Land Cruise: 7-9 September

7 September – Continuing my new, but very happy, Winnipeg tradition, I go walkabouts on departure morning. Once again, art comes my way as a result.

I cross the Red River to neighbouring St-Boniface and, just as I’m completing a loop through the neighbourhood, I find myself pulled into a parkette.

By this.

It is Joe Fafard‘s 2011 sculpture, Entre chien et loup — a tribute to the French saying, to this francophone quartier, and to the mystery and energy of transition zones.

By 10:30 pm I’m in the train station, ready to board, eager for our 11:30 departure and all the new sights that will come our way.

Except we don’t promptly board, and we don’t leave at 11:30 pm. Instead, we board at 3:30 am.

By then we are the walking dead. (Including the staff change coming on board with us — just as tired as we are but, unlike us, required to be up and active and even happy-faced just a few hours later.)

I don’t know when we finally leave Winnipeg. I’m asleep.

8 September – When I awake, we are somewhere just over the Ontario border. It’s about 7:30 am, and Groggy Self doesn’t understand why she is awake.

But it’s very pretty, isn’t it? And still very northern-looking.

I could show you lots more photos of boreal forest and lakes. But I won’t! By now you know what they look like. So, instead, imagine you’re with me as I enjoy those stunning views, all day long.

And sunset, near Hornpayne.

9 September – We’re just leaving Washago as I slide up my blind around 7 am, passing a CN work station and a cluster of workers. I’m happy to offer them this tribute: maintaining, scheduling, running trains is hard work. Thank you.

A rusty-but-sturdy little bridge, as we pass Sudbury…

first flashes of fall colour among the trees, here near MacTier…

and also near MacTier, one example of the rocky islands that stud glacial lakes throughout the region. Complete with cottages. (You can see a white one peeking out on the left-hand side of the middle island.)

We’re on the Shield! The glorious, hard-rock Canadian Shield — more than 1 billion years old, and covering a good 50% of Canada’s land mass. Oh, I love this rock. This particular example near Torrance.

We’re now well into the transition from boreal forest to more southern, more deciduous, forest mixtures. Also in transition to gentler, but still water-rich, vistas — creeks, rivulets, rivers, marshy or rock-bordered, and flanked by forest. This particular example, near Severn Bridge.

Solar panels near Washago (northern tip of Lake Couchiching)…

and farmland. We’re back to farmland. This barn, near Brechin (east of Lake Simcoe).

I’ve loved this segment of the trip, dropping us down through Muskoka, one of Ontario’s “cottage country” regions and one where I have many happy memories.

We continue south, and as we enter Toronto, I’m into another rich cache of happy memories.

The tracks here run alongside the east branch of the Don River (just south of Eglinton Avenue East). I clap my hands like a child, in delight. I’ve walked these trails, walked that foot-bridge, stepped across these train tracks. Ohhhh, just look.

The scenery goes on being familiar, and then, as we round into Union Station, I hit old + new.

New construction, new towers — but back there, its silhouette slivered in between the two left-hand buildings, back there is the CN Tower. No longer new, but still iconic: it opened in 1976 and, at 553 metres, reigned as the world’s tallest free-standing structure until 2007.

It’s still handsome. And it still says Toronto.

Here I am.

In Toronto. Land cruise ended, magic beyond belief.

Thank you, all of you, who have crossed the country with me. I’ve enjoyed your company.

Epilogue – I want you to know: by the time we reach Toronto, we have made up all that late-time in Winnipeg. These few passenger trains have so little control over their running time! They share over-burdened train tracks with a great many freight trains — all of which claim priority. When push has to come to shove, as it often does, it’s the passenger train that sits on the siding. This explains why passenger train departure times are meant to be honoured, but arrival times are fiction. “Fiction” in the sense they are not the straight running time; they always have padding built in. Siding-waits are as much part of the trip as every station along the way.

Toes to the Waves

26 August 2025 – I’m not usually right smack at water’s edge. But today, I am offered easy access to wild shoreline — just one of the Tatlow/Volunteer Parks enhancements, along with “daylighting” a long-buried creek. Who could resist?

