… And All the In-betweens

23 October 2025 – I had a much longer title in mind. To wit: “Above/Below/In Front/Behind/Then/Now/Here/There… and All the In-betweens.” Aren’t you glad I restrained myself?

That verbal onslaught is prompted by yet another walk along the north shore of False Creek, from foot of Davie east to Main. More specifically, prompted by this:

I only now, after all these years, bother to learn that this artsy structure has a name. It is one of the two shelters + glass panels that comprise Lookout (Dikeakos + Best, 1999), which traces the natural & industrial history of the area and is an early contribution to the public art we enjoy on both sides of the water.

You can spread the image, read the keywords panel by panel — or just read this paragraph! L to R: “box cars, flat cars, tank cars” / “dining cars, sleeping cars” / “… the yard master makes a train…” / [then a panel written to be read from the other side] / “all built and all rebuilt” / “gone and a thousand things leave, not a trace” / “lumber co yards, islets of gravel.”

I climb up to the street, take a closer look at the inscribed and silhouette steel uprights, also part of the story.

Natural + industrial history indeed, from “mudflats” upper left to “red caboose” lower right.

Then I check the panel meant to be read from this, the street, side:

This one you can read for yourselves. And, given all these prompts, you can also take a stab at imagining “as if it were” all still present as it used to be.

What you will have trouble reading, even if you spread the image, is the black-lettered graffito neatly inked in just below “across the waters.” It says: “build a washroom.”

I think this is perfect. An interjection of a “now” reality in a tribute to “then.”

It is also a further prompt to do what I do every time I pass this installation, with its invitation to remember the past, superimpose it on the present, build it into my understanding of how much more is still Here-And-Now than is Right-Now visible. Every time, my mind flips back, vaguely but insistently, to Italo Calvino’s 1972 book, Invisible Cities. As one astute reviewer observed, the novel is “a travelogue to places that do not exist.” It also invites us to think more richly about how we define “exist.” (Side nod to the wise fox, who taught The Little Prince, “What is essential is invisible to the eye.”)

I am primed, in other words, to read above, below and ‘way inside the everyday sights that greet me as I walk.

Jerry Pethick’s Time Top sculpture, for example, that invites us to imagine a time top spinning across the galaxy…

to crash-land on the shores of the Pacific Ocean, right here…

or the blue bands of A False Creek (Rhonda Weppler, Trevor Mahovsky), that invite us to imagine what all this will look like if climate change indeed causes ocean levels to rise 4-6 metres…

and, right next to it, another interjection of a “now” reality, again in the form of a polite and neatly lettered graffito. This one, beneath the No Dogs Allowed notice there on the right, yanks our attention back to the present. “Clean The Water,” it snaps.

I stop my fancy metaphysics for a moment, offer myself a simple contrast between sky-high…

and shoreline…

then, sideways, a panorama of nature, reminding us that it invented fall colours long before built structures began to emulate them…

followed by, at my feet, the tight focus of a single fallen leaf…

reminding us that diversity, whether in or out of political favour, is the building-block reality of life.

However pure green this leaf long appeared to be, all these other colours were woven into it right from the start and are equally part of it. As are (side nod to Thich Nhat Hanh and the concept of interbeing) sunlight, water and soil, plus all the nutrients of those three elements as well, all of which made the existence of this leaf possible.

Quite literally, the universe in a single leaf.

Enough. I think I’m done. But, no.

There is one more juxtaposition. One more interweaving. One more dance to vibrate my own little world, as I walk on by.

Upper right: nature’s wasp nest. Lower left: street-guy’s sneakers. Both at home in the tree. A tree shedding its leaves, itself at home with the cycles of the universe.

I laugh, shed my pomposity, and take myself home.

Drizzle, No Grizzle

18 October 2025 – A wonderful bit of British slang: the verb “to grizzle.” It describes the act of complaining or whining, at a low decibel level, but continuing on and on and forever-bloody-on. Which makes it such a lovely companion, in more than rhyme scheme, for the verb “to drizzle.” It describes the act of rain that falls at a low intensity level, but also continues on and on and forever-bloody-on.

