17 April 2022 – Wisdom courtesy of Eeyore, who was always my favourite in the Hundred Acre Woods cast of characters (and as drawn by E.H. Shepard, thank you, none of that Disney nonsense). Not that Eeyore was even remotely in my mind, on either of the Friday-Saturday walks I’m about to show you.

But later, looking at photos with their various camera angles, two references came to mind. One was that corporate stand-by, the 360 Review: assess from every angle, not just a chosen few. The other reference, which amounts to pretty well the same thing, is the advice Eeyore gave a flustered Piglet and eaves-dropping Christopher Robin, back in 1928:

“Think of all the possibilities, Piglet, before you settle down to enjoy yourselves” (The House at Pooh Corner, chapter 6, by A.A. Milne).

I love it, I’m glad I remembered it. Because … that’s what we’re all doing, isn’t it? There it is, in your posts and mine: we bounce around, full of curiosity, we notice all those 360-possibilities, and we enjoy ourselves.

On Friday, heading north-west down an alley, my enjoyment is distinctly vertical. I’m captivated yet again by a line of H-frame hydro poles.

I look up …

and up …

and finally away, as my eyes track those wires off into the sky.

Saturday has me walking north again, but this time veering east not west, down to Great Northern Way by the Emily Carr (University of Art + Design) campus.

Where I look down, not up.

Construction for the Broadway Subway is all around my neighbourhood. This mammoth hole in the ground, nicely framed for sidewalk-superintendent convenience, will eventually become the Great Northern-Emily Carr station on the new line.

From eyes down to eyes up, as I pass Emily Carr. Skateboarders are clacking away on an unseen obstacle course to my left, while Kandis Williams’ Triadic Ballet silently unfolds on the wall screen to the right of a building entrance.

Just east of the university, in front of the Digital Media Centre, I literally do a 360 review. First, I am in front of this striking red heart. Striking, but awkward in its placement.

Then I circle around, and read Ron Simmer’s explanation.

I think it’s wonderful, and I no longer care about the ungainly placement. It’s all part of the vulnerable charm of this survivor (and the dotty determination of the man who rescued it).

On east along Great Northern Way, and then eyes all over the place as I head north on Clark Drive.

Below to my left, protective arched screening over the Millennium Line tracks, beyond that railway tracks with all those colour-block shipping containers rolling past; straight ahead, only slightly upwards, the Expo Line as it crosses Clark; and ‘way beyond that, very up indeed, those Coast Range mountains.

Plus — back to right here in front of me — an old-fashioned street lamp. Charming, and still part of the mix.

Nothing charming about the next bridge I cross, which I meet after exploring northward-then-eastward and finally back south again on Commercial Drive. The best you can say for it is, it’s functional.

Until you read both plaques. (“Explore all the possibilities…” Thank you, Eeyore. Got it.)

Plaque on the left announces the civic factoids of this Commercial Drive Bridge. Plaque on the right is a whole other, human story.

One last spin-around when I’m back in my own neighbourhood, as I cut through Guelph (aka Dude Chilling) Park.

To the north, the cherry trees that line East 7th Avenue (Kanzan cultivar, the Blossom Map tells me) …

while to the east, there are members at work in the Brewery Creek Community Garden, children playing on the swings, and over toward the south, a group of seniors just hanging out.

Meanwhile, on his plinth by the southern park edge, the eponymous Dude is also hanging out. Just chilling, right along with the rest of us.

I look back over my shoulder, catch this fresh new baby Kanzan blossom emerging from a mossy old tree trunk …

and walk on home.