Old Haunts

22 July 2021 – “Down to Strathcona,” I decide, my first return to this east-of-downtown neighbourhood since COVID reined in my travels. First visit since 9 February 2020, in fact, a walk celebrated with the now-ironic title of “And then the sun came out.” Who knew the metaphoric sun was about to go in?

Off I go.

North down a favourite alley, H-frame hydro poles overhead and a DATA-face levelling her eyes at me above the dumpsters.

Bounce east from False Creek, cut through False Creek Flats (the still-scruffy end, spelled with a final “s” not yet the snappy “z”), with a couple of murals on the wall and two sea gulls overhead. Who are almost certainly not levelling their eyes at me.

Another bounce, this time off the east corner of Chinatown and then east-east along E. Georgia to Princess, where a beautifully restored/maintained home demonstrates that, yes, Strathcona is the oldest residential neighbourhood in Vancouver.

More east along East Georgia, over to Hawkes and the brick-laid circle at a south corner of MacLean Park, with its benches and a mosaic that possibly links Strathcona to the nation-wide Communities in Bloom organization. (I try, but can’t quite track it down. Oh well.)

Another pedestrian & I exchange “Good morning’s”, then cock our heads as the first four notes of O Canada fill the air. Aha! The 12-noon ritual, courtesy of the Heritage Horns at Canada Place. We giggle and amend our greeting. “Good afternoon!”

On north along the east side of MacLean Park, already anticipating a latte at The Wilder Snail café up at Keefer. I pause at this alley corner en route, delighted that this workshop is still here, still vividly painted, still adorned with industrial art…

including this tribute to cycling embedded in the sidewalk: chain, gears & even an upright bike pedal.

On up to Keefer, about to cross the street to the café, and… whoa! This is new. The drop-dead sleekest community book box ever created.

No, not part of the Little Free Library chain that I admire so much; this (the discreet sidewalk plaque tells me) was brainchild of the Strathcona Community Centre Association, funded by some civic Neighbourhood Small Grants program.

I peer inside. On offer, Easy Songs for the Beginning Baritone/Bass. Also on offer — in case you’d rather read about a musician than be one — Life, by Keith Richards. (Isn’t this perfect? The autobiography of “Keef,” right here on Keefer Street.)

Enough of that, I want my latte. Except, once inside The Wilder Snail, I succumb to the day’s heat & my own curiosity and instead choose something cold called (as I recall) Turmeric Sunrise. Or something like that. Anyway, tart & citrus-gingery and perfect for the day.

I sit outside, and watch the woman in the red dress kitty-corner, inspecting offerings in that book box.

(D’you suppose she walked off with Keith Richards under her arm?)

Now it’s my turn to walk off, still heading vaguely northward, until I find myself in front of this wonderful mural of North Strathcona Pre-WWI.

I am at Campbell & East Hastings, and I know this because there’s the intersection, in its bright turquoise lozenge.

Once again I have cause to admire the perfect symmetry of location and language: the eponymous George Campbell was part owner of the Hastings Sawmill.

I start thinking about looping my way toward Commercial Drive and, eventually, a bus back home.

But meanwhile, still lots to look at. Mad animal cyclists in this mural near Woodland Park, for example.

And in this Venables/Victoria alley, a garage with a mural and some life-lesson instructions.

The life lesson? How to be an artist.

I’m particularly fond of “Make friends with freedom & uncertainty” near the top, and, closer to the bottom, “Listen to old people.” (Well, natch.) Also: “Play with everything.”

Fine, I think, that’s it. Camera back in my pocket.

But then I see this: garage-top garden, complete with sunflowers and an apiary.

Okay, I think. This time that’s it. But a few blocks over, I see this: wonder woman flexing her muscles.

And then?

That really is it.

The Long Slide to Dusk

18 July 2021 – The few brief times I lived near the equator, I never quite got used to the abrupt transition from day to night. As if it were on a toggle switch: day ON!! day OFF!!

Here in Vancouver, we’re on a dimmer switch, with a long, long slide.

So I set out in the relative cool of late afternoon, knowing I have a comfy few hours before night fall. A loop, I think, north downhill & east & see what happens.

I’m touched as always by the many small ways people add beauty outside their own front door, a gift to the rest of us. This little street corner arrangement, for example, the grass scorched but the flower-petal birdbath glossy-bright (though empty).

This isn’t one of the Park Dept’s sponsorship arrangements; it’s something set up by somebody in the condo building right behind me. Just… because.