First I walk down these steps…

where, second, I draw inspiration from that lone woman in white, ‘way out in front of me.

I give thanks for my hiking poles and waterproof boots, and follow her example.

Now. Statement of principle. I firmly believe that each place has its own beauty. You just have to be willing to stop making comparisons, open your eyes and mind to what is right in front of you, and rejoice in it. BC is no more beautiful than anywhere else.

But today I happen to be here, not anywhere else. I am in the Vancouver neighbourhood of Point Grey, on the south shore of Burrard Inlet, looking north across English Bay (with its usual complement of freighters) to the slopes of West Vancouver over there on the North Shore.

And it is just terrific! Bright, fresh, with enough breeze to ease the heat and send wave upon wave rolling in to tap my toes.

I look west…

and then blink, and look more closely, tracking my gaze past that final arrow of gravel to a black squiggle in the water beyond. (Spread the image; follow my example.) See? A Great Blue Heron. For once, life is easy. He just opens his beak in each breaking wave, and swallows what it offers him.

I look east…

and this time my gaze takes in the green sweep of Stanley Park, the final knob of the City of Vancouver this side of the North Shore, and, to its right, the towers of the City’s downtown cluster. I’ll be walking east, from here to Kitsilano Beach Park.

So many shades, so many textures…

and the swooping arc of an eagle, passing by.

I break my water’s-edge fixation long enough to veer inland for a bit, drawn by the red fence, its signage thanking us for our patience, and the weathered-jeans-and-T-shirt guy on the inside of the fence, who meets my smiling curiosity with a smile of his own.

He looks like a navvy, he’s inside the fence, I ask if he’s working on the project. He replies, with no particular inflection, that it’s his project, he’s the homeowner — and points upwards, to the house atop the cliff. Being vaguely aware of real estate prices around here, I realize that these workman’s jeans and hands are attached to serious money.

I ask the basic “What are you doing?” and, seeing I’m genuinely interested, he explains. It’s all about the instability of these Point Grey cliffs, their unconsolidated Quadra Sands laid down during the Fraser Glaciation (29,000 to 11,500 years ago) and eroding ever since.

This bit of surface remediation is just the current example of his on-going battle — financed by him, but every step City-approved and with City authorities — to protect the environment and in the process protect his home. An early step was to excavate on the land side of his property behind the cliff face, and stabilize the cliff, invisibly, with I-forget-how-many-zillion tons of concrete. More recently, again with City approval and monitoring, he paid to have several mounds of large local rock arranged in natural patterns on this section of the beach, their job being to break up wave action and mitigate impact on the cliffs. “Last week,” he says, his eyes crinkling with delight, “a Fisheries inspector told me that two different species of mussel are now colonizing the rocks!”

I express my admiration with a tease: “You could’ve taken your great gobs of money and lived large in all the casinos of Europe. Instead… what do you do? You bury your money, literally, in the ground.” He grins, then shrugs a kind of “Yeah-but” shrug. “You have to do what you can. To help. This is what I can do.”

I walk back down to the water impressed, a happy day made even happier.

Bands of colour, look at them: all the greys of the gravel at my feet, green seaweed just beyond, butterscotch sand beyond that, then blue water, white curls of wave, red among those distant freighters…

and, closer to shore here on the right, red also in the Kitsilano Yacht Club dinghies (or whatever they are) — a whole line of them, each full of kiddies being taught boating skills, whose excited voices carry on the wind.

A mysterious imprint in a rock, surely that can’t be natural?

and a blaze of colours, certainly not natural but also not mysterious, on the stones that line the entrance to a path up from the beach.

The stone wall is official; the colours, anonymous and unauthorized. I sidestep both the path and the bronzing bodies beneath it, and return to water’s edge.

But eventually, though water’s edge continues, there’s no longer any way to follow it.

I’ve reached the Kitsilano Yacht Club, just this side of Kitsilano Beach Park. My choice now is to swim around, or scramble up.

Blue Shorts Guy is about to scramble up his section of rock mound; I then scramble up mine. (Less elegantly than BSG, who does it all upright. My scramble involves hands and knees. But it works!)

