3 Things About P-D Rain

22 November 2022 – There are surely many more things to know about seriously pissing-down rain, but here is your starter’s kit of three.

1 – In Nature

The Burning Bush (Euonymus alatus) still deserves its nickname.

2 – In Shops

The doorway umbrella stand is chock-full.

3 – In Pedestrians

Here you have to take my word for it. As we cross paths on the sidewalk — splish-splosh in our wellie-boots, zipped up in our Seriously Waterproof Coats — we wrinkle our noses at each other in amusement.

“Isn’t this the silliest weather ever?” our noses ask each other, and we beam agreement as we walk on by.

Taking the 5th

15 November 2022 – Not “the 5th” as in a self-shielding legal manoeuvre in a US courtroom. Instead, “the 5th” as in bouncing down Vancouver’s West 5th Avenue, wide open to the cultural/commercial fizz erupting on all sides.

Fizz indeed. I’m in the Quebec-to-Alberta stretch running through Mount Pleasant, known (well, in real-estate circles) as “Vancouver’s most desirable mixed-used neighbourhood.”

I am all in favour of mixed-use, aka diversity; I grow either nervous or bored when faced with homogeneity. No fear of that around here! While this cityscape has lost any trace of the millennia-old indigenous use of the land, it bears remaining evidence of early working-class settlers, who used their muscle-power either in their own small enterprises or in service of the industrial needs of the CPR. You still see a few auto-body shops, for e.g., but by now the transition from strong arms to strong brains is well underway.

Emphasis on creative/digital brain power.. all wrapped up in green. Proclaiming eco-sensitivity along with floor space. (Cf. my recent Into The City post.)

This brand new “slats” building between Quebec & Ontario…

offers “a superior location” and boasts its high ratings for walking/transit/biking criteria.

→An aside to explain the cross streets: I’m in a stretch named for the provinces in Confederation at the time of naming. They are slightly out of geographical order and include a territory, but let’s not quibble.

At the intersection of 5th and Ontario, older & newer versions of creativity shimmer at each other from every corner.

North-east corner = PureBread café, one of a handful of Vancouver & Squamish outlets for an artisanal bakery based in Whistler; north-west corner = Catalyze Solutions, a real estate project planning firm; south-west corner = Martha Sturdy Studios. It is the home furnishings/decor outlet for this octogenarian artist/ceramist/jeweller/sculptor who is still active, and whose works have been featured everywhere from Italian Vogue to Architectural Digest.

The aesthetic rust sensibility of her studio…

ricochets midway down the next block, to nature’s own rust on this chain. It locks the courtyard gate beside the heritage brick home of Image Engine (“world-class visual effects for film”).

More nature near the corner of 5th & Manitoba, this time yellow flowers that survived the snow and are still perky as all-get-out.

They sit in front of another artisanal bakery, Terra Breads. Together, they play compare/contrast with high-tech parking and the shiny-new neon-green “2131” building kitty-corner.

Completed last year, says the online promo, it provides office and light industrial space for a number of tenants, including AbCellular Biologics.

All very fancy and brainy and new… but with older art styles as the streetscape context.

Right across the street, this 2019 Vancouver Mural Festival wall…

back on 5th and just west of Manitoba, some grotty-old, unapologetic-old, roof-top graffiti…

and a tad farther west again, two doorways plastered with stickers.

I am not a stickers fan. Don’t get it. Grumble, grumble. But I read these, and… oh all right… some are mildly bemusing. “Scrub out racism not stickers” says one; “dump your porn addicted boyfriend” urges another; and another proclaims “timbit taliban,” which I suspect would confuse the Taliban as much as Tim Hortons.

More mixed-use, as I make my way from Manitoba to Columbia: Maison d’Etre Design Build (surely the world’s best bilingual marketing pun, but I wish they’d kept the accents), and two beauty-devoted outlets, focused respectively on hair salon supplies, and high-end residential flooring.

Almost at Columbia, I’m stopped flat by the elegant, but enigmatic, signage on an otherwise entirely anonymous building:

It only makes sense much later, when some online scuffling around shows me this used to be a Canadian Tire customer pick-up centre.

5th & Columbia is like a case study in past-present-future.

The south-west corner lot is for sale, with this tidy but older home surely doomed. (Note the home immediately beyond — beautifully painted, its owners raking leaves and very much not for sale.)

Facing the for-sale, an already-sold: something new rising up from the ground on the north-west corner, bearing the name Renditions Developments and promising “a new chapter.”