Or here, a few blocks farther north-east: a dip in the ground, with greenery that does not appear to be currently tended, but look, someone has placed a gleaming red chair next to that weathered bench.

Neither of these spots is, from a landscape-architect perspective, particularly impressive. They’re modest, straggly even — but full of good omens: generosity of spirit, playfulness of spirit, comfort with being who they are doing what they want to do. And with reasonable expectation that the objects they place for public enjoyment will not be vandalized or stolen. It’s an encouraging reality, when so many other current realities are painful.

Another discovery, look:

I do not click, I want my own unguided walk thank you, but later I look up the St. George Rainway project. It falls within Vancouver’s much larger Rain City Strategy and while I uneasily suspect both lag in implementation I wish them success. “Heat Dome” ought to provide new impetus.

I take myself down to Great Northern Way (now roadway, originally tracks for the railway line, up from the USA), walk along and decide it’s finally time to try to solve the mystery.

The mystery being: what is the story of these grand steps back uphill, their style worthy of an Aztec temple? And what are those statues all about?

So, finally, instead of wondering about them from the far side of the road, I climb the steps.

The statues are not only incoherent in style & apparent inspiration, they are all badly damaged & vandalized.

No street art here worthy of admiration – but at least, in this one message, a mini-story that I’m glad worked out well for the grateful “D.”

As I climb, and later up at the East 6th & Prince Albert top end of the steps, I ask passers-by if they know the story. They don’t.

But at least I’ve finally climbed those steps!

Back down to Great Northern Way, on east, across Clark St. and on some more, and I dipsy-doodle toward McLean Drive. It lands me on this extraordinarily rustic few blocks, hard to believe there is city all around and a Sky Train line just down the hill. (Wheels screech at me as a train goes by — again I honour Montreal’s Métro system for the courtesy of its silent rubber wheels.)

And around, and I start upward/southward again.

I see a cat poster on a utility pole, and my heart sinks, because we all know what they always say, and it is always so desperately sad.

But not this time!

We do not need to worry about poster-girl Zazu or her floofy brother Geronimo.

This really has it all: good-news reassurance for neighbours, plus a way to contact the owner if any given neighbour thinks the cats’ presence is more nuisance than joy.

And right here on the ground, next to the cat poster, a fish.

Damn, I wish I could identify the artist for you. There are a lot of sidewalk mosaic projects in the City, many of them identified, but not this one. Still, along with the frustration of not being able to ID this one, I gain the knowledge of a place called Mosaic Creek Park, and you know it is now on my list.

Zazu & fish are right on the corner of W.C. Shelly Park. The sign tells me so.

It also reminds me we have a lot of serious work to do, here in Canada (ditto USA/Australia/NZ).

By the time I’m up on East 11th, again crossing Clark but this time westward, the long slide on the dimmer switch has finally reached dusk.

Time to go home, and I do.

After a moment’s companionable pause with the Dude in his park.

Silly

10 July 2021 – I’m walking home along a shady street, minding my own business, and — just like that! right here on the sidewalk! — I enter another jurisdiction.

It is the jurisdiction of silly walks.

I do not obey. But I do giggle, as that Monty Python skit unrolls yet again in my mind.

I’m practically at the end of the block when I hear more giggling — not my own, somebody else’s, backed by the sound of stomping feet.

I turn, I look, and there’s a teenage girl, getting Silly.

It’s perfect.

Again!!

5 July 2021 – False Creek again! Ah, but, not the same-old.

I jump an Aquabus ferry close to home, and ride west to Granville Market. For the first few stops, it’s just the young driver and me — he’s a Vancouverite home from his first year of university at Queen’s, in Kingston, Ontario. For assorted reasons I know both Queen’s and the city well, so we chatter about all that for a while. One other passenger joins us at the David Lam Park dock, and conversation shifts to dealing with the heat.

The driver and I are masked, this passenger is not; all within Stage 3 guidelines, and — given current COVID trends, and our open-air breezy location — I’m comfy with it.

We approach the Granville Market dock, with the Granville St. Bridge there to the west beyond us.

My plan now is perfectly simple. Walk west, hugging the Creek and its parks and trails. Until I don’t feel like doing it any longer.

Busy marinas all along this stretch, plus this soon-to-be-busy public fish market. I’m west of the Granville Bridge by now; the Burrard St. Bridge looms up ahead.

Still pretty early in the day, but already cyclists, joggers, dawdlers, people with kids and people with dogs and people off in their own ear-bud universe. Parks & parkettes are contiguous all along the way, put me in mind of the parks that chain their way along Lake Ontario on the Toronto waterfront.