This afternoon, for example.

I am equipped for the latter, and reject the former. — like most Vancouverites, I hasten to add. We know where we live.

Scotia Street seems an appropriate start for a drizzle-walk.

It overlaps with the final stretch of Brewery Creek, which, in the days when it had not yet been sewered, ran into the east end of False Creek, which had not yet been filled in.

Grey sky & low visibility along Scotia, but colours pop, both autumnal foliage and seasonal umbrellas.

Ditto the red truck marking the Red Truck Beer Company, down there where Scotia ends (or starts) at East 1st Avenue. Beyond the brewery yard, I can see dim outlines of the lowest level of the mountains to the north, but nothing higher up, only the drizzling sky.

The mountain peaks may be hiding, but not us Vancouverites. As I turn onto 1st Avenue, a stream of people erupts from the Crossfit BC doorway opposite, and starts pelting on down the street ahead of me.

By the time I’ve walked another block, I start meeting them on their return trip. Apparently this is just the warm-up for an indoor class.

I veer through False Creek Flats, filled in originally to provide land for railway-oriented industry and warehouses. The area is morphing into a new post-industrial life centred around digital media, clean technologies, medical research & the like, but the transformation is not complete. Sodden skies suit the still-gritty streets that lie beneath them.

Farther west, I twine my way first around the pollinator meadows lining the Ontario Street bioswale, where logs and their tiny fungi gleam brown and gold…

and then among the condos just off Quebec Street, where the gleam is metallic but equally appropriate. When could suit a fountain sculpture (Eyes On The Street, Marie Khouri & Charlotte Well) better, than a drizzling sky?

By the time I am walking along West 2nd Avenue…

I am prepared to concede that the sky is no longer drizzling. It is raining. Same visual impact — just look how that orange traffic light spills on down the street, bouncing from one puddle to the next — but damn, there’s nothing “low-level” about this.

(A passing woman & I grin at each other in mutual approval: we are each snug in waterproof clothing, and therefore spurn umbrellas.)

In Olympic Village Plaza, one of Myfanwy MacLeod’s The Birds sculptures tilts his stainless steel head to the elements…

Canada Geese bend their feathered heads to rich pickings in the grass (the mountains have now totally disappeared)…

and the cast-iron cycle of eggs/tadpoles/frogs on the storm sewer cover (Musqueam artists Susan Point and daughter Kelly Connell)…

is completely and perfectly at home in the dancing rain.

Meanwhile, the human beings at the street corner…

look distinctly less comfortable.

I am quite sufficiently comfortable, thank you, since only my outer layer is wet.

But, even so… I call it a day.

I may not grizzle, but I do know when I’ve had enough drizzle.

Dance of the Green Flamingos

13 October 2025 – It is a sodden day. Sodden skies. Sodden streets. Sodden umbrellas over human heads. Sodden feathers atop that pigeon.

A dispirited context, in other words.

All the more reason to enjoy the flamingos.

Which, even though shocking pink…

are “green.”

One less car!

(Only later, looking more closely at the decal, do I notice it is one less car because somebody torched it, not because Rad Power chose to ride a bicycle.)

A final moment of appreciation for the total look, right down to those handsome wooden running boards…

and I go about my business.

Change

10 October 2025 – Given this is a simple post about a simple walk on a route we have walked before, you and I, it does seem excessive to lead with a philosophic tussle about the nature of “change.” But tussle we shall. Precisely because , for me anyway, same-old and change are a package deal.

On the one hand, French critic/novelist Jean-Baptiste Alphonse Karr, who, in 1849, penned the epigram we quote to this day: “Plus ça change, plus c’est la même chose” (The more things change, the more they stay the same). On the other hand, Zen Buddhist monk Shunryu Suzuki, who, when asked after a California lecture in 1968 to express core Buddhist philosophy in a way ordinary people could understand, replied: “Everything changes.”

The “same,” in this post, is yet another walk along Lost Lagoon. You know the route! Bus ride to the edge of Stanley Park; Lost Lagoon trail out to Second Beach on English Bay; Seawall for a bit up toward Third Beach & down again; out through Morton Park; on down Denman Street; that same bus, reverse direction.