Beyond that, continuing west on 5th, wonderful names for what I fondly hope are wonderfully creative little boutiques — Rad Power Bikes; Hot Sauce Digital Marketing; Adventure Technology; Black & White Zebra. (And somewhere in here, I forget exactly where, the offices for the newspaper Vancouver Is Awesome.)

Corner of 5th & Alberta, a very empty, very space-y, space, announcing “This must be the space.” Tenants yet to arrive.

Kitty-corner, a space already full of tenants: Beaumont Studios — outdoor courtyard; indoor venues available for events; and an artists’ collective of rental studios.

I cross over, walk along the mural, contemplate the humanoid at the end.

Pop-eyed in amazement, as seems fitting, and with hands raised either in horror at recent developments…

or to warm them at the flame of all this new creative energy.

Take your pick.

Deosil, Around the Pond

30 October 2022 – I have neither pond nor this extraordinary word “deosil” in mind as I pick my way through the Woodland Garden, one of the areas within Vancouver’s VanDusen Botanical Garden.

Instead, I am looking for a very specific image — the visual echo of one of my recent stacked-stone photos in Stanley Park.

This is the photo I have in mind.

There they are, a stone couple stop their rock, looking out across English Bay to the far freighters.

And here I now am in the VanDusen woods, where — yes!– I find what I am seeking….

a red cedar couple atop their knoll, looking out across Livingstone Lake to the Visitor Centre.

Different scale, different material, and a known sculptor, but there’s my visual echo, and I am happy.

I circle the installation before moving on.

It’s one of my favourites: Confidence, 2012, by Michael Dennis. (Among his other works, one I show you frequently: the eponymous Dude, aka Reclining Figure, in Dude Chilling Park.)

I decide to go walk around the Cypress Pond, partly because it’s near-by and mostly because I just plain like it a lot. Quickest way there is back through the Woodland Garden, where nature’s dramatic fall colour contrasts punch me in the eye…

before I emerge onto the path just south of the pond.

If we think of the pond as hat-shaped, its crown to the north…

I’m now at the lower right, eastern edge of the brim.

Purely on whim, I decide to walk clockwise, water to my right, rather than my usual counter-clockwise.

“Widdershins!” I think happily to myself. Such a ridiculously wonderful word and now I can actually use it. “I am walking widdershins….” Oh, um, oops. Which way ’round is that? So, later, I look it up and, thanks to the Waning Moon website for southern-hemisphere “lovers of Earth’s mysteries,” I discover the etymology and definition, not just of widdershins, but of deosil as well.

Deosil! In all my decades of life, I had never heard that word. Now I not only know the word, I am able to tell you that, in choosing to walk with the pond to my right, I am walking deosil, not widdershins. The persistence of language! From their Scottish Gaelic/Middle Irish/Lowland Scottish/Germanic origins, through their centuries of misspellings and re-spellings — they are still with us today, two ancient words to distinguish right-turning from left-turning.

All that book larnin’ comes later. Meanwhile, back here at pond’s edge, I soon forget fancy language, and just start my loop.

There’s the pedestrian bridge to the north, as I set off from the pond’s south-east corner.

I follow that southern edge, and then make a right turn onto a trail cutting north through the woods on the pond’s west side. It offers me more dramatic fall contrast of colours, this time in a Lebanese Cedar.

Talk about colour-blocking! I walk close…

and then really close…

and finally back off, back to my trail.

Nobody is sitting on the little bench just south of the bridge, not in today’s chill, and no turtles are sunning themselves on the rocks either.

About to step onto the bridge, I pause to enjoy the reverse view, west to east, and the way drooping tree branches frame the view (Sweet Gum on the left, Bald Cypress on the right).

Droplets from the morning showers still glisten in the Cypress needles, and a Red Maple beckons from the far side.

Off the bridge now, into the Eastern North America woods to the east of the pond, with more bright blaze from some Red Maples.

Completing my deosil loop, I’m back where I began. I give the pond one last glance…

and head indoors.

I’ll approach the café either deosil or widdershins, and who cares? Either way, there will be a latte at the end of the loop.


And then…

25 October 2022 – And then… at last…

it begins to rain.

It beats a soft tattoo on the hood of my Seriously Waterproof Coat, and it makes gleaming magic of the every-day.

Fallen leaves…

garden rocks…

a stretch of sidewalk…

with puddle lakes & dancing raindrop circles…

a water fountain…

with its own dancing raindrops, real and painted…

chair circles in Dude Chilling Park, usually occupied & invisible, now empty & visible & admirable, a reminder of all the conversations, all the neighbourhood connections, that they (literally) support…

and the Dude himself…

who hosts us all.