A mini-bump of parkette immediately east of the Burrard Bridge …

its scorched grass mute testimony to our dry spring and hot summer.

Under the bridge, on and on, rounding into Vanier Park, home to assorted institutions (Academy of Music, Museum of Vancouver, MacMillan Science Centre and the Maritime Museum) as well as landscaping and lots of open space. Some of that open space sprawls across a raised central knoll, favoured home of kite-flyers.

I stand under the protective shade of a tree, watching the flight of the most beautiful kite I have ever seen.

Had I a better camera, I would show it to you properly. But I don’t, so I can’t. (From the plaintive subjunctive mood, to the resigned indicative.)

Away from the shady tree-on-the-knoll, back down to the waterside trail, drawn by those vivid kayaks. Beyond them, the floating maritime heritage museum, tucked into Heritage Harbour.

By now I’m sloping into the long curve of Kitsilano Beach and Kitsilano Beach Park. Pick-up basketball here, net upon net of volleyball there, and the usual range of ages and types and interests walking, cycling, dawdling, chattering, studying their phones, reading their books, walking their dogs. I watch all this from a shady bench. (You’ve figured it out by now: my own westward progress is shady-spot to shady-spot.) My favourite dog is the three-legged one — as nimble as his four-legged leash-mate, and considerably more so than their two-legged leash-holder.

Off my bench! On down the Kits Beach Park trail!

Into the trees just east of the Kits Yacht Club … and I pause again. My ears pick up the faintest tones of sitar music. I look around for someone with a radio, but no… it is live.

I go sit on that bench to their left and, entranced, listen in. The woman is playing so softly, so delicately, that the sound merges with all the other sounds that wrap around us — breeze and waves and sea birds. Then my ears sharpen again, because I suddenly recognize the melody. She has segued into O Canada. She plays it right to the end, just the simplest possible, entirely unadorned, melody line.

Then she segues again, flows on into some raga, and I walk on.

Yes! I had this in mind.

“Wilderness Beach,” as the sign proclaims, is one of the last natural — un-managed, un-developed, un-manicured — beaches in Vancouver. It stretches west from Kits Beach on out to Jericho, and we are implored to visit it of course, but to change nothing about it while there.

There is a narrow trail, with pricey homes high above looking out over the water. Trail users move gently, careful with the space and friendly with each other.

(Look centre-top of that tall dead tree. One crow. There had been a whole squabbling murder of them as I approached, but one by one the others flew off. This guy, triumphant, now owns the tree.)

I drop down more steps, down onto the beach itself, currently very low tide. This enormous stump! And how beautiful the colours and textures of its patterns.

All the usual beach vocabulary of sand, pebble, stone, rock, seaweed, and storm-tossed wood. Sometimes rock rears up on the landward side, a natural wall.

Some of the homes have their own gates to the trail; this one has intricate ladders to bring its residents and their toys right to the beach.

Farther along, human-built breakwaters replace nature’s own rock and proclaim the homeowner’s tastes (as well as bank account). Some sport commissioned murals, such as this run of wild salmon.

There are also stretches of distinctly unofficial decoration, as on the near end of wall below! This is relatively infrequent, and, as here, quickly yields to something planned, like these bright blue bands.

I’m interested in the blue bands. A kilometre or so back, I’d asked someone if there was an exit farther west? Or would I have to double back? A nod, a chuckle, a pointed finger: Just beyond that blue band down there, I was told.

Yes indeed. Steep steps back up to the residential world. I wait while a young man patiently coaches a very young Husky puppy in the intricate choreography of step-climbing.

It gives me time to admire one last mural, rising vertically to the left of the steps.

A mad flamingo? Dancing with dandelions? Well, who knows, and we’re free to dance our own dance of imagination with it.

Up the steps. Back to the world of street corners. (I take my bearings: Point Grey Rd & Balaclava.)

Back to the world, also, of Little Free Library kiosks. Just look at the range on offer!

On the Road, Kerouac; Call of the Wild, London; Manon des sources, Pagnol; even Alpert Ellis and his Rational Emotive Behaviour Therapy.

And! And. Esther the Wonder Pig.

A bit more walking and a few more conversations before I grab a bus home — but, enough.

How can I top Esther the Wonder Pig?

Green Peace

17 June 2021 – I’m at the entrance to the VanDusen Botanical Garden, and I suddenly decide that, this visit, I shall focus on the colour green.

This is why.

