25 February 2024 – But sometimes…
I don’t go on a multi-image riff of memory and research and time/space travel.

I just stand still, and look at what’s right there in front of me.
21 February 2024 – Move over, Pussy-Cat. The owl has a new companion.
I’m at the corner of West 10th & Columbia, heading east, and I am stopped in my tracks by an owl.
A real owl would seriously stop me in my tracks; this one is not real, but still unexpected and worth some attention. He is dangling from a traffic sign that promises you death & dismemberment if you even think about parking here.

It’s only after I move closer to contemplate the macramé shades-of-the-70s owl, that I really take in the heritage house in the background.
Which certainly deserves my attention.

The Owl and the Painted Lady! I murmur to myself.
And, with that, I forget Edward Lear and think about Painted Ladies. Painted Ladies in heritage neighbourhoods.
The best-known reference, especially outside Canada, would be to San Francisco and its line of brightly painted Victorian homes along the eastern side of Alamo Square Park. Former Torontonian that I am, I think instead of the Painted Ladies of Cabbagetown.
Of one in particular. Rather, the story of one in particular, told to me by the friend who lived next door and whose teenage daughter played (literally) a starring role. Picture the scene. We are in a Victorian home, among others of that vintage, on this street, in this comfortable neighbourhood.
The daughter is practising Bach on the piano in the bay window alcove, with the windows wide open in the summer heat. Next door, a painter is climbing up and down the ladder as he works on that home’s wooden fish-scale façade. The girl pays him no mind, not until she looks up to find him standing right outside her window. She is surprised at the sight; even more surprised when he — politely but firmly — describes very specific ways for her to improve her technique. Who the hell does he think he is? is her first sulky teenage thought. She stifles it. Because, damn it, he does sound like he knows a lot about music.
Turns out, he does. The woman next door tells her mum that the painter, in his previous career, had been a member of the original Orford String Quartet (1965-1991, reborn in 2009 as the New Orford String Quartet with different members). In his new career, he is now creating visual rather than aural music, shimmering cascades of colour rather than sound.
I sink into this memory for a bit, think about my friend’s home, and my admiration for the eventual beauty of that house next door. Then I snap myself back to the here-and-now. I am about to walk on, when I notice a sign on the street-corner lamp post. Always a sucker for signage, I trot across the street to read it.

The Vancouver Park Board seems only to have run the contest those two years — main criterion “community spirit… as demonstrated through block beautification” — and this block of West 10th won both times.
I’m afraid I short-change you for the rest of the block; I take no more photos. But back in 2009, somebody walked the block with delight, and posted the results to his public Flickr stream.
So enjoy the photos, chase up some Orford (original and New) performances online, and then rejoice in all the ways we humans can create beauty.
Posted by icelandpenny on 21 February 2024
https://icelandpenny.com/2024/02/21/the-owl-and-the-paint-pot/
14 February 2024 – Two parks, both small, and so very different in the story they each tell.
One, a park I only discovered recently, thanks to falling across the Vancouver Park Guide blog, in which Justin McElroy takes on the task of visiting every park in the city. The other… well, it’s my local, innit? Some people have a pub, I have a local park.
Yours To Enjoy (within limits)
Thanks to McElroy, I’ve headed south on Granville Street into Kerrisdale, to walk through what he (& the City’s own website) calls Shannon Mews Park, but which the signage identifies otherwise.

A modest little name, by definition quickly outdated, but on the edge of a property with considerable architectural and historic significance. To the rear right, the Beaux-Arts mansion commissioned early in the 20th century by B .T. Rogers (founder, British Columbia Sugar); to the rear left, some of the mid-20th century apartments designed by renowned BC architect Arthur Erickson and, in the 21st-century, “revitalized” by the 10-acre site’s subsequent owners, developer Peter Wall and the Wall Financial Corporation.
There is also a street-side map showing “accessible” walking routes, with the usual icon of a figure in a wheelchair. However, thanks to McElroy, I have been warned. Though there is indeed some public space in front of this complex, it offers minimal accessibility to non-residents, whether in a wheelchair or on their own two feet. And, he added darkly (in a post that is now just over a year old), there is some on-going history of attempts to limit the pesky public even more.
I put my pesky-public feet on one of the designated pathways and walk on in.

Even mid-winter, with the Italianate gardens severely shorn, it’s an attractive walk. There is a small children’s playground to the east, and a few benches to the west and north. It’s fine.
But then, boom…

I’m up against it. A locked gate, barring access. Go away, pesky-public-person, says the gate. I try another path, and soon find myself in front of another lockable gate — which, at the moment, is ajar.
I walk on through. i want a closer look at the mansion.
Well, good luck with that.
As long as I keep my pesky-public feet on the path, I am allowed to look across the lawn and the water feature to the mansion beyond. But I am now on PRIVATE PROPERTY, and everywhere I now turn, there is another big red sign to remind me of my interloper status.