Suddenly, I’m back in the urban world.

With its fences and notices and CCTV. It is discombobulating.

So much so that, as I walk south on Arbutus Street, this notice tacked to an old wooden pole seems no stranger than anything else.

I too am waiting for coffee — but, unlike Z, the remedy is in my own hands.

Just as soon as the bus drops me back home.

That Smile

18 August 2025 – I’m just off a False Creek ferry and walking uphill toward home, still full of Flat White and café chatter with a good friend, when I stop to admire another good friend. (Albeit in a different category of friendship: painted, not human.)

There she is, high a-top her alley home, her quizzical smile floating out across the neighbourhood.

Is she our Mona Lisa, 21st-c. alley-girl version?

No. Given the pace of local redevelopment, and the building that is her home, she is our Cheshire Cat. Soon she will be gone, with only her smile lingering behind, and only in memory.

I”m standing at 3rd Avenue & Ontario Street, the intersection at the north-east corner of that L-shaped site, outlined in red. This is the huge redevelopment site purchased by the PCI Group in 2021, whose redevelopment proposal finally received City approval in May of this year. Cheshire Cat Smile is mid-way down lot 5, on the south side of the alley.

I head down the alley. Not for the first time, but it’s different every time, isn’t it? (No need to repeat the Heraclitus discussion…)

Crow in a convex mirror! I’ve never noticed him before, so already the alley is different.

The actual crow, opposite…

which causes me, for the first time, to pay attention to the mural as a whole — signed R. Tetrault and, as I later learn, called Flight Path.

Murals both side of an alley and a whole line-up of hydro H-frame poles in between! Sigh. Life is perfect.

I tip my head, pay homage to the Cheshire Cat Smile…

knowing it’s tagged Lil Top but also knowing I’ve never been able to find any info about that tag. So Cheshire Cat she has become.

The woman I’d noticed under the nearest H-frame, as I photographed Flight Path, is now standing next to me, also enjoying the art.

“It’s people expressing themselves,” she says. “And we get to look at it for free! It makes us happy.”

She points: “Like that flower, that butterfly.”

I point to the message next to it, which sets us both laughing.

And then we go our separate ways, each dawdling where we each prefer to dawdle, walking the line of Ciele Beau murals opposite Flight Path.

I pause at a doorway, its notice as outdated as the reminder to “call your mum.”

Nobody, employee or otherwise, will be entering by this door ever again, I tell myself. Or by any other door, on this doomed brick building.

Ghosts of Eras Past to the north of me as well — torn fencing frames the Cosmic Breeze mural on 3rd Avenue, painted by Olivia di Liberto for the 2019 Vancouver Mural Festival. RIP, VMF.

I leave the alley, turn the corner onto W 4th. I’m now looking at the block-long southern length of the site, Ontario to Manitoba. All boarded up, waiting for What Happens Next.

This artist’s rendering shows What Will Happen Next.

“Innovative industrial and commercial uses,” says the corporate website, “heritage retention and refurbishment, office, daycare and ground-floor food and beverage… centred around a new public plaza.”

Now that I’m home, and learning all this… I have to do a little rethinking, don’t I? And so do you.

Employees will once again go in and out of doors in the corner brick building, which is not doomed after all. And Flight Path may fly again. On his website, Tetrault explains he painted it “on plywood for removal and reinstallation on a new commercial development.”

But, ohhhh… Cheshire Cat will be gone.

Her Smile will have to float in our memories.

Rail Yard. And Other Invisibles. (And Visibles.)

31 July 2025 – I’m on the N/E corner of Quebec St. and East 2nd Ave., and I read the little plaque at my feet.

Really??? I say — but very quietly, to myself. (No point startling others.)

Look up & I’ll see a rail yard? Or an elk? or a forest? or a convoy of Canada geese?

Pfft!!! (My genteel raspberry is also very quietly expressed, to myself.)

