Sun X 2

15 March 2026 – Needles of rain and 5C as I start this post, but we’ve just had two consecutive days of sunshine. The first unexpected, the second predicted, and both a reason to go walk by the water.

Certain the gloom will persist or worsen, we linger over a long café lunch. Suddenly the sky is bright, so we abandon indoors and set off for Kitsilano Beach. Our route takes us north on Cypress Street — where of course I notice winter moss.

By now, it’s not the only act in town. Plum blossoms are out everywhere you look, including right here.

We could stick with Cypress and get to the water the obvious way, but we don’t.

This alley…

offers one bright garage door, plus a less-obvious way to reach the water, from another angle.

Once there, a pole-top gull — undoubtedly in the pay of the tourist board — welcomes us to English Bay and a long view of all those freighters waiting their turn to carry on down Burrard Inlet to the Port of Vancouver.

Smooth sand in front of us, just waiting for volleyball season, but over there, a bit to the east, a great spill of rocks.

They guard the entrance to False Creek, which in turn leads the eye on across the water to Sunset Beach and the towers of West Vancouver.

Drop eyes instead to our own toes, and the reward is the interplay of seaweed, gritty sand, mussel shells and the angles and colours of each individual rock.

We backtrack throughVanier Park, drawn by the shrouded boats and bright Blue Cabin, all tucked up in Heritage Harbour.

This is the free, outdoors, floating component of the adjacent Vancouver Maritime Museum, offering a curated collection of vintage wooden boats and currently also hosting the Blue Cabin arts residency program.

We prowl each walkway, peer into the tent sheltering a restoration project…

and compensate for mostly shrouded boats by at least reading their historical signage…

and enjoying the dance between red bumper balls and glittering shafts of open water.

Counting on sunshine (though well-bundled in winter clothing), I set out for a planned morning walk. This one will set off from Tsawwassen, in the City of Delta, and our rendezvous is the St. George SkyTrain station in the neighbouring City of Surrey.

The angles and brilliance of the building right next to the station…

are in dramatic contrast to the flowing lines, and the very different brilliance, of our chosen trail.

We’ve just taken the 12th Ave. entrance to the Dyke Trail, in Boundary Bay Regional Park.

This is a great, long curving ribbon of a park, all along the curve of Boundary Bay itself, and we’re here for the curl at the Tsawwassen end of that ribbon, looping south to Centennial Beach and around. We decide to walk out along the dyke, and then return on the Raptor Trail, in behind the dunes.

Plum blossoms here too, this time paired with the rough gold of winter fields rather than the emerald of winter moss on trees.

We’re nowhere near the Raptor Trail, not yet, but we meet one anyway — a juvenile Bald Eagle, peacefully contemplating life down by the water.

He’s not eating anything, he’s not doing anything, and he has no interest in any of us.

We are all extremely interested in him, however! People point, murmur, pass news about him one to another all along the trail. Farther on, a woman comfortably snugged down in a hollow, cradling the great long telephoto lens of a true twitcher, assures us she has already seen him, photographed him, and is now more interested in all those Black Oystercatchers at this end of the trail. (We turn our own attention to Oystercatchers for a while, glad that someone has identified them for us.)

We pivot at Centennial Beach, turning inland slightly, in between sand dunes, to join the Raptor Trail. Right on cue, a Coopers Hawk, silhouetted against the clouds.

Good grief, it is windy. And, good grief, that makes it so much colder! Little giggles of delight when, just for a moment, the wind quits smacking us around. My companion wishes he’d brought his tuque; I am smug with the earflaps down on my winter hat.

But no complaints. It is a glorious day. and the nip in the air puts that much more snap, that much more energy, in our walk.

A pause to admire this elegant Great Blue Heron, so very vertical…

and the Mallard in the adjacent rivulet, so very horizontal.

Another pause, for the exuberance of this tree, throwing its branches at the sky…

and a final pause, a giggle, a poke in each other’s ribs, at the very different mood evoked by these trees…

knocked crooked and proof that there are some very industrious beaver in the area.

Time for lunch. We set off, chattering about all we’ve seen and agreeing that we’ve had huge good luck with the weather.

(Still needles of rain, as I finish this post, and by now only 3C and heading on down the scale.)

We Amble

14 February 2026 – Yes, we amble. We are ambling. Were we in West Yorkshire, mind you, we’d be bimbling. But we are not there. We are here in West Vancouver — in Ambleside, in fact — and we are definitely ambling.

(If you’d like to get all lexicological about these delightful words, I suggest you click on the post bimble or amble? in the Walking the Wolds blog. It will equip you to win any pub quiz on the topic, any time, anywhere.)

However my mind is not, at the moment, deep in these words. It is, like my eyes, focused on this building.

We are closing in on the Ferry Building Gallery, which indeed began life more than 100 years ago as a ferry terminal but is now a community arts hub.

The art begins outside, with a giant Pacific squid…

which was constructed last August by eco-artist Nickie Lewis from all-natural materials, and will remain on display until those natural materials begin to decompose.

No sign of that yet, the fibres and their ornaments are still full-on dramatic & vigorous.

Close to the door, a Witch Hazel shrub bears its own ornaments, a spray of bright new blossoms.

Not why we’re here!