So I leave.
Before I do, i squint my eyes at the gargoyle midway on the wall just beyond the water feature. Spread the photo, you can see him as well. He is either grimacing in solidarity with me, or laughing at me. I choose the former interpretation, and go on my way, head held high.
A public park, yes, but cold. It does not welcome us. We are on sufferance.
In contrast to…
The Warmth of the Chill
I am back in my “local,” Guelph Park. Known to us all as Dude Chilling Park, in honour of the Michael Dennis bronze sculpture that is the park’s only claim to aesthetic merit — officially Reclining Figure, but the nickname is the name we use.

It’s a small and simple park, with a few amenities: benches at the periphery, a bit of a playground, two tennis courts. But this park is ferociously loved and much used. And also much-adorned, by all the people who think of it as their own.
Our area Yarn Bomber, for example, has hung her work on the mesh fence and wrapped each of the poles that dot the park.

Beyond this pole, you see people gathered around one of the benches. The park has its regular visitors, each group with its regular bench or set of chairs — just like any local pub.
A tree near the south end of the park is typically covered in changing ornaments, each one a testimonial to someone, to something. (One day a young man detached himself from his cluster of friends to tell me about one of the people he associates with that tree, and the memories it sparks for him.)

Today, the tree base is freshly circled with these bright hearts and flowers, and a new selection of stones. That grey stone reads: “But until then, I’ll see you in my dreams”
For the first time, I notice the plaque on one of the benches along the western edge of the park.

This is a park that, despite the chill in its nickname, is very warm indeed. It welcomes us all — and it even gives us a role model. Who would not want to be known as a “Chill dude with the best laugh”?
Posted by icelandpenny on 14 February 2024
https://icelandpenny.com/2024/02/14/two-parks/
6 February 2024 – Having puttered my way along Commercial Drive, I am now zigzagging my way north-west through various neighbourhoods, making my way to Main Street and a bus on home.
No particular plan, so it’s sheer serendipity and pleasure to find myself on Charles Street looking north along McLean — the site of Mosaic Creek Park.

Hundreds of mosaic tiles form the “creek” running through this tiny park. It is the late-90s creation of a determined local coalition, the Britannia Neighbours Community Group, with the help of mosaic artists Glen Anderson and Marina Szijarto, who ran workshops and facilitated tile-making by any community member who wanted to take part.

The Park Board insisted the tiles be frost-proof, but set no artistic criteria. People were free to create whatever they wanted to create.
Agile fish, for example…

or a sleepy cat…

or wind-blown leaves…

or (why not) a dancing, prancing human being.

The two people on that corner bench, though relaxed and companionable, are not dancing. In raspy voices, they discuss strategies for getting your s**t together in rehab.
Farther down McLean, two dapper young businessmen stand side by side, eyeing a corner lot. In quick, clipped voices, they discuss marketing strategies for new builds.
Posted by icelandpenny on 6 February 2024
https://icelandpenny.com/2024/02/06/strategies/
2 February 2024 – The predicted torrents of rain didn’t take place, but it has been very drizzly. And very, very grey. Not the luminous grey that I so often celebrate, but a flat-matte grey that sucks contrast and depth from the scene.
Since it is double-digit mild as well as merely-moist-not-wet, I opt for a walk all along the Seawall from Devonian Harbour Park, at the edge of Stanley Park, to Canada Place downtown.

I am indeed “here,” right where it says I am, there at the lower left, and I set off.
But… how shall I put this… it is not very uplifting. Just a whole world of flat grey, merge-purging itself in blurry confusion out to the horizon. Our grand panoramic views are not at all grand, at the moment.
Well, sod the panoramic views. I shall instead look for details. Small, very bright details. In the red family, by preference.
And so I notice a bright orange bumper ring tucked around this boat in Bayshore West Marina…

a pair of red & mustard houseboats, punching through the polite blue & white of the Coal Harbour Marina…

a brazen life ring, admiring itself in the waters off Coal Harbour Quay…

a red & white seaplane, growling itself to life for its next run from the Vancouver Harbour Flight Centre out to the Gulf Islands…

a long view from the Convention Centre, on east past Canada Place to orange cranes in the Port beyond, poised over a cargo freighter…

and Douglas Coupland’s Digital Orca, right here at the edge of Jack Poole Plaza, dancing the pixillated dance that has been its signature since 2009.

Where’s the red, you ask?
That witch hazel on the left, already in bloom.
Posted by icelandpenny on 2 February 2024
https://icelandpenny.com/2024/02/02/some-red-in-the-grey/