“Mini-Miracles”

17 October 2022 — These cranky days, even a mini-miracle is a major miracle and I’ll say thank you and hold it tight. Viewed that way, my walk centred around the St. George Community Library is to be celebrated.

My plan: drop off three books as donations to the “St. George Community Library” — in quotes, because if you now expect bricks & mortar, you are out of luck. As a 2012 Globe and Mail article explains, it’s a couple of planks street-side on East 10th near St. George, here in the Mount Pleasant neighbourhood, with a bit of tarp over top and the invitation to lend or borrow, give or receive.

I’ve received more than once, time to give.

En route, I angle through Dude Chilling Park, where I notice the leaves now flaring red…

and the tents down the pathway between the park and the adjacent school, proclaiming that the local farmers’ market is in session.

I visit the market, and find myself mesmerized by the pavement beneath my feet. It is brightly painted, a reminder that normally this cut-through serves schoolchildren. I stand there, giggling at some of the juxtapositions between permanent paint and temporary market signage.

There’s the hopscotch tucked behind today’s sorbet bars…

the chubby hand grabbing for those wonderfully multilingual eggs…

the blue-cap guy roaring approval for “absolutely NO pesticides” in the squash…

and all those teeth eager to sink into local frozen berries.

Mind you, some signage is temporary, and purpose-written for today’s visitors.

Off I go. I have books to donate.

On up to East 10th, left-turn east onto East 10th & on past St. George.. But before I get to the library shelving, I stop at the corner display. I think of it as the Gratitude Display, not that it has that official name, but there it always is, prompting us to be grateful for something seasonal and providing the materials needed to write up our response & peg it to the line.

With Thanksgiving just past and Hallowe’en almost here, the theme is obvious and the message silhouettes are pumpkin-shaped. The lines are bowed with suggestions; here is my favourite.

And so, enjoying the concept of mini-miracles, I walk on.

First to donate my books (a mini-miracle right there, that this two-plank “library” still thrives, at least a decade after its founding); then to visit the curious garden a few doors farther down the street.

Another noun deserving quote marks: this “garden” consists of a tub balanced on the nude legs/hips lower half of a mannequin, filled with assorted succulents and a collection of tiny naked plastic babies escaping from one container or another, the container varying with whatever whim currently strikes the gardener’s fancy.

I look to see what’s current.

Turquoise peasant clogs, is what. I think this is quite wonderful in a totally goofy “either you love it or you think it’s stupid” way. I also love the conker — the gleaming horse chestnut, still fresh and mahogany-bright, and so very seasonal.

I walk on, my mind now snagged on conkers and the game little boys played with them early in the last century (as recounted to me by my father). The game may be old memory, but the sound effects are right this minute: conkers are thudding down all around me from the trees towering over my head.

My mind moves on, from conkers back to that concept of mini-miracles. Thus encouraged to see them, I do see them, and I define them broadly.

For example, in the joke of these Monkey Puzzle branches tickling the armpits of a bungalow at East 10th & Prince Albert…

in the open embrace of this vintage home, all verandahs and balcony, at Prince Albert & East 19th…

and, right across the street, just past the volunteer-tended traffic circle garden (suffering the ban on watering), in the striking silhouette of St. Nicholas Russian Orthodox Church.

As I stand farther up Prince Albert, admiring the side view of the cross on the building and the cupola on the garage…

I can hear a congregation singing a hymn. Not in St. Nicholas, where children are now playing outside the church, but through the open doors of the Chinese Tabernacle Baptist Church one street farther south.

Another mini-miracle I’m happy to add to my day: peaceful diversity is always good news.

So I am perfectly content as I carry on south for a while, then finally loop my way back west-ish and north-ish. A short pause in Robson Park, with more autumnal conkers literally at my feet…

and I walk on home.

ShadowLand

13 October 2022 – A land I walk, one half-hour this sunny afternoon, along the south-east end of False Creek.

There is ShadowGate, on my street-side right…

ShadowWall, across the water beyond Hinge Park…

ShadowChairs, clustered close to Olympic Village…

ShadowGrid, west of the chairs…

ShadowBridge, east of the chairs…

and finally…

well, of course…

ShadowMe.

… And Into the City

30 September 2022 – All those mountains/lakes/canyons/trails/fields/elk/sheep/cows.

And now, some pavement.