Ohhh… let’s just toss French philosophers & Zen Buddhist monks to one side. Let’s acknowledge what every walker of familiar pathways knows: the same is never the same.

Each time, you & your mood & the place & the weather & all the swirling molecules of the universe dance together in new patterns to create a new experience.

It is therefore my pleasure to offer you moments from this day’s totally different version of the same old Lost Lagoon walk.

This specific Canada Goose, pensive on his rock in Lost Lagoon…

specific people & pooches along the way, including Hamish the wag-tail dog and the Vivaldi fan listening (very quietly) to The Four Seasons while resting on a weathered Seawall bench…

and another bench, the bench itself and the plaque it bears both brand-new.

We carefully cross the bike path and move closer. Flowers, notes, CDs and plaque — a multi-dimensioned tribute by local fans to Hong Kong Mandopop artist Khalil Fong, who shot to fame with Soulboy in 2005 and died this year, just months after the release of The Dreamer.

Out in English Bay, this specific moment’s arrangement of the same-old tableau: rocks & tide & freighters & Seawall pedestrians & trees & sky & clouds.

Up close: tidal flats silvered in this afternoon’s watery light.

Also up close: a burst of green & ochre.

And then, medium-distance, a moment’s drama, out there in the bay.

We have just watched this couple strip to bathing suits and stride into those chilly waters. Chest-high, no hesitation.

It is all about to change. He (L) is about to duck-dive and fully embrace the moment. She (R) is about to un-embrace the moment, and head smartly for shore.

We, snug in our fall clothing, head smartly for Denman Street, Delaney’s Coffee House, and a flat white & latte respectively. And then, warm inside & out, on down Denman to the bus.

See? It’s the same-old.

And every bit of it wonderfully different.

Then & Now

2 October 2025 – I’m over at St. George & East 6th, hunkered down for the view south along this stretch of the St. George Rainway.

Then I pay serious attention to the map — to the lost small-c creek and to the lost big-c False Creek as well, lost when (1915 onward) they filled in the final stretch to create industrial & railway land. I trace my finger along that bright turquoise line, showing us the shoreline that used to be.

I study the 1889 photo…

and then I go study the 2025 reality, from that same Main & 7th intersection.

Well… the mountains are the same!

On The Shift

26 September 2025 – Not for the first time. and especially not for the first time in fall, I stop at the W 41st & Oak Street entrance to the VanDusen Botanical Garden, and wriggle happily at the colour contrasts.

Citrus yellows! Deep furry greens! Deep glossy greens!

And, while I’m wriggling, how about the reds palette in that shrub?

Leaves toss in the breeze, proving even their undersides have their own blushing story to tell, a subtle counterpoint to all that show-off stuff on top.

We meet, my friend and I, and start walking later than intended — but for irresistible reasons.

We get talking with a Calgary couple who decided to celebrate their 43rd wedding anniversary in take-a-trip style. Conversation ranges from where they live in Calgary (since friend & I each have Calgary histories); to what colour is the most fun to dye your hair (Calgary woman’s daughter once had hair that glowed in ultra-violet light, great for nightclubs); to their anticipation of the free cart tours the VanDusen offers people whose enthusiasm outpaces their legs.

They await their cart. We veer off to the right, my favourite VanDusen walks almost always starting on the floating bridge through the Roy R. Forster Cypress Pond. After that, one path leads to another and choice doesn’t much matter, because they’re all worth walking.

Colours definitely now on the shift. Shapes also, as leaves fall and seed pods develop, and more sculptural lines emerge.

A whole dazzle of yellows, up in the sunflower beds.

Yellow-yellow…

and yellow-yellow with tawny-orange colleagues farther back…

and then a reminder that the range on display is not only colour, but height as well.

Giants gravely bend their heads, as if to inspect these tiny humans down below…

while bees (count ’em, two) prove…

they can visit any height they want.

Time out to take souvenir photos for some visiting Peruvians.