All these themes & variations of green, and I’m not yet even into the grounds.

So, green it will be — no labels, no ID, no scrupulous effort at learned info. Just shades, shapes, textures & moods of green.

With, oh all right, a dash of cinnamon.

Colour!

There’s the rich British-racing-green of those ferns, but there’s also citrus-green …

and ghost-silver-green.

There’s growing-tip green…

and sun-dappled green.

Then there’s all the ways a green can dance with the light.

Matte vs high-gloss, for example.

Or, textures! From feathery-droopy…

to spikey-erect.

You only need two ferns for a whole world of contrasts …

but if you really want to see what’s possible, settle down in the Garden’s Fern Dell and look around.

Then there’s green-in-the-pond…

and green-across-the-pond.

And of course — but of course — there is also copy-cat green.

Because, why should nature have all the fun?

Green on a bench…

and later, viewed from the patio, latte to hand, just beyond nature’s own green hedge …

the green apex of a garden umbrella.

And a crow.

… and Macro

13 June 2021 – So there I was, last post, making a big fuss about micro-focus. This time out, my eye snaps right back to macro.

And micro.

Both.

Maybe because I’m on less familiar ground. I’m on the edge of Morton Park — me, plus the 14 bronze gentlemen who make up the collective sculpture A-Maze-ing Laughter. The work of Chinese artist Yue Minjun, it was the hit of the 2009-2011 Vancouver Biennale, and is now a permanent installation owned by the City.

Like his 13 companions, he’s just laughing his ears off. I’m equally happy as we leave micro for macro — past the sculpture, on down to the water just where False Creek swells out into English Bay and the Sea Wall carries on up into Stanley Park.

Micro to macro. Beach plants up close; then down across the sand and rocks of low tide; on out over the water to freighters in the Port Authority “parking lot,” waiting their turn to acquire/deposit cargo; and finally, oh always, mountains and sky.

Mine is not the only eye on the scene.

More micro to macro: first plant life on driftwood stumps, and then beyond & beyond & beyond.

I’m in close for this one: all the colours & textures that dance in a single slab of rock.

Speaking of dance!

Ignore Second Beach Swimming Pool in the background; ignore the snappy bike helmet; narrow your gaze to that crow dancing with the saddlebag behind the seat.

The cyclist must have stashed some pretty delectable gorp back there — and, I guarantee, there’s now a lot less of it than there used to be. The crow has spent the last five minutes methodically dipping his beak. (Oh! Just hit me! Exactly like those dipping-beak bird toys you see advertised.)

On we go, on up to Ferguson Point, just short of Third Beach. More micro-to-macro. A trio of marine biologists, doing something detailed & specific at water’s edge — and out beyond them, a laden freighter.

I’ve been watching it ever since we joined the Sea Wall. It’s the only one out there stacked high with containers and, thanks to the photographic genius of Edward Burtynsky, shipping containers rivet my eye.

We leave the Sea Wall, climb up inland a bit, our target something delicious at the Teahouse.

We arrive. It’s closed. Oops. (I channel Phyllis, my partner in the Tuesday Walking Society back in Toronto: she’d greet a failed-destination moment with the shrugged reminder, “We’re out for a walk.”)

So! Shrug to the Teahouse.

Back down to sea level, back onto the Sea Wall, back toward Morton Park.

A final micro-image reward.

A very small detail, in a very tall tree.

Micro

9 June 2021 – Sometimes, when you’ve been trotting around a particular area often enough, your ungrateful eye begins to slide right off the macro view. Even when it’s as handsome as this one.

Here we are, south side / east end of False Creek, and just look at it — a macro worthy of the name, from boats to billowing clouds with mountains & condos & Science World tucked in between.

But all that, that macro sweep, is not what I notice.

All my eye wants to notice is this:

these mollusc-encrusted old wooden pilings.

And that’s how the walk goes.

My eye keeps snagging on micro snippets within the larger context.

One of Myfanwy MacLeod’s 18-foot sparrows, for example, in Olympic Village plaza.

Decidedly macro, as sparrows go, but not in terms of the plaza as a whole.

Same thing when I turn down an alley off Manitoba & West 3rd.

Lots going on, I promise you, but all I see is an alley cat …

and a bird’s nest.

Presumably not for the Olympic Village sparrow back there! Though the scale would work, wouldn’t it?

To China & Back

5 June 2021 – In a manner of speaking. More precisely, to China Creek North Park & back — only a few kilometres from home, so a post-breakfast loop I can walk & still be back in time for a 10 a.m. Zoom with friends in the East.

