Benched

10 August 2018 – How much civility is added to our lives by the strategic placement of public benches! They allow us to sit, to consider, to rest, to be at ease in public space, perhaps to share that space with others, or simply to enjoy the present moment — or a succession of present moments, if we are patient enough to allow them to unfold for us, in their own time and way.

I am particularly enamoured of benches at the VanDusen Botanical Garden. They exist in great variety, and in magic settings.

These Michael Dennis red cedar figures (Confidence, 2012) need no bench as they gaze upon Livingstone Lake, but we humans appreciate the one down there in the shade at water’s edge.

It is a classic bench shape ..

as simple and timeless as the lines of a canoe.

I sit there, mentally floating with the water lilies on the lake.

Then I sharpen focus, both mind and eyes, my attention snagged by movement in the lake. One lily pad, just one, is jigging back & forth.

I watch. I wait.

And I am rewarded by the sight of a tiny black triangular snout popping up on the lily pad’s far side. A turtle is busy doing turtle things, and I would have missed it but for my willingness to just … sit there.

Many benches have plaques, most of them just a commemorative name. I am so grateful to discover this one, for it perfectly captures what I am doing, what benches offer us if we come to them on their own quiet terms.

The plaque is attached to this bench beside the R. Roy Forster Cypress Pond — another classic bench shape

From here I often rest my eyes on knobby cypress knees all around the Pond and, one memorable day, listen to a young woman chant mantras at the far end of the floating boardwalk, just out of sight.

Very plain, these flat benches, but they often have ornamentation.

An impromptu walking stick, for example …

or a whole smother-load of plant life.

Another classic bench shape, with arms-and-back, this time also with guy-and-cellphone, up by the Scottish Shelter and Heather Garden.

Same bench shape elsewhere, but minus the guy — and minus a few back slats as well.

All the different ways, to make a bench part of your meandering exploration of this botanical garden.

Walk quietly into the Meditation Garden, rest on a stone bench.

 

Walk the narrow wood-chip Azalea Trail, sit a moment tip-tilted on the world’s most rustic bench …

and, farther down the Trail, sit a more stable moment on the world’s second-most-rustic bench.

Say good-bye to rustic.

Loop to the north-eastern side of Heron Lake, cross the open lawn between the Giant Redwoods and the South African Garden, do a double-take, suddenly realize that the elegant green ellipse down by the water is not a companion sculpture to the David Marshall work in the background …

it is a bench.

That is my discovery this very day, after a year-plus of visiting the VanDusen. So I sit there, and I laugh at myself and all the discoveries we can make as we go through a day. What fun this is!

I think a moment about what I have seen and heard, just by sitting quietly on one or another of their benches — ducks carving a slalom curve through thick lily pads in Livingstone Lake; hummingbirds darting back & forth among shrubs above the Cypress Pond; a heron suddenly landing on (where else?) Heron Lake; chickadees calling; squirrels scolding; ducklings plonking along after mum, past my bench & back to the security of the water.

I walk on, read another plaque.

“A place to sit in the garden.”

Yes. Exactly.

 

 

Eye-Smack

5 August 2018 – I have a plan. (1) Quote “better than a smack in the eye with a wet kipper”; (2) thank Monty Python’s Fish Dance for this immortal line; and (3) segue very niftily to being smacked in the eye with colour.

Then I discover that Fish Dance doesn’t include this line, and that there are a zillion variations on the line, with attributions as wide-ranging as Aussie slang, Uncle Anatole in the Tintin series, and even Dr. Cottard in the 1908 work Du côté de chez Swann by Marcel Proust.

Good grief. Let’s forget all that, and get back to my being smacked in the eye with colour.

Which is what happens during a week of blazing, pulsing sunshine.

Green!

Blue-purple!

Yellow! (bee-flecked with black)

And — just to show nature doesn’t have all the fun — look what happens when you leave the VanDusen Botanical Garden and take the Canada Line downtown to Yaletown-Roundhouse Station.

Underbrella!

Welcome to the new public art installation bobbing among the trees in Bill Curtis Square, courtesy of the Yaletown BIA.

Perfectly sensible adults dance around under it, squinting upwards, and giggling.

 

We are in love with it — at least partially because, as someone suggested, all those brollies currently shield us from sunshine rather than pelting rain.

 

Meditation in a Bog

23 July 2018 – With thanks to Sally, who provided this photo, with this title, which shows Frances (R) and me disappearing around a bend in the boardwalk, among towering trees.

We are indeed in a bog. Burns Bog.

