Strathcona: Cats to Containers

23 May 2022 — A sunny holiday weekend & I’m in East Van’s somewhat raffish Strathcona neighbourhood, which began attracting settlers in the 1880s and is thus the oldest in the city. (Well, “old” in settler terms, but nothing special for the Coast Salish peoples, who have been here for millennia…)

But I am here today, and not arguing with anyone or even with history. There is peace & good humour all around, starting with the cats I happen to meet.

Lucy (as her name tag later explains) is bolt upright on her bench, roughly at the transition point between the historic Chinatown district and Strathcona to the east. As a friend later remarks, she looks for all the world as if she is waiting for someone to deliver her latte.

Next cat is indoors, neatly framed by that dramatic red duct tape, and almost invisible. Locate his white central pattern, and imagine the black that surrounds it.

Final cat is also the other side of a window, but oblivious to all. “For the cat,” says the pillow beside his bed, and his flanks, softly rising/falling/rising/falling as he sleeps, prove that as far as he is concerned, everything is for the cat.

Enough cats. Think gardens, nature, greenery & blossoms leaping up as spring finally takes hold.

There are planned gardens all around, this one literally rising to the demands of its topography (and reminding me of Upper Beach gardens among Toronto ravines). Bonus: the mid-century Vancouver Special architecture of the home up top.

Some yards are just as bright, just as exuberant — but untouched by human hand. Nature Gone Wild, is what we have here, in this totally untended forecourt, and isn’t it terrific?

Then there’s the whole art-in-Strathcona experience.

Some of it official, indoors, in galleries. Like the very engaging Gallery George, whose current show, Ebb and Flow, lures me inside. Nautical theme; diverse media to express it, including these duets of blown glass to driftwood.

No need to visit galleries, however appealing.

Just walk down a few streets. There is front-porch art (here, a woven hanging)…

side wall murals (I wait for that white spud.ca truck to pull away before I can get the shot)…

even rock art, this one in a parkette at Hawks & East Georgia.

I’ve seen a few other story stones, notably over by Vanier Park. It seems to have been a Millennium project, collecting local stories to incise into rocks to honour a specific street, memory, person, time. Here Dr. Anthony Yurkovich, who worked his way through medical school in local canneries but later became a major civic benefactor, describes his young life At Home on Keefer Street.

It begins: “At Christmas 1934 my father came home from the Tuberculosis Hospital knowing he was dying…”

I take that in, then walk north on Hawks and move from rock art to found-object art. Specifically, two ancient wash tubs back-to-back with plant life valiantly fending for itself in both, followed by (that rusty rectangle farther north) an equally ancient bath tub. Whose plant life is also a survival experiment.

Beyond the bathtub, at Hawks & Keefer, a fine if somewhat fading example of street-intersection art.

It leads us very nicely into examples of historic housing, because that red awning marks the Wilder Snail Neighbourhood Grocery & Coffee store, housed in a 1910 building. I go in, you knew I would, order my latte and then sit for all the world like that first cat we met — neatly arranged in my space, alert for the signal that my coffee is ready.

1910 fine, but here’s an older building, 1904 to be precise and built by a city policeman — but that’s not the most interesting thing about it. Nor is its period architecture, nor its authentic period colours.

The really interesting thing is the information on that plaque out front. From 1938 to 1952 this was the Hendrix House, owned by Zenora (Nora) and Ross Hendrix, former Dixieland vaudeville troupers, later pillars of the Vancouver Fountain Chapel — and grandparents to Jimi Hendrix. A ’60s guitar trailblazer whose importance I won’t even try to describe, while still a child Jimi often stayed with his Vancouver based family and attended school here for a while.

While alley-hopping my way to Campbell St. between East Hastings and East Pender, I not only meet the sleeping cat I showed you earlier, I notice this fresh lettering on the brick building opposite. Very fresh and bright, and in high contrast to the near-illegible signage below.

Only when I turn the corner onto Campbell, and study the mural map that runs between the alley and East Hastings, do I learn the mystery of St. Elmo.

Find the turquoise lozenge — You Are Here — and read all about the St. Elmo Hotel, right next to it. It was built in 1912 and home, like so many structures around here, to waves of immigrants seeking work and a new beginning. These days, if I’m reading my online search correctly, the St. Elmo Hotel has been trendified into the St. Elmo Rooms, and offers “microsuites” to the middle class — in-comers at quite a different level than their predecessors.