I head north-west in my own Mount Pleasant neighbourhood, a community just off-centre from downtown. It’s an early community (as settler history here in Vancouver goes), more worker than boss in its demographics, with an industrial phase built around servicing the railway, subsequent decline, subsequent admixture of artists (of all types) & small-scale entrepreneurs (ditto), and now — though interrupted by COVID — a push to make this the heart of the city’s high-tech, sustainable, innovative future.

I don’t have all this consciously in mind as I set out. I just set out. And I immediately begin to see past & future piling up all over each other. Literally on top of each other, here on the N/W corner of East 7th & Main.

Fact is, I’m not terribly drawn to these murals, but I am fascinated by what they represent.

Each fabric panel, tacked to existing backboards, is a work created in the Murals Without Walls workshops run by Kickstart Disability Arts & Culture as part of the Low Barrier Arts Program of the 2022 Vancouver Mural Festival. These new panels sit atop now-fading 2017 murals, painted onto parking spaces in what was then a municipal parking lot, as part of that year’s Mural Festival. (Oddly, not shown in the VMF photo gallery, but still alive in my personal photos.)

So I do have past/present in mind as my feet decide to turn right onto Quebec Street and lead me down-down-down, north-north-north, toward False Creek.

You want future? I’ll give you future — 2025, to be precise. Right at the next corner.

I read the signage and decide to include the whole thing in this post. While the language is PR-bravura, it is instructive to notice what companies want to boast about, these days. Starting on the left…

and sweeping to the right.

T3, I later discover online, stands for Timber/Transit/Tech. This will be Western Canada’s largest, tallest mass-timber office building: “transit-connected, tech & amenity-rich”; “one of the most environmentally-friendly, sustainable and wellness-focused developments in Vancouver”; “in one of Vancouver’s most dynamic and creative technology hubs.” The project will include the renovation of the now-delapidated building whose peaked roof juts above the signage, and its use as an arts centre, run by the City.

No, I have not turned into a company shill. But yes, I’m glad that these are now project ideals, however imperfectly they may be carried out. (And indeed, however imperfect time may show them to be, even as ideals.)

Pre-COVID, another complex had already led the way. Here at Quebec & East 4th: “Canada’s first completely net-zero work environment.”

It is one structure in the 5-building, 4-city-block Main Alley Campus that consists of three new buildings, one addition to an existing building and one renovation. I don’t know, nobody yet knows, where high-tech workers will end up working, this side of the COVID watershed. From home? Back in an office? Hybrid?

Main Alley perforce gambles that they will return to the office — those structures have already been built. It’s interesting to see that T3 is going ahead, an expensive vote of confidence that the future will be significantly physical, as well as virtual.

I confess that I like the broad-strokes vision, the idea that some environmentally & culturally responsible complexes will nurture a sustainable, inclusive and creative tech economy here in Mount Pleasant.

Even so, I don’t want new complexes, however admirable, to steamroller everything else out of existence. I want continued space, a continued welcome, for the little guys of every type and gender.

Just walking on down Quebec, I see examples of what I mean.

There’s the multi-generation John & Murray Motors Ltd., near East 3rd…

there’s the relatively new Fife Bakery, just around the corner on East 3rd…

which leads me a few more steps, to the mural wall right next door for JFS The Kitchen.

Later I discover this is the hub for the Jewish Food Bank, a partnership of JFS with the Jewish Federation of Greater Vancouver. (Not all is shiny-beautiful, either in Mount Pleasant or in the City as a whole.)

Another automotive shop, complete with this stunning old Chevy, as I angle through the alley between 3rd and 2nd…

and then the 1912 brick majesty of the Quigley Building at 2nd, which houses Earnest (“seriously good”) Ice Cream.

I want all of it. The big new, the small new, the old.

New builds on Main, fine — but I want still to peek through the courtyard to the alley, for a glimpse of Carson Ting’s contribution to the 2017 Vancouver Mural Festival.

[

We need it all. If nature has shown us anything, over all these millennia, it is that diversity is the robust option, not mono-culture.

Blanket to Binoculars

20 September 2022 – Remember Port Hardy? A 16-hour ferry ride to get there from Prince Rupert; a midnight-plus arrival; and a no-foolin’ early departure that very morning.

Why? you may ask.

To catch another ferry.

Port Hardy – Campbell River

We do not complain.

We are aboard the K’ulut’a, making the 40-minute hop from Port McNeil to Alert Bay on Cormorant Island. Our destination is the U’mista Cultural Centre, whose mission is to strengthen the culture of the Kwakwaka’wakw people. It houses — among other resources — an important collection of repatriated potlach and other ceremonial objects.