Located on the delta of the Fraser River, and originally some 10,000 hectares or so in size, it is now reduced to about 3,000-3,500 hectares but is still the largest raised peat bog on the west coast of the Americas. The Joho Maps website has a diagram that situates it nicely — and provides a lot of other information as well in its excellent guide to the Bog.

Though, inevitably, now much disturbed by mankind, Burns Bog  is a globally unique ecosystem, a major regulator of regional climate, a stopover for more than 400 species of migratory birds, and is still home to a wide variety of plants and wildlife.

And trains.

Freight trains run along one edge, which is also the side that, in the Delta Nature Reserve, affords the only public access. As we descend into the Bog proper, we hear and then see a train train start rumbling by.

It takes a while, freight trains being the length they are.

Clatter-clatter, rumble-rumble, thump-thump, squeak-squeak…

Then all those other sounds of train-in-progress give way to the squeal that signals either (A) a 4-year-old throwing a tantrum, or (B) a very long freight train grinding to a halt.

There is no 4-year-old in sight.

The freight train stops. Blocking our cross-over access to the Bog and its trails.

Mature, philosophic adults that we are, we stand about in some handy shade and admire the boxcar artwork.

And then, squeal-rumble-rumble, the train shakes itself into action again and rolls on its way.

We take the now-available access path, and hop over the tracks.

I promise you, Sally (L) and Frances are athletic and nimble of foot. I consider them my personal trainers (along with much else), and I am grateful for the on-going stimulation and physical challenge.

My camera just happened to catch them … ummm … like this. Sort of a Lindy Hop, as performed by the Marx Brothers?

Over the tracks, and now across a stream. “It’s called the River of Dreams,” says Frances, who is a veteran of many Bog walks over the years and effectively our tour guide today. The water is so astoundingly clear that, in a photo, it is transparent to the camera. All you can see is the thin line of reflected sunlight …

but water does fill the riverbed, bank to bank.

Moments later, I think we are stretching our greedy fingers toward wild raspberries, but Sally knows better. “Thimbleberries,” she says, and she’s right. (Rubus parviflorus, if you want to get all official about it.)

Soon after, Labrador Tea blossoms (Ledum groenlandicum — curiously attributed to Greenland in the Latin). So delicate, and so sturdy! So tall, also — the shrubs tower over our heads.

At one point there is a choice of loops. We opt for the one promising us a sunken tractor and Skunk Cabbage Meadow. I think of my dear Ontario-based friend DJ, who has a thing for skunk cabbages, and can’t wait to see a whole meadow of them, alive-alive-o.

Can’t miss ’em, once you’re among ’em.

Wowzers.

I send DJ this photo and, thanks to her reply, I now know one more difference between The East and The West.

Aha!  This, my dear Penny, is indeed skunk cabbage, but the western one (Lysichiton americanus) with a big yellow flower, followed by HUGE leaves, as your photos show!  The eastern one is Symplocarpus foetidus — a smaller, shyer version with purplish flowers and smaller leaves.  They’re both in the arum family and both smell skunky in bloom to attract flies and beetle pollinators, hence sharing the common name.  Thank you!!

On past the half-buried tractor, left over from days when peat was being harvested and equipment often met with misadventure.

Bog beside our feet, towering trees overhead.

And, always, boardwalk beneath our feet. Kilometres of it — installed, watched over, patched and replaced as needed by volunteers with the Burns Bog Conservation Society.

Sometimes the Boardwalk Gremlins wisely leave a gap. No need to argue with tree roots.

We head back out …

climbing past homes on the bogside slope and somebody’s welter of birdhouses as we go.

City Math

14 July 2018 – Given my severely modest school grades in math, it is very odd that I am so fascinated by lines & shapes, as I wander around town. You’ve met this fascination at least twice before — in Recti/Curvi-Linear and in Geometry at Work & Play — and here it is again.

I’m downtown on Burrard and, as I eye a group of towers reflected in another tower …

I think: “Vertical!” More precisely, Jagged-Vertical, as tends to be the case with reflections.

Somewhat later, I’m on a bench in Emery Barnes Park, enjoying the sound & sight of the fountain at one end of the long watercourse that runs the length of the park to a waterfall at the other end.

I don’t know why it makes me remember the reflected office towers, but it does. That in turn makes me think about verticals and horizontals, and the other lines and shapes of the built city. And the way each category has its variations.

More than one kind of vertical, for example. A fountain, I realize, is Arching-Vertical.

Now that I’m looking for lines & shapes, I see the connecting watercourse with a different eye.