Approach from East 7th Avenue, and it looks like Park-in-a-Bowl: steep slope with some 3 hectares of parkland below.

Not even all that interesting, right? A baseball diamond and a whole lotta grass. Yawn. Except that grass covers a lot of history, including the now-invisible China Creek.

In 1888 settler Charles Cleaver Maddams bought 5 acres of land on what was then still the south shore of False Creek, which was then still being fed by a lesser, but powerful creek that drained a whole watershed of tributaries through the ravine into the Flats and ultimately False Creek itself. Maddams called this waterway “China Creek,” because of a nearby Chinese hog farm. (There are other stories; this seems to be the one most widely accepted.)

In the 1920s, Maddams sold the land to the City, which didn’t develop it until the 1950s. Meanwhile, this final bit of False Creek was being filled in, China Creek was buried, and the ravine was being used as a garbage dump. Oh yes, it became one of those stories.

But then, it all got turned around. Today China Creek North Park sparkles in the immediate after-effects of its latest (2019) refurbishment. The slopes have been / are being naturalized, and the kiddy playground has bright colours and fun equipment atop the gentle surface of munched-up used tires.

So let’s look again. There are people in every direction, of all ages, doing all kinds of things, very happily. Five of those people appear in that first photo above, on this near edge of all that boring grass.

Guy on left chinning himself on the exercise equipment; another guy watching; guy on right coaching two young female boxers.

And if you turn your head to the right & look south, it’s even more interesting.

Down there bottom of the slope, turquoise stripes mark the playground; between up here and down there, the fast-naturalizing slope, shaggy with flowers & grasses & surely full of unseen little critters as well; and, visible here and there amidst all that exploding nature, a spiral pathway up/down the slope.

When they used to cut the grass, it was just a boring path; now that it plays peek-a-boo with nature, it is irresistible.

Of course I’m going to walk it, down & up again. I head that way at a clip, but stop long enough for a brief conversation with the gentleman on that bench at the right edge of the photo. It’s just one of those magic moments: we’re both delighted with the day, with the park, and want to share it with somebody. So we do. We also share some how-to-be-a-senior-citizen thoughts, largely about gratitude, qi gong and tai chi; then we nod pleasantly at each other and I’m off to walk the path.

Poppies, clover and cornflowers!

Grasses!

Beserk buttercups!

Perfect spheres of dandelion fluff!

And lupins! (“Your life or your lupins,” I growl, channeling Monty Python, and then soften into memories of wild lupins filling ditches and hedgerows in the Maritimes.)

As I spiral gently to the bottom of the slope, I see one of the female boxers doing it the hard way — full-tilt, straight line.

Meanwhile, her partner is sparring with their coach (while Onlooker Guy from my very first photo is here again, doing a few stretches).

As I head back up the path, I stop to watch a father tuck his son between his legs and set off from the top of the slide to the soft-landing playground below. Father & son laugh as they go, in baritone-soprano duet. I listen, and admire the red poppy here by my foot.

Then I check my watch, and see it is seriously time to make tracks for home!

Hoof-hoof-hoof.

(I make it in time.)

Good Signs

30 May 2021 – As in, “Good signs!!” — pronounced with the inflection and rationale of patting the head of a “Good Dog,” cheered by his energy & optimism. And believe me, I need the cheer. After a totally inert morning (let’s blame it on pandemic brain fog), I finally get myself out the door and hope for some stimulation.

Things immediately improve.

I stand at the very next street corner, and laugh at the irony: the rampaging good health of this garden now obscures the gardener’s advertisement.

See what I mean, about “energy and optimism”? Now that I’m looking for signs of good stuff happening, they’re all over the place — with physical signage attached, to make sure I notice.

On down East 7th, along the edge of Dude Chilling Park, and I blink in disbelief at what I think I see — but surely I am mistaken — in the pathway between the park and the adjacent school. Tents? A street fair? Really?

Well, yes. And was ever a “Do Not Enter” sign so welcome a sight?

The cheerful masked rep for Vancouver Farmers Markets explains that, yes, the market is legal, but, also yes, I cannot enter at this end. One-way traffic is part of the safety protocol: go loop through the park to the other end, enter there, and see ya later. So I do.

Where more signage tells us what’s in season at the moment, and encourages us to whistle through our masks, if we want entertainment.

A dozen-plus tents run down the two sides of the space, with everything from honey to veggies to fish to sauces to the truly important things in life …

like chocolate.