“¡Queso!” I cry; “¡Queso!” they chorus back at me, all of us laughing that “cheese” works equally well in both languages, to evoke a smile for the camera.

A pearly shimmer, in path and seed heads, among all the shades of green…

and then we spend yet more time walking up and around the grounds before looping back down again.

Still happy with whatever path our feet happen to discover, and still discovering more plays of colour, in this annual seasonal dance.

Greens falling away, in deciduous trees…

allowing all those yellows/golds/oranges/reds to have their moment. All that, against the quiet majesty of coniferous dark green.

And then… look!

a coyote.

And farther down the path…

an owl.

Still farther…

another winsome coyote, one paw raised.

I later discover they (and more, in this harvest celebration) are works by Burnaby BC artist Nickie Lewis, whose eco-creatures I first saw in a Burnaby park back in 2021. (When we all badly needed charm and delight, in our pandemic-hedged lives.)

We re-meet the Calgary couple, who can’t rave enough about their cart tour of the Garden. They’re now off to a slap-up expensive lunch in the serious restaurant — that anniversary deserves every tribute they can offer it — and we head, equally cheerful, for the café.

What with both Calgary and those twig coyotes built into my day, it’s perhaps inevitable that I now start reminiscing about Coyote Pancake Mix. It’s an Alberta brand I discovered in my Calgary years, its image the silhouette of a coyote and its slogan (wait for it): “a howling success.”

Quite possibly, all this means more to me than to my friend — oh, you think? — but she is generous in her friendly attention. We enter the café, well pleased with our day.

You might even call it a howling success.

Grandeur to Giggles

19 September 2025 – You come back home with fresh eyes for your own city.

I wake up yesterday and, just before 7 a.m., stare awe-struck at the grandeur of clouds drifting above and among the mountains, in a still-opalescent sky.

Aand today, just now, I fall into fits of giggles at the decals on this slightly battered car.

First, the grouping as a whole…

and then, the exquisitely perfect placement of the cat claws vis-à-vis the dings in the car body.

After that I stroll the perimeter of Dude Chilling Park, just ’cause it’s my local park and I love the way The Dude watches over us…

from his perch on the south/east corner of this ordinary patch of grass.

“Ordinary” to the eye, that is — not-very-large rectangle of grass, some trees around, some benches around, and that’s it. But people gravitate, in considerate and companionable ways, and they enjoy themselves and they thrive and they make magic.

Today’s magic: what I find at the south/west corner of the park.

A pop-up street sale is underway, one I’m sure no City authorities ever heard about (let alone licensed) and who cares, because it’s only a few tables and lots of good humour. I learn this young woman has clothes on offer because she’s moving to Rome tomorrow and can’t take everything; I learn this other young woman collects stuff and then moves it on, y’know?; and I learn that grizzled guy, the one with the racks of old LPs, is a Rolling Stones fan. I learn this last factoid because, when I tell him it was a thrill to see the name of jazz great Joe Pass once again, he replies, eyes a-gleam, “With the Stones!” I manage to contain my enthusiasm for the Stones, he ditto for Joe Pass — but we agree in our enthusiasm for Dude Chilling Park.

So there you are.

I am back home.

So T.O.

14 September – And then, from morning to afternoon, I leave Toronto and land in Vancouver. Here I am, looking through slight drizzle to the mountains, with one last love-letter I want to offer “T.O.” (Tee-Oh, Toronto.)

My T.O., that is, nobody else’s — my own mix of memory and re-discovery, blind to what others would notice, alert to all my own triggers.

Glimpses from streetcars, for example.

A rampart mural by Shalak Attack, which I remember watching her paint, many years ago…

the distinctive two-tone brick and architecture I associate with my own decades in the Cabbagetown neighbourhood, but common to the city in that era…

and Streetcar Dog. Not unique to Toronto, but part of my own memory bank of riding the TTC.

Then there are my re-discoveries on foot, all around the Grange neighbourhood and the Art Gallery of Ontario, where I was for years a volunteer and therefore an area where I came and went, a very great deal.