Rail yard is historic fact right here at False Creek, not current reality. The first CPR railway station opened in Vancouver in 1887, but the railway-related industrial era boomed after the World War I project to fill in the tidal flats of False Creek, from Main St. on east to Clark Drive, to provide a site for two new railway terminals and associated rail yards. Various changes along False Creek since then, most recently the transformation to parkland, Seawall and residential/knowledge industry occupation, triggered first by Expo 86 and then the 2010 Winter Olympics.

So, no, I am not going to see a rail yard from this street corner, no matter where I look. But I don’t care! I am all for looking, while I walk, not for stomping along in a trance. I am perfectly happy to be reminded to swivel my head and pay attention.

I start swivelling.

Look Up, East: the MEC building, a 2020 arrival in this historic neighbourhood…

and once again (spring 2025) back in Canadian ownership, though no longer a cooperative.

Look Up, West: an even newer new-build.

Look Sideways, East: the eco-conscious alley behind MEC, with watercourse and plantings to attract insects and bees.

Look Sideways, West: the alley behind that new-build, with an historic reference right there at the corner.

Namely, one of the City’s remaining H-frame hydro poles.

Look Down-Along, North: this block’s stretch of bioswale

which “collects and cleans the rainwater that fall on Quebec Street.”

Look Straight-Across, West: tail end of a straggly crocodile of kiddies (yellow T-shirts) plus their volunteer monitors (green T-shirts)…

crossing Quebec and hurrying to catch up with the croc’s main body, all those children already walking on north along Quebec’s west side.

I have to wait for the next light. After that I’m following in their somewhat distant footsteps, not sure where they’re headed but with my own Best Guess in mind. (Science World, I think to myself.)

Sure enough!

Like them, I turn west on Switchmen St. — a necessary detour while the end bit of Seawall is under repairs — and, from my vantage point at Pullman Porter, watch all those yellow & green T’s double ’round the parking lot & veer back east toward the geodesic dome of Science World. (An aside to you: you have noted these further railway tributes? Of course you have.)

I am charmed by the sight — by my knowledge of how much fun the children will have, and by my respect for all the organizations and all the volunteer support that collectively make these vacation-time excursions both possible and safe. (Flashback memory: the impish YMCA volunteer in Toronto, who explained that when they took 10 kids out, they were expected to bring 10 kids back. “Preferably,” she solemnly added, “the same ten.”)

I head on west. Bye-bye, kiddies.

I am still sufficiently Paying Attention to my surroundings, to notice the fresh-fruit stand near Olympic Village Plaza. I buy strawberries, my fingers guided by the young attendant to the boxes just trucked in this very morning from a farm in the Abbotsford area.

The day is warming up.

I find a shady bench in Hinge Park, and allow myself one strawberry. Just one.

It was…

really, really good! I hustle back home with the rest.

That Nice Mr. H

21 July 2025 – Busy morning, the day is clipping along, but surely there’s time for a short afternoon walk? I think False Creek (yet again), and then try to freshen the idea with a new combination of component parts.

Cranky Self objects: “I’ve already done all that!” Philosophic Self saves the day, quotes that nice Mr. Heraclitus: “You cannot step in the same river twice.”

Albeit by attribution, and much translated and much paraphrased, but the idea is clear. Everything (you included) is always all new, so go get it.

I haul out my much-creased False Creek map, and make a sort-of plan.

Walk down to The Village ferry dock (south-east end of False Creek, by Olympic Village Square); ferry to David Lam Park dock; walk on west along this portion of Vancouver’s Seawall, on past George Wainborn Park; then up-over the Granville Street bridge; down-around Granville Loop Park… and whatever.

The day is so mid-summer!

Music festival in the City Centre Artist Lodge forecourt as I walk past; patio umbrellas shading crowds on down Quebec & Ontario streets; and here in Olympic Village Square as well…

keeping all these customers cool, as well as one lop-eared dog (front & centre).

Onto an Aquabus, which is surprisingly empty until we stop at Yaletown Dock and pick up an extended family of Brazilian tourists. As we pull away, the driver, for fee-setting purposes, turns his head to quiz them on destination and demographics.

“Round-trip to Granville Island, six adults, two seniors and one child,” says the matriarch. She’s prompt with the data, but loses the credit-card quick-draw contest with one of her sons. She plays to her audience with a “What-can-I-do?” gesture, and is rewarded with amused laughter.