Never mind the sparkle of the water, the colourful mosaics in the canal bed. I’m alert to shape, and this is Horizontal. No, wait a minute: it’s Downtown-Horizontal with Pigeons and Park-Bench Feet.

I sit on my bench, watch park life for a while. Despite signage that this is not a wading pond, small children & indulgent parents think it is a wading pond, and behave accordingly.

Which brings us to the next category of Horizontal:

Horizontal with Small Damp Vertical Humanoid. (Plus rock-arch, footbridge-arch, water-jet arching-vertical.)

I begin to walk along the watercourse, and realize it offers even more geometry than that.

It is also Cruciform! And, ‘way down at the end, it leads into yellow Triangular cranes above the Verticals of the waterfall.

Close to the waterfall, I see that, at this particular moment, it is Downtown Vertical with Pigeons.

Eventually I wander on, following the very Horizontal guidelines on the sidewalk …

down through Yaletown and its many shops.

Which expose me first to …

Retail-Vertical, Foodstuffs Division; and, a little farther along, to …

well! Let’s just call it, Retail-Geometry, Rental Bicycle Division.

My eye first reads those horizontal handlebars, then registers the vertical bike frames, then adds in the circular tires and, up above, the  horizontal rack of curved baskets.

Plus, on one of those handlebars, an off-kilter vertical. (Tower of Pisa Division?)

It’s relief to hit Yaletown Dock, with a simple clear example of Horizontal (Passenger-Direction Division) …

and, a short ferry ride later, to arrive at Spyglass Dock, with its distinctive Woolly Vertical.

I sink into a Muskoka chair for a bit, and listen to a teenage girl improvise some jazz on the dock piano while I admire the Verticals (all that real estate across the water) and Horizontals (the waters of False Creek) shining in the mid-afternoon sunshine.

I catch myself trying to calculate the angle of the ferry dock ramp, and how to capture the vegetation in a suitably geometric description. I start to laugh.

Quite enough math for one day! I go home.

 

Marching Orders

4 July 2018 – I am not exactly marching down the underside of the Cambie Bridge on-ramp, but I am certainly striding right along. It leads to Spyglass Dock on False Creek, and once again, this is my starting point for the day’s exploration.

I ignore the large, City-sanctioned chalkboard, with its invitation to add what makes you happy to the already long list of contributions. (“You,” “weed,” it goes on like that.) But I do break stride for this entirely unsanctioned little message, right down at ankle level on one of the on-ramp pillars.

Entirely appropriate marching orders for the day, I decide.

Life-in-general deserves a smile, as the sign points out. So does life-in-Canada, something we’re all aware of on this final day of the Canada Day holiday weekend. And … and … who knows what this walk will offer?

The first offering arrives just moments later — the public piano, freshly repainted and as usual being played, right here on Spyglass Dock.

The boy is playing Beethoven’s Für Elise as I arrive, segues into Mozart’s Rondo alla Turca and, after some mad riffing on Turkish March themes (all very riffable), slides into the Beatles’ Let It Be.

And I do let it be. I sink into one of the dockside Muskoka chairs, and watch life roll/skate/walk/sail/paddle/fly by.

A couple sinks into adjoining chairs. “Free music and free chairs!” marvels the woman.

Finally, I bestir myself, & head for the spiral staircase between seawall & bridge. I do not exactly smile at the staircase, it will demand exertion …

but I appreciate how very neatly it delivers me to where I want to be, namely on the bridge  — and, in due course, to where I next want to be, namely heading west along the north side of False Creek.

Quite different, this side: imposing condos, practically to water’s edge; imposing boats crowding the public marinas, smack at water’s edge. But in between, at least a ribbon of bike/pedestrian pathway, expanding at intervals into parks.

I’ve passed these kiosks before, not paid close attention, simply registered them as backdrop to the False Creek of here & now, paying elegantly artistic tribute to all that has vanished.

Today I step close, read words engraved on the kiosk itself and frost-lettered into the glass railing. I’m not from here, these words cannot evoke for me what they can mean to others, but even so … Even so, I am moved.

Each lettered kiosk panel has its visual partner, silhouettes and cut-outs of all that has lived here, some of which still does. Wading birds, for example …

And there is signage. Lots of signage.

We are instructed to Thank Todd …

who, having provided the poop bags, points out we now have no excuse not to do the right thing.

Another sign, this one official, repeats at intervals along the pathway centre line that divides cyclist lanes from pedestrian.