By chance, I receive an introduction to the culture of the potlach during our ferry ride.

It is with their permission that I fall into conversation with these two young women, learn something of the work they are doing, and take these photos (which I also send to them). They are finishing a blanket that will be draped around a two-year-old’s shoulders as part of ceremonies to be held this evening in the Big House. “Just during the ceremony,” they explain; “then it will be put away.” They work as they talk. “This is my great-grandmother’s design — wolf, because that is our clan,” says one.

They attach the last buttons as we begin to pull into Alert Bay. “Thank you!” I say. “Enjoy your visit to U’mista!” they say.

We are a few minutes early for our appointment to visit the Cultural Centre, which is being opened today only for our small group. While waiting, we walk about the adjacent park and play area, where inviting swing ropes hang from trees and the waterfront glimmers through the lingering mist.

Later, as we watch a documentary about the power and significance of the potlach ceremony (“We dance to celebrate life, to be grateful for what we have, to show our history”) and then walk quietly past the Potlach Collection (items laboriously repatriated from the private and institutional hands that had seized them), I think how the ceremony has endured despite everything — how I saw it alive and potent, literally taking new shape and presence in the hands of those two young women.

The mist lifts, the harbour and its boats sparkle in the sunshine…

I peek under the wharf, I am rewarded with fading but still strong murals…

and then we ride the ferry back to our waiting van.

Walk-about time and lunch in Telegraph Cove (fresh halibut), and on to Campbell River and a quiet lodge looking across a channel to Quadra Island.

Campbell River – Victoria

A civilized (as opposed to Silly O’Clock) start, with time to stand on a wharf for a bit and think about nothing at all.

Away from the beach, into the forest: we visit nearby Elk Falls Provincial Park and wind along the trail, through the trees, down and down.

With more down to come, right over there

Completed in 2015, this suspension bridge is 60 metres long and hangs a good 60 metres above the canyon bed.

Which helps explain the scale of the protective mesh.

I think of trying to yoick my camera above the wall, but change my mind. An eager boating friend recently watched her camera slip from her fingers and spiral out of sight, lost to the ocean floor. I don’t wish to follow her example, here in a canyon. So… I settle for mesh-wrapped falls.

We drive on down-island, increasingly rejoining the busy urban world as we draw closer to Victoria. Then it is abruptly peaceful once again — our hotel is tucked in quiet surroundings on the West Victoria side of the Inner Harbour.

I meet a city-based friend for walkies & dinner. We prowl the Old Town, reading 19th-c. dates on heritage buildings, discovering street art in alleys, finally doubling back along Wharf St. as dusk begins to deepen.

He sets me a challenge. “Art hidden in plain sight,” he says, and then — vastly amused — plays the old “Cooler, warmer, frigid, hot” game with me until I finally see what I am supposed to see.

I yelp with delight. The Hands of Time: Holding Binoculars, by Crystal Przybille. What could be more perfect? Just one of 12 bronze sculptures of life-sized hands dotted about the city, each set of hands doing something appropriate to the location. As we scoot off to Virtuous Pie for pizza, I make a private vow to return tomorrow, and see the sculpture — and its harbour view — by daylight.

Post-pizza, it’s back to West Victoria for the night via the Johnson St. Bridge. This bridge is technologically impressive — at 46 metres, it is one of the longest single-leaf bascule (rising/falling by counterweights) rolling bridges in the world — and sculpturally beautiful. Technically single-leaf, and visually as well.

We admire its night-time drama…

and then make use of its functionality, to walk our way back to West Vic.

Victoria-Vancouver

Eleven days, 3000-plus kilometres, and whoosh, today is the last day.

Tour-by-van in the morning, including the breezy southern tip of the entire island, in Clover Point Park.

Later, I pass on the Butchart Garden option, consider a revisit to the charming in-city Abkhazi Garden… and settle instead for my first-ever visit to the Royal British Columbia Museum (where I am captivated by the Natural History section), followed by more lazy exploration along the Inner Harbour.

And by a wild-salmon taco lunch from the Red Fish Blue Fish kiosk, where I sit on a bench and watch water taxis come and go. (All very reminiscent of Go Fish! just west of Granville Island in Vancouver.)

One last thing to do, before rejoining the van for one last ferry ride.

See those binoculars by day!

So I do, and I give them a little pat.

Onto the van, down to Swartz Bay, onto the ferry, back into the van, trundle-trundle-trundle back into Vancouver…

And I am home.