Bronze turtle watching martial-arts in Butterfield Park, the new-since-my-time refurbishment of the land just east of Grange Park and south of OCAD (Ontario College of Art + Design) University…

Henry Moore’s Large Two Forms, looking very at home in its new home in the reinvented Grange Park, with the brilliant blue rear wall and distinctive Frank Gehry staircase as backdrop…

and, once inside, the soaring glulam arches of the AGO’s front-façade Galeria Italia.

Unchanged, these arches. Ditto, the way the Galeria invites you to look out across Dundas Street. Native son Gehry made sure his design honoured and welcomed the neighbourhood of his childhood as its own visual final wall.

I am in the AGO as much to walk old ground as to see current exhibitions, but in the end I do both.

The Joyce Wieland retrospective, Heart On, speaks not only to my memories of her bursting on the scene, but also to how current she now is, once again.

Wieland was a fierce ’60s-70s feminist and, despite (or perhaps because of) long years in New York, a fierce Canadian patriot as well. She often used the soft “feminine” skills of embroidery or quilting to express strong political convictions.

For example, with her 1970 work, I Love Canada – J’aime Canada.

Awwww. (Twist finger in cheek.) So sweet.

Now read the signage.

And read the embroidered fine print.

Wieland’s narrow definition of Canadian identity is now out-dated — but the rest of her analysis is Elbows-Up contemporary.

Some hours later, I leave the building. I still have more circling and prowling to do.

I check out the S/W corner of Dundas West & McCaul. It is also the N/E corner of the AGO footprint and, in my day, was still home to Moore’s Large Two Forms. For the first time, I see what now sits on that corner — Brian Jungen’s commissioned work, Couch Monster. (Read more, here, in a fine post by our WordPress colleague, Canadian Art Junkie.)

I circle the work, and also take in the larger view, including the top of an old mural by veteran Toronto artist Birdo, now obscured by newer construction and backed by even-newer construction.

Finally, and not with terrifically high hopes, I take myself across Dundas West and into the alley between Dundas and Darcy Street to the north. I am eager but also dreading to see what it’s like, these days. My memory is of an alley bursting with street art, full of the “garage-door art” that I associate with my memories of Toronto.

And…

there it still is. On and on, to the west, beyond the frame of this image. Not exactly as it was, of course not, but alive and current and so-very-T.O.

I turn right on a second, N/S, alley, passing delicate tendrils and other art as I go…

and emerge on Darcy Street.

Where I drink in an enclave of old downtown residential architecture, oh look, some still survives…

and then pivot on my heel to look east down the block. Out to McCaul Street.

Still some old brick homes, and still the spire of St. Patrick’s Church (the 5th-oldest Roman Catholic parish in Toronto) as well — plus the immediate examples of all the new towers now exploding skyward.

There it all is.

The whole jarring/exhilarating, cacophonous/euphonious, forever-evolving symphony of the city.

So T.O.

Snowy Owl + Mailbox Spider

12 September 2025 – More old + new, here in Toronto. The joy of time with old friends and familiar places, but also the joy of discovery.

For example, Biidaasige Park — some 40 hectares once complete, down at the mouth of the Don River and part of an even larger overall program to re-gentle, re-green and detoxify the sprawling Port Lands for what we now understand to be wiser, more multi-purpose and more inclusive use. Read more about Biidaasige (“Bee-daw-SEE-geh” with a hard “g”) on the City‘s website, on an analytical design website, and in her 6 September “As I walk Toronto” post by our WordPress colleague, Mary C.

The park is very much a work in progress, but some elements are already in place. They include several imaginative children’s playgrounds, one of which has as its guardian spirit, Snowy Owl.

Not only is his open tummy a stage for all kinds of child-friendly events, the interior of his body is open to visitors as well. You can walk inside…

and start climbing. Stairs, then ladders, and up you go.

Bang-thwack-ouch! Smack your head a few times and you finally realize the structure is child-scale. You learn to bend and duck accordingly.

Your reward? You get to look out through the Owl’s eyes, across the undulating playground, across Commissioner St. and westward toward downtown.

I scramble back down. We take ourselves off to explore trails down in the marshy areas around the various channels.