This version alternates with one warning cyclists about pedestrians. Like Todd, preventable.ca now expects us to do the right thing. I suppose, in a way, it amounts to the same “right thing,” doesn’t it? We are to use our brains, think ahead, & avoid preventable messes.

So despite the wagging finger overtones, I do smile.

And smile more as I approach Waiting For Low TideDon Vaughan‘s wonderful circle of boulders that enclose a tidal pool.

It is the companion installation to his equally remarkable Marking High Tide, just a little farther west. Vaughan is a retired landscape architect and — is this not wonderful? — a fellow WordPress blogger. So follow that link.

A woman sits on the seawall near the boulders, her small dog next to her, his Canada Day kerchief of red maple leaves neatly tied around his neck. Canada Geese bob nearby. O Canada!

I circle back to the ferry dock in David Lam Park, stopping for a looney’s-worth of lemonade as I go …

and watch others also reward this boy’s entrepreneurial spirit. (His vendor’s permit, you ask? Don’t be silly.)

Onto a ferry, and on to Granville Island …

with its line of houseboats, their flags aloft for the holiday, and, beyond that, the sky-punching silos of the concrete company.

I eat a slice of spinach-rice pie, exhale with relief as I slide away from the crowds, then duck through a parking garage and enjoy its line-up of murals.

Colour everywhere, art galleries and other artisan shops — here a whole wall of scarves / hats / jackets that spill out from Funk Shui Felt. (Yes. Funk-with-a-k.)

I’m about to leave — but first I detour waterside again to pay tribute to the colours that drench Ocean Concrete. Colour, defining a concrete company worksite? There it is, before your eyes.

The 21-metre-high figures transforming the six silos are one installation in a global series called Giants, by the Brazilian twins known as OSGEMEOS, and a legacy of the 2014 edition of the Vancouver Biennale. No credit given for the cheerful cement mixer drums on some of the trucks — see that strawberry, there on the lower left? —  but I think they are perfectly swell, whoever painted them.

And that’s it. Smile!

 

An Arrow to the Islands

23 June 2018 – Just an arrow on the sidewalk, with a number, leading to a bus bay. My feet, among many others, obediantly follow the arrow. I am agreeably fizzing with delight, because this arrow, this bus, is the start of an adventure.

It’s the magic link – the hop from Vancouver’s city transit system to the Tsawwassen Ferry Terminal and all those connections to the islands beyond. Tsawwassen was jump-off for my trip to Victoria in May; today I’m a day-tripper, curious about the islands that be-jewel the Strait of Georgia between the B.C. mainland and Vancouver Island.

My destination is Galiano — an easy 1-hour trip; population 1,000; 27 km X 6 (at its widest); named for Spanish explorer Dianiso Alcalá Galiano, who came through in 1792 (but who cares? the Coast Salish people arrived 3,000 years ago). These Southern Gulf Islands are tightly woven, and I still need simplified maps to help me sort out what’s where.

Galiano is orange, with the ferry’s dotted line hooking in to Sturdies Bay, where the boats come & go. I try to pin Mayne (turquoise), Saturna (purple), Pender (blue) & Salt Spring (“SSI” – green) in memory. I smile at SSI: I have a vacation date with that island in August, you’ll get to visit it with me.

But, today, I’m on Galiano. I’ve never been here before, but I feel warm with familiarity. I have lived on small islands and visited others; for all their differences, they also have some transcending commonalities – services, signs, ways of life.

Small islands have great bookstores. Always.

I loiter for more than an hour, buying a book but resisting — with difficulty — the matched set of Schrödinger’s Cat coffee mugs (one alive, one dead, but you’d already guessed that).

Then another any-island tradition: lunch at the local café/bakery.

I resist the cinnamon buns (yet another any-island staple) but devour a sweet potato-etc wrap, warmed on the grill. I shamelessly eavesdrop on conversation at the next table. Two young local women are planning to open some sort of food facility this summer; two local guys join them — with the dogs of both parties settling in just as amicably — and ask for an update. Q: “So when you gonna open?” A: “Soon. Or never.” Laughter.

It’s 4-5 km or so from the dock to the main cluster of shops. Given the lack of week-day bus service, I decide to stick closer to Sturdies Bay. My wander-about has already yielded the bookstore and the café; more emerges as I prowl.

All the signs (some literally so) of island life. A reminder of local water service …

the Community Development office …

the local laundromat …

the RCMP emergency telephone line …

numerous bulletin boards, all shaggy with notices …

local entrepreneurship, the Galiano Coffee Roasting Company

more local entrepreneurship, a freight service. So hum-drum, you might say, and in a hum-drum metal building, but with a wonderfully island-fey detail.

