzled one more time.

Red/white; horizontal/vertical; construction/completion — an installation worthy of the Contemporary Art Gallery, I decide.

And I splosh on home.

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7 Comments

  1. DJ

     /  25 January 2018

    I really thought that eyelash headlght (with wipers) was a beetle on its back. Wondering if there was some transfer of biodiversity technology in that invention!

    Reply
  2. do what is expected of you wow that’s tough first, expected by who? (whom?) second if they don’t write it down what’s stopping them from denying it later? do they really know what’s expected (because i don’t)? finally, what’s the worse that can happen if you just wait and see what everybody else is going to do? 😛

    Reply
  3. Great post – from start to end – but that “do what is expected of you” stopped us short. We’ll have to contemplate that for awhile…

    Reply
  4. What a premiere of darkness and light! So many delights in this – one of those stellar times, an evening to remember for so many reasons. I have never heard of eyelash headlight wipers – what a bizarre concept. Almost as bizarre as fake mud for you to apply if you don’t want to take your precious 4WD off-road. Your eye is so very alert. I’m off to check out Lin Lee-chen.

    Reply
    • I’ve read about the fake mud, and (ages ago) saw a photo of a Range Rover that could be bought with fake mud artistically streaked on! (But then, I’m in love with the old unglamorous long-wheel-base Land Rover — none of this precious Range Rover nonsense)

      Reply

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    "Traveller, there is no path. Paths are made by walking" -- Antonio Machado (1875-1939)

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