I hop off at David Lam; they carry on to the tourist (& resident) attraction that we call an “island,” even though it isn’t, not quite.

I’m always amazed at the diversity of traffic on and in the water — everything from whopping private vessels in the marinas to ferries to kayaks/dragon boats/paddle-boards to wildlife — and nobody seems to hit anybody else.

Even when they’re a couple moving very slowly on an isolated little paddle-board.

I turn my attention landward.

Thistles old & new, backed by ripening blackberries…

which cause a passing teen to tell her boyfriend about the berry patch behind her house, when she was growing up. “They’re awfully bitter until they’re really ripe,” she warns him.

The Seawall, like False Creek, has a mixed-use culture. Pedestrians here; cyclists there. In between David Lam & George Wainborn parks, I also get a good look at the Granville Street bridge, up ahead.

Closer still, almost opposite Granville Island, a good look at Giants — the six concrete silos painted for the 2014-16 Vancouver Biennale by the Brazilian twins known as OSGEMEOS, and now a lasting icon in the Biennale’s Open Air Museum.

This north-facing façade in shadows, mid-afternoon, but compelling even so.

Once I’m almost beneath the bridge, my next challenge is to find my way onto it.

Please, you’re thinking, how hard can that be? Not impossible, I grant you, but it does involve discovering that the west-side pedestrian path is closed for repairs, and orienteering my way up-along Weedland…

aka Waiting-For-Development-Land, to find the east-side path.

Which I do.

So here I am, heading toward centre bridge. With an overhead view of Creek traffic and a different angle on Giant.

Almost directly overhead, a reminder that this is a working concrete facility, not just a mural backdrop.

Starting down the bridge’s southern slope, I look back. Now I can enjoy the Giant‘s sunny faces and the long eastern view of False Creek behind them.

Over land now, over the Granville Island Kids Market and playground, backing onto Alder Bay.

More orienteering required, to get myself off this bridge!

I place my faith in this zebra crossing over these lanes, then this path and down these steps, and yes! it works.

I’m in Granville Loop Park, with a waterfall sculpture that reminds us yet again that, all those centuries ago, Heraclitus got it right. An ever-constant “V” of water, created by ever-changing water molecules, in ever-flowing cascades from the two upper corners.

Across the kiddy play area, with the yellow Coyotes in Area sign to my right and tennis players straight ahead…

and down and around and out to the West 2nd bus stop…

where, from a shady bench, I look up at the bridge I have just crossed.

Vanity

30 June 2025 – So here’s my fantasy. (Any why not, a fantasy or two, as you walk downtown streets.)

I imagine that older buildings are thrilled to bits by the mirrored towers rising up in their midst.

Why? Because then they can admire themselves in the reflection, all day long.

A trio pile in together, like squealing teenagers in the same selfie…

a patient friend (L) listens while the diva (R) goes on and on about her split personality…

a dowager admires what the tinted glass does for her ageing complexion…

and a couple of stick figures pretend, for just one giddy moment, that those bodacious curves are real.

And then — sigh — I smack myself upside the head, and walk on.

Casters X-2 + X-3

25 June 2025 – Doesn’t that sound technical, inert & boring? Even when you learn casters are rotating support systems mounted in swivel frames & used for movement?

Well, yes, is the only honest answer.

Until you see what’s moving.

First one circle of light floats across the bottom floor…

until it stubs its photons on the far wall, and begins to climb.

Up it goes, sliding up that staircase…

to gain a toe-hold, right there under the next-floor archway.

It leaps up-over the arch, and it is still climbing…

as a playmate begins its own exploration, back down at the bottom.

The newcomer opts for the near side of the staircase, while that first circle soars ever higher…

and spectators watch spellbound from the rotunda’s top floor…

unaware they’re being stalked by yet another circle, sneaking up on them from the left.

Would you prefer a less anthropomorphic explanation? Oh, all right.

I’m in the rotunda of the Vancouver Art Gallery, entranced yet again…

by Lucy Raven’s clever installation.