I doubt the plane is part of the service! Don’t care. Love it.

On down the road, bargaining with island gods as I go: “Well, here I am, open to whatever the island can offer to day-tripping, on-foot me. And it’s all fine as is, really it is, but still … if some near-ish destination were on offer, that would be nice.”

And, shazam, the island gods smile.

I ignore the little crafts-cum-museum shop on the right, and turn left for Bellhouse Provincial Park.

More island-being-island as I go. A startled deer, glimpsed from the steps of the little Anglican church …

attractive driveway markers …

a line of mailboxes, where residents can post mail as well as collect it …

and a line of snake fencing, absolutely my favourite fencing, flipping me back to memories of my Laurentian Mountains childhood.

I arrive at the park, the generous gift of the eponymous Mr. Bellhouse, and look across parched grasses to the channel beyond.

Down to the water, of course. Past the hammock on adjoining private property (she is asleep now, later laughing & lively on her mobile phone) …

to a waterfront view through dramatic tree stumps to island ridges beyond …

and to a B.C. Ferry probably (given its size) enroute Swartz Bay on Vancouver Island.

I crouch to read the small metal plug in one of the folds of rock, a reminder of the continuing but unnoticed work of Hydrographic Service Canada …

then stand up again, admiring the sculpted sweeps of rock that delineate this stretch of coastline.

I spend a lot of time just … being where I am. Letting the sounds and sights and breeze come to me.

But eventually I do have to check my watch. There is a Last Boat to catch, back in Sturdies Bay. Or I may have to bed down on this beautifully sculpted, but exceedingly hard, rock for the night.

I’m back at the dock in plenty of time, of course I am. So I follow the shrub-arched path to the public-access beach, right here at the terminal. The beach is rich with logs, rock, pebbles, gulls, the dark heads of seal or otters  — even a boat wreck.

Oh dear. I try to find it picturesque, but keep rebelling at its synthetic materials.

Doesn’t matter, the larger view is wonderful. Ferry terminal and public wharf on the left, a private wharf on the right, a Canada Goose and her gaggle of half-grown goslings in-between.

Finally I climb back up to the dock. I wait with other visitors, including cyclists, for the trip back to Tsawwassen.

Where I again follow that arrow, this time in reverse, and make my way back to Vancouver.

 

 

Grey Power

10 June 2018 – A month of near-constant sunshine has convinced me that the sun is a trickster. All that zap-powie brilliance, explosions of colour in all directions — and meanwhile it’s hiding, I have decided, more than it reveals.

Hiding it the way any illusionist hides a whole lot of what is really going on: by distraction. We are so zap-powie focused on the colour, we tend to miss everything else.

Whereas, with a grey sky — which we had the other day — with a grey sky, you notice everything else. Line, form, texture, luminosity. Also colour, oddly enough. Grey really sets off colour.

I am walking east on West 1st Avenue, heading for Hinge Park and False Creek, umbrella under my arm, leaden sky overhead.

But it isn’t really leaden — or, not uniformly so.

And it dramatically sets off the disused warehouse beneath and that brave poplar, twirling its leaves green/silver/green in the wind.

Strong line of the roof, all those tones of rust, the twirling shrub. In bright sunshine, I wouldn’t have noticed all that. I know it.

Into Hinge Park. Transfixed by one small bird a-top the rusty pillar, silhouetted against the dark-dancing sky.

And now that sky patters down rain.

Drops form endless tiny concentric circles in the pond, a Mallard duck creates one arc of larger circles there on the left, and silver light bounces back from the rufffled surface of the water. Grey sentinel stones too, at water’s edge.

More rain.

I graduate from putting up the hood on my jacket to putting up my umbrella. And then, knowing when a tactical retreat is in order, I dive into an Olympic Village café.

(Time passes.)

End of latte, end of rain shower, but a still-dancing sky as I walk back home.

How it makes that mural pop! And how it plays up the march of the hydro poles down the alley.

Then I stop looking for examples of how the sky enhances what lies beneath, and I just … look at the sky.

Which stands up very nicely on its own.

Next day the sunshine is back, and guess what. I am still noticing grey. Suddenly I see that old trickster sun as a backdrop for grey.

Though not just any old chunk of grey concrete, I have to admit.

This is one arc of landscape architect/artist Don Vaughan‘s work, Marking High Tide, which stands at the seawall in David Lam Park on  the north shore of False Creek.