Soon I’m on East Hastings near Clark Drive, eyeing more proof of the new Strathcona: The Workspaces at Strathcona Village. (Soon as you see the word “Village” in a title, you know an old neighbourhood is seriously on the rise.)

I sound snarky, but I’m not. I like it. I like what it is: three towers of mixed residential/office/industrial/retail space, including social housing along with market-price condos. I love the jutting stacked-container look. It’s reminiscent of Moshe Safdie’s Habitat ’67 experiment, and nods very nicely to the ubiquitous containers of today, which bring everything from everywhere via ship and rail and are then endlessly repurposed.

I’m on the far side of the street, just where Hastings flies over some streets and parkland below. I look over the edge on my side, and there they are.

Containers!

I laugh. It all fits together.

Along the Spine

11 September 2021 – “Yes,” we decide, studying the print-out of a Mural Festival neighbourhood map, “Strathcona’s a good choice. Nice cluster of murals along that Cordova/East Hastings spine between Heatley and Campbell.”

We each have some familiarity with this east-of-East-Van neighbourhood, my friend much more than I, but it’s the first time we’ve come here focused on murals. Not that we care that much — it’s good walking territory, no matter what.

But, oh yes, there are murals!

We stand on Campbell, laughing with delight as we stare westward down the alley between East Hastings and Cordova.

Flowers to the left of us …

dancing aerosole cans to the right …[

after that a three-storey building painted top to bottom, side to side …

and just a little farther along, this bold triptych, its cheerful style in stark contrast to the fencing and razor wire that protect it.

Strathcona is a decidedly mixed neighbourhood, with problems as well as gaiety. All the more reason to admire and salute everything they do so well, while dealing with their other realities.

Same alley block, yet more charm. This time an ocean-to-mountains-to-ocean mural, starting at this end with a leaping whale and (off the lower-right corner of the window, by the downpipes) a yellow pop-up seal …

and ending, on the far side of the mountain range, with the world’s most adorable little otter, waving his paw.

We’re out of the alley now, on Cordoba itself & heading for Heatley, thinking everything else will surely be an anti-climax.

Wrong!

That VW bug need offer no apologies. Even if the pigeon is unimpressed. (He’s there. You’ll find him.)

Barely onto a city street proper and we’re off it again, pulled into yet another alley to investigate flashes of colour obscured by the street-front buildings.

This is what we wanted to see close up, my friend telling me the history of this old family company while I go goofy-happy about the colours, the typography, the peeling paint, the paint-brush image on that open door.

Another voice, unexpected and unexpectedly close, urges me to take a picture of that as well.

I look up. The workman, carefully balancing his take-out coffee in one hand, points across the alley with his chin. “That,” he repeats. “Look!”

Yes, wow, look.

I ask if he’s a fan of street art. He waves aside the abstraction, sticks to the reality of this alley. “I work here,” he says. “Watched them paint that. I like it.”

I catch up with my friend, who is talking with some Harm Reduction workers down at the Hawks end of the block. I contemplate this … what? tea ceremony? … mural.

We emerge onto Hawks, look back down the alley, bright murals of assorted eras to both sides and there, on the left, the alley end of the East Van Community Centre garden that stretches up to and along East Hastings.

As we skirt the garden, we exchange nods with a middle-aged man at one of the picnic tables by the sidewalk, and then fall into conversation with him. He looks like he has known a tough life, but there is peace and dignity in his posture and he describes current produce in relaxed, clear, well-chosen language. He knows a lot about gardening, we later agree.

“Go look at the pumpkins,” he urges us, and crinkles his eyes in farewell as we nod agreement and head off down Hastings, to look for the pumpkins.

A while later we’re at Campbell and East Hastings, waiting for the light to change so we can claim the car and go have lunch at Finch’s up on East Georgia.

I stare kitty-corner across the intersection at the housing development on the other side. It’s Moshe Safdie’s Habitat 67 reborn right here in Strathcona, we agree — but a lot more colourful. (And more affordable.)

We fall into city-as-art-installation mode. Look: the colours of the building reflect the colours of the banner and the traffic signals.

Enough art appreciation. We’re off to Finch’s.

  • WALKING… & SEEING

    "Traveller, there is no path. Paths are made by walking" -- Antonio Machado (1875-1939)

    "The voyage of discovery is not in seeking new landscapes, but in having new eyes" -- Marcel Proust (1871-1922)

    "A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities" -- Rebecca Solnit, "Wanderlust: A History of Walking"

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