St. George & the ‘Hood

19 June 2025 – Forget the dragon. That is so 10 centuries ago! These days, St. George — or, anyway, our St. George — is all about urban/eco sustainability and livability.

I’m first bounced onto this theme by a graffito on a waste bin. One that I initially think disrespectful of the human origins of the slogan…

but then reconsider, as I look smack across the street.

I’m on East 7th, heading farther east, and I’m staring into the busy abundance of this community garden stretching on north to East 6th. All lives matter, yes? We humans and plants are woven into the same eco-system.

This little local garden is very much of this neighbourhood, with its neighbourly values. A place with low-rise homes, many of them vintage wooden structures; a place where a kicked-off toddler’s shoe…

is carefully displayed at sidewalk’s edge by some later passer-by, in the hopes it may yet be retrieved.

I drop down to East 6th, look north as I cross Guelph, think how much I like this human scale — but have no illusions it will last much longer. Let your eye travel down the row of modest bright-painted houses…

to that equally bright-painted construction crane down below. That’s the future, and increasingly the present.

But!

St. George is at work.

Well, the St. George Rainway. It’s been a long time coming, but now here it is, nearing completion — with its (and I quote} “green rainwater infrastructure features like rain gardens that incorporate plants, trees and soil to manage rainwater…”

I step up to the mini-plaza with its rock, its signage mounted on a plinth…

adorned with a Wood Sorrel cut-out…

and lots of information.

Go ahead — spread the image, track its elements; I’ll wait.

Together, we learn that the Rainway along St. George celebrates a Lost Creek, a tributary to False Creek that has long since been buried underground. (For that matter, this final eastern end of False Creek, into which the lost creek ran, no longer exists either.)

While you’re exploring that handy map, please note not just the Lost Creek, left-above “You are here,” but also China Creek on the far right, and E. Broadway (East Broadway), three streets to the south.

I admire the rain garden that parallels the sidewalk immediately to the south …

then cross East 6th to admire this sign in the rain garden running on north…

and feel more vindicated than ever in making my peace with the “Plant lives matter” graffito. “Thriving in diverse communities” sounds like the prescription for healthy life, period, whatever form of life we happen to be.

You’ll understand why, with that thought fresh in mind, I fall over laughing at the dumpster graffito I see immediately afterwards.

On I go, on to China Creek North Park. (See? That’s why I wanted you to locate it on the map.)

I am heartened, as I approach the edge of this large park, to see fresh new vine fencing woven into the woodlands periphery. (It had become very scruffy.)

At first, looking down the slope, the basin of the park appears generic and banal. Old fashioned, even.

All that mown grass. And baseball diamonds.

But then, as always, I reconsider. The top of the slope is lined with benches, and they are well used, in diverse ways. At the moment, for example, the bench on the left hosts Headset Guy, who in fact is reading a real, physical book…

while the bench on the right hosts Music Man, who strums his acoustic guitar so softly it is almost subliminal. A woman just out of frame is hunkered down, motionless & meditative, and the woman you can see walking past the benches is about to start down the winding path that snakes its way to the playground at the lower level.

And I am about to join her.

This park is another “Lost Creek” — or, more precisely, a Lost Watershed. Before this last bit of False Creek was filled in, a whole network of creeks tumbled through here to feed its waters. Once filled in, the area at one point became a garbage dump, but was subsequently rescued and turned into parkland.

The slope is now naturalized, and it is wonderfully, exuberantly, messy.

With signage to justify the mess.

At the bottom of the path, I peer down the final bit of slope, the bit with a slide and (here) a mesh climbing ladder…

and, down there at the very bottom-bottom, swings and a pirate’s ship and other kiddy delights.

All this diversity! Social plants, social humans, thriving in diversity.

Walking homeward, more happy plant/human interaction…

in this volunteer-managed street corner garden, part of the City’s Green Streets Program.

And then… a reminder that not everything is happy-happy.

That some current trends are jarring and disruptive, and will damage both humans and nature.

Taped to a tree on quiet, residential East 10th just west of St. George — with its fellow trees all around — a warning about the effects of the redevelopment now being pursued under the City’s Broadway Plan.