Taped to a tent pole between the Drunken Chocolatier and Bali Bites … a llama.

A snuggly llama.

With a social conscience.

So far I’ve had 2 m / 6 ft measured out for me in eagles, cougars, bears, and butterflies. A llama is an adorable addition to the list.

I don’t stop at the Good Fish tent, and I politely stand back (leaving enough room for at least two snuggly llamas) while the Good Fish guy checks out the offerings at Bali Bites.

He moves on, I move in, and when I walk off again it’s with a pouch of their gado-gado sauce in my backpack.

One last happy look back from the exit end, where yet more signage — “Stay Safe!” — reminds us how to behave, if we want our markets to be able to stay open.

And I’m out, and off, and wandering deeper south-east along these residential streets.

More Good Signs, as I go.

The St. George Library on East 10th, for example, named for the cross-street, is a year-round hub of local give-and-take. The chair is new — perhaps on offer, or perhaps an amenity for someone waiting until it is safe to move in and check current titles.

More wildly healthy foliage obscuring a sign at Carolina and East 11th, another cheering demonstration of neighbours who care about each other. You and I never knew Julia, but this decorated street corner celebrates her as a good friend and neighbour.

Farther south on Carolina, approaching East 18th, and another community free library: BOOKS, albeit in battered lettering on a peeling box. Don’t care. Love it; love what it stands for.

And — I realize, to my absolute glee — the derelict house and blazing buttercups in the background mean that, by sheer chance,I have rediscovered one of my favourite alleys in the entire city. I first took you there with me just over a year ago, with a 24 May 2020 post entitled B Is For Bee (& Buttercup).

Here we are again. With a crow thrown in for good measure.

Later, heading back toward home, somewhere near Mount St. Joseph Hospital on Prince Edward, one more Good Sign. It’s one we all know well, but I have to acknowledge that by now our response is wearier than it was at first.

It is still a Very Good Sign.

“Strange Adventures”

13 May 2021 – I’m not looking for adventure, I’m just walking Point A to Point B — and I get highjacked by this little sign. Who could have predicted it? Who’d expect anything even mildly interesting, on the little grass island smack beneath the traffic ramps at the south end of the Cambie Street bridge?

But here it is: well beyond interesting, all the way to Strange Adventures.

I step past the sign, through the gap in the scruffy hedge … and there’s the first Adventure.

An unexplained, and definitely unofficial, wooden chair, with a tree stump foot-rest.

So I sit down, of course I do. The overhead ramps don’t offer anything adventurous … but, wait, there’s that shocking-pink poster on the pillar …

Surely the promise of Strange Adventures to come?

Yes, it is.

Voxel Bridge, explains this Vancouver Biennale signage, will bring us an “immersive installation” here beneath the bridge, courtesy of this Colombian artist and her planned combination of adhesive vinyl and Augmented Reality.

Hop a few days, and I’m about to enter an immersive installation (perhaps a Strange Adventure) already on offer: the Imagine Van Gogh exhibit in the Convention Centre down on Burrard Inlet. Waiting my turn, I look back through the lobby windows to Douglas Coupland’s wonderful Digital Orca, a pixellated happy-dance for the city, the harbour, and the Coast Range mountains beyond.

After the barrage of high-tech inside, it’s a pleasure to go back outside and see what adventures are on offer just from walking around.

A shot of horizontal yellow: from buttercups and dandelions, to those float-plane logos, to the sulphur piles of North Van over there on the north shore.

A shot of vertical light: storey on storey, the mirrored panels of one building reflect the balconies of the building next door, given extra sparkle by the fountains in Harbour Green Park.

Another day, more adventures.

A real, live crow guards a bus stop …

and a stone lion guards a parking lot.

It’s just one adventure after another, isn’t it? He is in a parking lot. He has blue eyes. And he is hanging out with a gnome. (Oh please! Gnomes.)

Later, I look up the Recovery Gnome Project, and change my attitude. It’s a grass-roots project, started here in Canada by people who have loved ones in recovery. The idea? Get people to celebrate the positive impact of addiction recovery, by creating and placing a gnome in their own community — anywhere in the world. (It’s already spread to the USA and England.)

Now, that‘s an adventure.

  • WALKING… & SEEING

    "Traveller, there is no path. Paths are made by walking" -- Antonio Machado (1875-1939)

    "The voyage of discovery is not in seeking new landscapes, but in having new eyes" -- Marcel Proust (1871-1922)

    "A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities" -- Rebecca Solnit, "Wanderlust: A History of Walking"

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