I am awestruck. This grubby, much-abused waterfront is being transformed. We lean on the railing of this pedestrian bridge and admire the grace of the new vehicular bridges, the abundant wild greenery along the banks, the habitat all this must offer for so many species. (Plus the knowledge of habitat yet to come, in plans for housing and further human community and settlement as well.)

And then… we move on.

The day is hot, and sunny, and, thanks to on-going park construction, noisy. We want still to be close to nature, but somewhere that offers soothing shade and a lack of noise.

All of which leads us to discover…

Mailbox Spider.

He is only some 4-5 km. away, slightly south-west of Biidaasige Park…

but in a very different world. The world of the Toronto islands.

More specifically and of importance to me, we are on one small island within that larger cluster: Algonquin Island, which is reached by a pedestrian bridge close to the Ward’s Island ferry dock.

Trace your finger over that pedestrian bridge and tap the intersection just off the bridge: Omaha and Ojibway avenues. Got it? Right there on that corner lot, almost invisible within its own mini-forest of trees and shrubbery, there is a white cottage. The white cottage where, 60 years ago, I used to live.

So it’s heavy-duty nostalgia time for me, and my friend is generously indulgent.

We stop, immediately off the bridge, to explore the community take/leave stand. It was active decades ago and, to my delight, is still active now.

A couple of Algonquin residents are near-by, people about my age. We chat, I explain I used to live here, I name a few names and they smile. We three didn’t know each other, but we each knew these other people.

Then, my friend and I, we just weave slowly up and down the narrow, car-free streets. (It is on Ojibway that we meet Mailbox Spider, with his blue cottage tucked away in the rear.)

The atmosphere is leafy, and peaceful. It is now a world of pretty smooth relations between residents and City — the welcome resolution of the long fight by residents and supporters to protect any residential community at all, in the face of the City’s desire to remove everybody and make the entire islands cluster into one big park. Now most of the land mass is park, but residential communities are recognized and stable on both Ward’s and Algonquin.

We reach the foot of Ojibway Avenue, down at Seneca, which runs along the island’s harbour-side waterfront, and offers panoramic views back across the water to the city core.

Including that CN Tower. I gave you only a distant and slivered view in my previous post; here it is, front and centre.

Still on Seneca, a good example of visitor/resident co-existence:

a bench for tourists and residents alike; one of the island’s many art boxes, again for the pleasure of tourists and residents alike — and a hammock in a resident’s front yard. For that family only, thank you!

Finally, my nostalgia satisfied and our minds and bodies refreshed by the peaceful environment…

we board a ferry, and head back to the city.

Land Cruise: 4 September

Somewhere north of Gillam, the sun not yet visible, but the horizon glowing…

and, an hour and a half later, the first glimpse of Churchill, its massive port structure.

We arrive. We scatter, each to our own priorities.

Mine will take me pretty directly from the train station (the dark oblong near the top of that bottom blue loop) straight through town to Hudson Bay.

Not quite directly. First a stop to refuel in the Seaport Hotel’s coffee shop.

It is clean and cheerful, unpretentious, and near the station. A convenient pivot-point. (I have no idea of the dramatic role it will play in my life, later that day.)

Fortified, I take my own boots past a boots mural…

straight-lining it to the water.

And there it is.

There, too, is one of the warning signs I’ve been told about. The polar bear “season” has not yet quite started. But this is the polar bears’ world, and they live by their own instincts, not the schedule of glossy tourist brochures. Every visitor is told to obey all the signs. Yes, I am told, go to the beach area, but no, don’t go to water’s edge, because bears can rise right up out of the sea, and don’t go near the rocks, because that’s where they like to hang out. As the tourism rep in the train station explains to the person in front of me: “You wouldn’t want to step on one.”

Lots of “don’ts.” I take them seriously. You have to respect nature.

So I do something very safe. I climb this convenient, if unorthodox, observation tower…

right to the top level.

Where, first, I view the forbidden rocks to the east …

and then, second, I focus on the beach right in front of me.

I focus, specifically, on the man way down there at water’s edge, walking happily along — man plus small dog, equally happy and unleashed.

This dog.