Vaughan also wrote the poem: “As the moon circles the earth the oceans respond with the rhythm of the tides.”

Tug

23 May 2018 – I am again at the VanDusen Botanical Garden, one of my favourite places in the city. No, make that: one of my favourite places. Period.

I sit by the Cypress Pond in the Garden, I come back inside to take part in a class, I walk home.

I am entirely happy.

 

City-Busy

15 May 2018 – I’m busy returning library books and, all around me, this little wedge of city is busy being itself. It bubbles in every direction.

Poppies pop …

Colours pop …

A hydro pole struts the alley …

Motorcycles gleam …

A doorway dispenses wisdom …

Pedestrians time-out their walk along False Creek …

Junior dragon-boaters time-out their heats in a day of competitive racing …

A wedding couple poses …

And Tess turns 25.

I read the banner, grin, and carry on home with my new crop of library books.

 

Time Well Killed

11 May 2018 – Yes! You can kill time and still hold up your head in polite society.

(Credit, by the way, to Comedy Central, whose old tag line “Time Well Wasted” I have just appropriated.)

Select your location, open your eyes, and enjoy yourself.

Exhibit No. 1

I am in George Wainborn Park, smack by the walking/cycling paths along the north shore of False Creek. I’ve never noticed this park before, and it is not my destination: it is simply a meeting point. “By the fountain,” said my friend, as we planned our outing.

I am a few moments early. I kill time.

Admiring the fountain, of course.

Admiring all that “geometry at work & play,” as I like to think of it — vertical waterfall on the left; horizontal black fencing left to right; stone triangle on the right; great arch of the Granville St. Bridge overhead.

I watch a father carefully hold his toddler high enough to peer into the triangle. The child gurgles with delight, flexes his tiny starfish fingers in-out-in-out toward the spray.

I wait ’til they’re gone, then go and do the same. (Peer, that is, but perhaps even gurgle.)

Then my friend arrives, and we leave.

Exhibit No. 2

Next day, same need (same opportunity) to pace myself between appointments, and kill some time.

A quick visit to the Vancouver Art Gallery and then, because it’s a lovely day and I am in no hurry, I plonk down on the VAG steps terracing down into Robson Square.

Many others are on the steps as well, including one permanent resident.

Meet Bird of Spring, one of at least three authorized bronze replicas of a 14 cm. original by the Inuk artist Abraham Etungat, of Cape Dorset.

Bird and I watch the action below, in the Robson Square skating rink.

In season, well … it’s a skating rink, isn’t it? And off season, well … it’s whatever people want to make of it.

At the moment, it’s a studio for choreographed routines. Foreground, two young martial arts practitioners, with batons; background, a trio of dancin’ fools.

I stroll down around the rink, zero in on the dancin’ fools.

They are just a-shimmying their little hearts out.

Bird of Spring and I now bracket the rink, on the watch from opposite ends. The baton couple are still hard at it, in that sweet-spot combination of athletic precision and sheer flowing beauty.

Overhead, an audience of pigeons.

On I walk.

Still with some time to kill, but I have another destination in mind.

Exhibit No. 3

Another destination, with another overhead audience, if we may refer to inanimate objects in such terms.

It’s a tower of the Woodward’s Development on West Hastings —  the multi-use redeveloment of the old Woodward’s department store site.

The tower rises over, is visible through, the Atrium, which is a welcoming pass-through space open to all. Last summer I sat here & listened to a series of Hard Rubber Orchestra rehearsals; today I listen to the piano.

The  bright-blue piano chained to a bicycle, always there & available to anyone who wants to play it.

This intent young man is playing Chopin. He is very good, and we applaud when he ends a selection. He doesn’t look up, but, eyes still on keyboard, he does give one quick nod of the head.

He is playing again as I leave.

Nicely in time to meet my friend at our Purebread Bakery rendezvous.

 

 

 

  • WALKING… & SEEING

    "Traveller, there is no path. Paths are made by walking" -- Antonio Machado (1875-1939)

    "The voyage of discovery is not in seeking new landscapes, but in having new eyes" -- Marcel Proust (1871-1922)

    "A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities" -- Rebecca Solnit, "Wanderlust: A History of Walking"

  • Recent Posts

  • Walk, Talk, Rock… B.C.-style

  • Post Categories

  • Archives

  • Blog Stats

    • 86,974 hits
  • Since 14 August 2014

    Flag Counter
  • Enter your email address to follow this blog and receive notifications of new posts by email.

    Join 1,611 other followers

%d bloggers like this: