Shadows to Stops to Steam

1 November 2026 – I hadn’t planned a capital-W Walk for today, I only had the “stops” part of this agenda in mind, but spectacular weather pull me out the door and onto the streets for a more ambitious adventure.

Late-morning timing and brilliant sunshine offer me “shadows.”

So here I am, me and my shadow, heading off north on Scotia Street. My destination — very eventually — will be St. James Anglican Church at Gore & Cordova in the city’s Downtown East Side (DTES).

More shadows on Station Street as I approach Pacific Central Station, thrown by a flaming maple tree not only on the sidewalk, but on the equally flaming Construction sign, which shows us the obvious: the new St. Paul’s Hospital / Providence Health Care campus, just ahead, is one massive (and much needed) project.

I’ve been chattering with people all along the way. We’re all beaming at each other, wriggling with pleasure in the brisk-but-friendly weather, exchanging the usual social small talk, agreeing it’s a great day for a walk, yessiree, it sure is.

Canada geese, here at Thornton Park just past Pac Central, agree with the humans. I stare at this trio calmly stepping their way across Station Street…

and think of Lynette d’Arty-Cross’ post on 19 October, A Duckie Adventure, with adorable ducks crossing a much busier street. (If you don’t already know her blog, Pictures and Stories of Life, here’s the moment to pay it a visit.)

I have to do a little navigating, in order to weave northward around the construction while still avoiding Main Street (a game I like to play with myself). This particular weave benefits from conversation with a DTES woman who describes where best, at this stage of hospital construction, to cut through barricades and make it to Gore Street.

I follow her advice. It brings me to the foot of Gore, between Prior and Union streets, where homes still display their Hallowe’en pumpkins.

Jack o’ Lanterns are a seasonal icon; over the next few blocks, I encounter three more icons with staying power.

  • Black Strathcona: This lamp post plaque is a tribute to Hogan’s Alley, a narrow lane home to Black immigrants “that became a flashpoint for its vibrant night life and for urban renewal schemes that ultimately destroyed it.”
  • Asian Strathcona: referenced in the sidewalk mosaic of lotus and koi at the corner of Gore and Keefer.
  • A crow! Of course. All the time, everywhere, with this particular one at Gore and East Pender.

Finally I reach Gore and Cordova, and this 1930’s take on 14th-c Gothic style architecture. The building is the third iteration of St. James Anglican Church, this one in durable concrete, unlike its vulnerable wooden predecessors (the first having been destroyed in the Great Fire of 1886).

I’ve attended architectural tours of this building, and would do so again. But that’s not my purpose today. Today is all about the church’s magnificent Casavant Frères organ — a three-manual, 31-stop organ of 1,760 pipes — installed in November, 1938. I and other event attendees, ranging from the deeply knowledgable to the humbly fascinated (like me), are here for a show-and-tell-and-play with the church’s Music Dirctor, Dr. Abraham Ross.

You see? I am now moving from the “shadows” of this post to the “stops” (and everything else to do with organs).

It turns out, I’m not quite done with shadows yet. I step into the church, where I am struck by the play of shadows among the sun’s rays, as light streams into the Lady Chapel.

Dr. Ross (“Call me Abe”), rounding off his first year in this post, wears his knowledge lightly, a characteristic that I deeply admire. We listen, we question, we discuss, as his fingers and feet dance and his words and music fill our heads and hearts.

Later, when he invites anyone interested to sit on the bench and make music, both Red Jacket and Blue Jacket (above) respond. They had each listened intently and asked thoughtful questions — no surprise they each also play the organ well.

Smiling and thankful and light-hearted, we all wind back down the steps, ready to leave. Then… a surprise. The organ again swells through the church, this time with a soprano voice in soaring duet. (I remember Dr. Ross’ comment, that in commissioning this organ, St. James instructed Casavant to adapt away from classic French cathedral style toward the Anglo-Catholic style of the Church of England, a more mellow sound suited to the C of E interplay between organ and choir.)

I look up from the nave to the gallery, and, transfixed, watch and listen for another moment: the singer standing to the left of the seated organist, an observer off to the right.

Then finally I do leave.

Because the day is so extraordinary, and I am so buoyed by both day and music, I do not turn toward home. Instead, I follow Cordova Street on east, deeper into Strathcona. Eventually it occurs to me that while music and sunshine are all very fine, lunch would also be fine, ’round about now.

So I say good-bye to Cordova at Hawks Street, and follow Hawks south to Keefer and to the Wilder Snail.

I’ve visited this venerable café/grocery store before, and I’ve already shown you its mammoth suspended snail mascot at least a couple of times. “Snail” could have been the third “s” in this post’s title.

But it’s not. Because, while I’m charmed by the spooky-season addition of a black tarantula, I am even more charmed by another discovery.

Along with its vintage wooden floors, and its vintage trick of steadying wobbly table legs with folded bits of paper, the Wilder Snail has genuine old vintage steam radiators. “S” for “steam.”

I warm my insides with broccoli-cheddar cheese soup, while the radiator gently warms my outsides.

Then I take my insides and outsides back home, and put on my lined jeans. T’is the season!

Shadows with Mermaid & Alley Cat

29 May 2026 – Another bright, high-contrast day. Forget nuance! Go with what you’ve got.

Shadows.

And shadow play — their dance with the objects that throw them.

Shadows rippling like waves around & beneath the mermaid…

ovoid shadows of slightly varying dimensions, teasing the rigid, circular precision of their hosts…

the spiky shadow of a gently-angled railing…

and that same spiky shadow, when I shift positions, transformed into a drunken sprawl.

Alley cat and I are both mesmerized.

The long-suffering driver stuck behind me in the alley? Not so much.

He taps his horn (with remarkable restraint). I scamper out of the way.

Light Travel and Time Travel (and the Flick of a Cat Tail)

29 December 2025 – It starts with a cat, not that the feline has any connection with our reasons for being on East 6th and poised to head north on Quebec.

But who could resist? I promise myself I’ll pursue that code once I’m home.

Meanwhile, on we go. On down Quebec St. to the water. We are en route the Village dock, about to make a two-ferry trip all the way west to the Maritime Museum dock.

Our goal isn’t even the Maritime Museum. Ferries are just the most delightful way to get ourselves to the Museum of Vancouver, out there in Vanier Park, for their twin exhibitions about chairs: Deep-Seated Histories (old chairs in their collection) and Future Makers (new chairs by Kwantlen Polytech students).

Light travel — reflections across the water — captures us before we even leave our home dock. Copper light, rippling its way south across the water.

Light travel + time travel: Jerry Pethick’s Time Top sculpture sends its own ripples southward as we pass the Cambie Bridge.

From one ferry to another at Granville Market, and soon we dock at the Maritime Museum — a free outdoor exhibit of vintage wooden vessels. And, not incidentally, home to the non-profit Oarlock & Sail Wooden Boat Club, housed in the floating Wooden Boat Shop.

More light travel, shimmering among the aged vessels (many wrapped against winter, but alas therefore incognito as well).

From light travel, back to time travel.

Barni-cycle!

It didn’t collect all those barnacles in just a day or two.

I add an extra layer of time travel + distance travel.

I bounce myself back years and back east to the Art Gallery of Ontario’s display of Simon Starling’s Infestation Piece (Musselled Moore). It shows what happens when first you make a faithful copy of Henry Moore’s Warrior With Shield, then you place it in Lake Ontario as an offering to zebra mussels for a few years, and finally haul it up again for display.

I shake that image out of my head, rejoin present time & place, and follow my friend to the MOV, where we meet another friend and all three of us go look at chairs.

They are twinned exhibits. First, as seen above, Deep-Seated Histories of vintage chairs with local connections. But even here I’m back to light travel. No longer light crossing water to create reflections; instead, light crossing air to create shadows.

(Above) Edward’s Razor Repair Shop Metal Chair, 1930; and (below) Peter’s ice Cream Parlour Stool, c. 1930.

Later, in the Future Makers exhibit, more light travel, more shadows.

This time, beneath the Kuma Chair, in homage to Japanese architect Kengo Kuma and the outside lobby of his Alberni building here in Vancouver. The chair, its signage tells us, explores negative space. I see shadows.

And then more walk-abouts, and then lunch at the splendid Melo Pâtisserie, and then home.

Where I look up the code for that cat show. And discover it took place on 25 August 2025.

More time travel!

3 x W

6 April 2025 – Three images from the last two days, and the subsequent discovery that all three dance to the letter “W.”

Water…

and Wood…

and Wall.

This one embodies a more complicated bit of alphabet than its companions. At the time, any designation would have been “S-for-shadow.” Because… well, look at it. Look how that boring wire-mesh fence throws filigree shadow on the rusted corrugated metal.

Even if we boot “S” to the sidelines, we can still applaud this image as a triple-W, all by itself.

Wall, check.

Also, Warehouse, check. The rusty metal covers a ramshackle old warehouse on False Creek South, one I’ve eyed with fascination for the last seven years, wondering whether entropy or the bulldozer would finally bring it down.

Turns out: bulldozer. The cheerful young City employee padlocking a bit of the security fence told us that yes, the building is about to be razed — but the wood will be saved.

W for wood!

“Inside this metal crap, it’s all old-growth timber. Old growth! Still in good shape. We’ll be taking it apart piece by piece, because the City plans to reassemble it as part of an industrial-heritage display.”

No, he didn’t know how soon, or where. We then grimaced our mutual recognition of the best-laid plans of mice, men and civic authorities.

Still! It’s W-for-wonderful.

(Says Walking Woman.)

Crisp to Calm

6 August 2024 — One day all crisp shadows down a local alley…

and the next, off to the “green calming atmosphere” promised in this sign welcoming visitors to Camosun Bog.

The bog is a tiny, boardwalked ecosystem at one north-east knob of sprawling Pacific Spirit Regional Park. I always choose the same entry point: south from West 16th Ave., down one final residential block of Camosun Street.

And here I am. I set foot on that entry stretch of boardwalk, and I am already calm.

Slower of pace, quieter of thought, I duck under an arch of Mountain Ash and walk around the bend beyond…

to pause at what I think of as “The Sentry” — a nurse stump adorned each season with whatever that season and its weather have to offer.

I next pause at the bog itself, now diminishing in the heat of mid-summer from its abundance of early spring.

Then, I follow the boardwalk.

The sphagnum mosses are beginning to bleach, responding to the same heat that shrinks the bog, but there are still bursts of vivid greenery.

Sometimes I need to peer over the inner railing of the boardwalk perimeter…

but any old time, I can just look over the outer railing at the forest beyond.

Loop complete, side trips complete, I retrace my steps to walk back under the arch of Mountain Ash. This time toward sidewalks, pavement, cars and traffic. Lots of grey awaits me. Lots of noise.

I’m not yet ready for West 16th! I walk eastward on quiet residential streets instead.

And I find myself at another tiny enclave of calm.

Right there, across that intersection, under those street-side trees: some Muskoka chairs grouped companionably around a little table.

I cross. I check it out. I discover that, just like the entry sign for Camosun Bog, the table welcomes visitors.

Though with an admonition.

I obey.

I take a seat. And when I depart, I leave the furniture where I found it.

  • WALKING… & SEEING

    "Traveller, there is no path. Paths are made by walking" -- Antonio Machado (1875-1939)

    "The voyage of discovery is not in seeking new landscapes, but in having new eyes" -- Marcel Proust (1871-1922)

    "A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities" -- Rebecca Solnit, "Wanderlust: A History of Walking"

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