Not eaten by a polar bear, as you can see. The dog’s owner is a quite elderly Inuk, so I decide if anyone can give me reliable advice, he’s the one. I greet him. I say I watched him enjoying his shoreline walk, and I’d like to do that myself.

He explains he goes there because he likes to pick up stones. “Me too!” I cry. We beam at each other, dig in our respective pockets, and hold out our handfuls of stones for mutual inspection. Much murmured enthusiasm and poking at treasures ensues. After all that, I ask about safety. He says, “You have to watch. I don’t see any bears around right now.” He adds that if I position myself behind the sand bar, I should be fine, since I won’t be next to deep water.

With further compliments about our respective good taste in beach stones, we part company. He toward town, and I straight to the rivulet behind that sand bar.

Where (bottom left)…

I keep the promise I made my toes, that day on the Point Grey beach.

The day is cool — about 9-10C — but sunny and not yet windy. I continue walking the beach, completely happy. I see beluga whales cresting the water surface — just arcs of white, rising and falling, nothing dramatic, but clear enough for me to know they are indeed whales and not waves.

Finally, I walk west toward another line of forbidden rocks…

obediently stop short, and turn inland.

These bright, helpful signposts are all over town. This one is just uphill from the beach, and persuades me to visit the Granary Ponds…

with an initial stop in St. Paul’s Anglican Church, there on the left.

I look at various artefacts, including this 1930s Cree plaque quoting scripture from the Gospel of St. Matthew…

and I read the 2008 Federal Government’s Statement of Apology, signed by then-Prime Minister Stephen Harper, to all those who suffered under the residential school system. Here’s an excerpt:

The road out to the Granary Ponds leads me past riots of wildflowers, still vibrant so late in the season…

and then a closer view of the Port of Churchill…

which, if political promises are kept, will benefit from major expansion in the near future. (An initiative announced by Prime Minister Carney during a European trip — one more move in building stronger and more diversified relations with other parts of the world.)

I backtrack into town. My one goal is to walk. A lot. Though I’ve had only one prior visit to Churchill, in the early 1980s, I spent a lot of that decade going in and out of the Arctic hamlets. I haven’t the foolishness, the arrogance, to think I am any kind of insider, but I do still resonate with all of this. Young self did lots of jumping around. Old self seeks only to put feet on the land, to see and smell and hear the land, and be in this place. So I walk.

And, oh yes, I see very northern sights.

This truck decal, for instance…

and this komatik (sled), waiting for winter…

and this polite request in the doorway of Itsanitaq Museum.

But I also see streetscapes that could be anywhere in Canada.

There are community gardens all over Canada, as well…

though this one takes proper northern measures to protect the crops.

Right next to it, a happy pod of beluga whales, swimming a very different ocean.

And then… and then, no more pictures.

Because then, getting on for 5 pm, my gut announces that it is not pleased with the tasty falafel bowl I had for lunch in a highly recommended local bistro. My gut makes clear that it plans soon to start Throwing Out the Garbage.

This will be merely unpleasant, not dangerous, but also highly inconvenient. The train station is not yet open and I am not registered in any hotel. I’m again near the Seaport Hotel, so I walk in. What else can I do? They look after me. I am safe and sheltered. My gut can briskly go about its housekeeping detail in privacy. When I finally totter off to the train station, a fellow passenger, the station staff and VIA Rail staff are all equally practical and kind. Soon I am whooshed aboard the train, tucked up in my own sleeper-cabin. After a few more rounds of garbage-removal, I sleep. When I wake again, I am completely well. It’s all over.

So is the day in Churchill. Our train is now in motion.

I lie there, think about all that helpful kindness — and decide that my little bout of food poisoning was in fact the final heart-warming event in a thoroughly wonderful day.

  • WALKING… & SEEING

    "Traveller, there is no path. Paths are made by walking" -- Antonio Machado (1875-1939)

    "The voyage of discovery is not in seeking new landscapes, but in having new eyes" -- Marcel Proust (1871-1922)

    "A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities" -- Rebecca Solnit, "Wanderlust: A History of Walking"

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