Labour Day with The Dude

5 September 2022 – I’m cutting through Dude Chilling Park and see the celebrations: one, two, three.

All around the Dude: baby-shower preparations.

Over closer to Guelph Street, two young women wearing ankle bells, one of them holding a drum and explaining a few last details before starting their dance.

Down by Guelph and East 7th, two slack wires slung among the trees, and two intent young practitioners.

I back up to the park boundary and install myself for a moment on Bei’s Mama’s Bench…

for the long view.

Female slack wire artist, left foreground; baby shower, left distance; female dancers right distance (one each side of a foreground tree); and the male slack wire artist over there on the right.

Here we all are! Chilling with our Dude, this bright Labour Day morning.

“On est bien ici”

28 August 2022On est bien ici reads the little plaque on a bench in Volunteer Park, foot of Macdonald Street, facing north into the waters of English Bay in Burrard Inlet. I agree, one feels extremely contented in this tiny parkette — but it’s just my departure point, not my destination.

I’m going to head down these steps, this breezy bright day …

for a walk along the wild foreshore (i.e. no paths, no development) on east to Kitsilano Beach.

I get my bearings, look west for a moment…

even plonk down for a further few moments onto this chair-shaped tree stump, because who could resist?

And then I start walking east.

“Nobody is happier than a wet dog on a beach,” I say to his amused owner…

“unless it’s a wet dog who has abandoned his pink toy bone in order to snuffle around for a lovely dead fish to roll in,” I add (memories of my beloved Kim-dog strong in my mind). “Shush!” she replies. “I’m not telling him there’s a dead seal farther along.” We agree to keep it our secret.

Rocks & stones & pebbles & seaweed & mussel shells & oyster shells…

and a quizzical couple who wave hands at it all and ask, “Why are there so many oyster shells, and no oyster beds?” We agree we don’t know, and further agree not-knowing does not interfere with our enjoyment. Not even slightly.

A sheer cliff face to the landward side…

and piles & more piles of huge logs, flung around like so many toothpicks by winter storms.

Quiet riffs of acoustic guitar float above the logs.

I eventually see a human head (and a guitar neck) poking above one great tangle of logs. I raise a thumb in appreciation; Guitar Guy says “Thanks!” and we chat. No, your music is not too loud; yes, I know you need to keep your fingers limber; yes, I bet it’s total joy to tuck down among the logs and make music on this beach. I think of adding his riffs sound a bit Leo Kottke-esque to me, but I’m not sure enough of my genre-ID skills to take the chance. (And now I wish I had…)

On east, a few more humans, who are a lot more visible. Yoga Girl and Backpack Boy and (far left) Phone Girl on Giant Stump.

Yoga Girl steps out of her pose, and begins to chant. Backpack Boy is startled, looks back to check it out, and then, reassured, with a shoulder twitch starts walking again.

Phone Girl was, is, and remains oblivious to the outside world.

She has her phone, and her two busy thumbs, to connect her to her ether world…

I’m taking a small gamble as I walk on east. i’ve passed what might be the last staircase to the city above, and a young woman headed west confirms the only way up beyond here is a rock scramble plus steep sandy track by the Kitsilano Yacht Club pier. But hey! I say to myself, it’s all walking. (The long-ago observation of my Tuesday Walking Society co-founder, and only other Society member, who rightly took the position that since we were out for a walk, it didn’t really matter whether we were advancing per Plan A or back-tracking in a hastily concocted Plan B — walking is walking.)

In time I’m approaching the pier and the rock scramble. I’m still far enough from it to tell myself it’ll be easy-peasy… until I see a woman very carefully, very laboriously, very one tricky-step-at-a-time, make her way down the sandy slope and over the rocks. Nope! Not even with my trusty walking poles! It’s Plan B time, and I backtrack to the steps at the foot of Trafalgar Street.

Where I climb back up to Point Grey Road…

and walk along the leafy-groomed-lushly-landscaped road for a while.

I pass a huge sunflower hosting two very happy bees…

and then curve around the side of Kitsilano Beach at Balsam Street, where I see the outdoor saltwater pool hosting happy swimmers…

and then, back up on Broadway, I allow a passing bus to host a very happy me.

  • WALKING… & SEEING

    "Traveller, there is no path. Paths are made by walking" -- Antonio Machado (1875-1939)

    "The voyage of discovery is not in seeking new landscapes, but in having new eyes" -- Marcel Proust (1871-1922)

    "A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities" -- Rebecca Solnit, "Wanderlust: A History of Walking"

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