We’re here for this:

the Gallery’s Interlace exhibition, whose seven artists have in common their primary materials of fabric, thread and wool.

Woven hangings (Shield, Haley Hunt-Brondwin)…

explosions of silk, leather, wool and thread (Home, Lorna Moffat)…

intricately looped & stitched…

artificial sinews (Untitled, Reggie Harold), looking very natural…

and then what, from a distance, could pass for an impressionistic painting of a stroll (an amble, a bimble) in the forest.

It is indeed forest, Stopping by the Woods (Eric Goldstein), but step closer and you see…

the play of burlap fibres, gold foil, resin and wood.

In the Gallery alcove, 13 circles making a circle. Moon Circles (Madwyn McConachy) is the artist’s tribute to the 12 monthly moons plus the “mystery moon,” the blue moon (on the left, with bright blue wool).

Over on the right and a little lower down, the Red Sturgeon Moon of August…

a “stitched medication on season, subtle change and belonging, within the natural world.”

Finally, we take ourselves back into that natural world.

We look south & east across Burrard Inlet toward Stanley Park, where a freighter is about to make its way under the Lions Gate Bridge and on to its assigned anchorage in the Port of Vancouver.

We head the other way, west along the Seawall toward Dundarave. The rain is holding off, and gulls & crows are busy exploring the sands, with one more crow swooping in to join them. (Yes. That is a crow flying over the water, not a Coot in the water.)

Down through Lawson Park, with a naked deciduous tree to our left, a clothed evergreen to our right, and, poised high between them, a ghostly sun wrapped in cloud.

More gulls in the kiddy playground, this time perched high on a shipwreck mast.

(One, but only one, of them is real.)

Across one of the rivulets feeding into Burrard Inlet, a long view back toward the bridge…

and then the next rivulet, with its point of rocky foreshore and a patient mum who holds her toddler by the hand. She is watching her slightly older son do what children always do, faced with water and rocks…

namely, hurl the one into the other.

We also watch, but only for a moment.

Then we do what adults do, at mid-day after a gallery exhibition and a pleasant amble along the Seawall.

We lunch.

We walk purposefully (not amble!) up to Marine Drive & into the Vietnamese restaurant Wooden Fish, where we give ourselves over to the pleasure of heaping bowls of Bun Cha.

SeaBus & Showers

16 March 2025 – If my 1 March post was a love-letter to urban clutter, this one might strike you as a love-letter to maritime clutter. At least, while still on the Vancouver side of Burrard Inlet.

I’m in the long approach to the Waterfront SeaBus Terminal, in the connector between Waterfront Station, with all its urban transit links, and the SeaBus Terminal proper, down at water level. It’s a sunny/cloudy/rain-splattered day, with the intervals of sunshine throwing long shadows across the walkway.

But where’s the promised clutter? you ask.

It’s coming.

I slow down. The next ferry will depart in 1 min. 27 sec. time (the count-down screen is counting), and I know I won’t get to the waiting room in time. Nor does it matter — the ferry after that is the one I want to take, the ones my north-shore friends will meet.

With no need to hurry, I look around.

There’s the Vancouver Harbour Heliport, caught in the V-slashes of these window frames, with a helicopter on the pad, and maritime clutter all around — a line-up of harbour cranes, stacks of shipping containers below their voracious grasp, and two crows on the light standard so you know you’re in Vancouver. Plus reflections dancing merrily on the window pane.

Either you think the reflections spoil the picture, or — like me — you enjoy them as part of the moment, more visual information jumping into the story.

Next window pane offers rain splatters as its contribution to maritime clutter, and the view of a laden freighter, just starting to make its way back up the Inlet toward the Pacific Ocean and its next port of call.

Low-hanging clouds in that scene as well, running horizontal streaks across the mountains beyond, and snowy peaks above all that. (Nature’s own clutter.)

More clouds, more containers, more cranes — all caught in a fleeting glimpse as the escalator rolls me past another window on my ride down to sea level.

The waiting room window shows me the back end of the ferry I missed, making her stately way past the nearest cranes…

and the scratched & splattered window of the ferry I catch rewards me with sun dogs that bounce silver across the water. (Brooded over by those cranes.) (And by pale reflections of overhead lights, here inside the ferry.)

No scratches in sight, once I’m off the ferry and halfway up Mount Seymour, going walkabouts with my friends. Rain drops, yes — but as sun showers on our heads, not on a window. Reflections, also — but as rain crystals that turn the winter moss to neon.

Just look at it!

We pass endless happy dogs, whose owners laugh when we apologize to the woofs that all we have to offer is adoration, not treats.

I point out a dramatic tree trunk, beside the path. Wow, says my friend; even more shredded than a few days ago. Those Pileated Woodpeckers have been busy!

Not to be outdone by hungry woodpeckers, we return to their place and show what hungry humans can do to a post-lunch treat of dark chocolate and dark coffee.

  • WALKING… & SEEING

    "Traveller, there is no path. Paths are made by walking" -- Antonio Machado (1875-1939)

    "The voyage of discovery is not in seeking new landscapes, but in having new eyes" -- Marcel Proust (1871-1922)

    "A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities" -- Rebecca Solnit, "Wanderlust: A History of Walking"

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