I may know more about the correct use of apostrophes (i.e., not to form noun plurals) than the author of this plea, but these tenants, in the adjoining notice…

teach me a new word. “Demoviction.” As in, the eviction of tenants from a building, so that it may be demolished, usually for redevelopment. A phenomenon integral to the Broadway Plan. And gaining pace.

I read a testimonial, also taped to the tree, the words of a woman who has been a tenant here for 22 years: “This affordable home allowed me to continue to raise my daughter here after my husband passed away. It provided a safe community and a stable, comfortable home.”

Right next door, the specific redevelopment being proposed: Rezone from Residential to Comprehensive Development category, and, on this street of two-storey homes, put up a 17-storey tower.

Hmm. Used to be, dragons breathed fire and wore scales. Now they may instead breathe rezoning, and clad themselves in 17 storeys.

Of Moss, Muzzles & Monsters

2 June 2025 – Only moss is on the agenda. Muzzles & monsters turn up on their own.

Moss is on the agenda because it’s about to go into its seasonal decline. Moss thrives in cool damp, suffers in dry heat. I want one last fix, and the Camosun Bog is the place to pay tribute.

As boardwalk signage points out…

the bog is, literally, built on moss.

Fortunately, despite the glossy new salal leaves and the bright growing trips of the evergreens that encircle the bog and speak of this new season…

the mossy carpet is still green, not yet bleached to its mid-summer pallor.

The moss is not just on the ground, either. Look at these trees!

So, as I leave the bog and start meandering north-east through the neighbourhood of West Point Grey, I am still moss-optimistic. And, despite distractions like this spiral of Buddhist prayer flags on a street-corner shrub…

and this bear-moose duo, endlessly paddling their way across somebody’s front yard…

I do see more moss.

Just look at these sidewalk sentinels, still wearing their winter finery, as they march their way down West 19th Avenue!

After all this, my attitude is: agenda met. No more expectations. I’ll just keep walking for a while — get in those steps — and then catch a bus.

Next thing I know, down by Alma & West Broadway, I’m being muzzled.

This is such good news.

There’s a mural by this artist in my own neighbourhood, one that both pleases & frustrates me. I like it for its own sake, but the style very loosely reminds me of Toronto street artist BirdO

and I really, really would like to know the Vancouver artist’s name. Can’t get close enough to the mural near my home to look for any ID — but here, there’s a whole wall-full of his images, in an open alley.

Multiple images, and a tribute to Jean-Michel Basquiat (the crown, upper right)… and a plaque identifying the artist. I learn, and it is my pleasure to inform you, that this mural is the work of Tokyo-born, Vancouver-based contemporary artist Taka Suda.

I am happy indeed, as I drop down the last few blocks to West Broadway.

An eye-flick left, into another alley, where the little window in this tired old shed…

suggests it must have started life as a stable. Surely that was the hay loft, above?

After that, my eyes flick straight ahead, on down busy Alma Street.

Another high rise going up, ho-hum. But then eye-flick becomes eye-focus, as I notice the monster riding high at the angle of that top corner.

See it? Shades of Hunchback of Notre Dame

A passing pedestrian notices my fixed gaze, and nods her head. “Like gargoyles, aren’t they?” she says, her smile showing she quite likes the idea.

“Gargoyles”? Plural? I walk closer, on down Alma. (I feel like I’m stalking the building.)

And yessirree, gargoyles-plural. There are three, one defining the top corner of each ledge.

The closer I get, the clearer they become, and I need to refine my language.

Not monsters. Not gargoyles.

Ravens. (Later online research tells me this building — a luxury residential rental building — is named The Raven.)

I spin around for an angle that shows them in triumphant profile…

and then, finally!, I catch my bus back home.

  • WALKING… & SEEING

    "Traveller, there is no path. Paths are made by walking" -- Antonio Machado (1875-1939)

    "The voyage of discovery is not in seeking new landscapes, but in having new eyes" -- Marcel Proust (1871-1922)

    "A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities" -- Rebecca Solnit, "Wanderlust: A History of Walking"

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