‘Scapes

1 March 2026 — Sub-categories of landscape. Skyscape and streetscape and alleyscape and (why not) trailscape. Plus a final skyscape flourish, courtesy of a friend and moon-focused, to round it off.

A completely arbitrary grouping! Just how I happened to cluster what I’ve noticed, over the past few days.

This brooding late-afternoon sky, (precisely 5:24:43 PST, said my camera), with reflected last slivers of sunlight in a few windows and early neon glowing on the streets.

The next morning, walking to Gallery Jones on East 1st Ave, I’m hit first by a smellscape of warm cinnamon bun…

and then, peering through the open door, see the cause of the aroma: stacks of newly-baked buns in this wholesale bakery, with a worker wiping his cheek as he advances on yet another tray.

From streetscape to alleyscape, somewhere to explore until the gallery opens its doors. Never mind, who needs curated art on walls when the alley offers a Blue Period worthy of Picasso?

All the textures, all the varieties of blue in that wall of corrugated metal. Whether long shot, as above, or up close to the window (which in turn frames reflected skyscape).

The same blue on the adjacent wall, providing a sleek, smooth No Parking backdrop…

for bicycle parts that are definitely & definitively parked.

Another cultural excursion the following day — this one for Maximilien Brisson’s glorious creation, Scorrete lagrime mie, at St. Anselm’s Church on the UBC grounds.

The church sits right next to various trails into Pacific Spirit Regional Park and, post-concert, I am pulled onto the Salish Trail…

by this sentinel tree, this doorman tree, imposing in his winter greatcoat of emerald velvet.

The trailscape unfolds around me.

Next up, an arched branch…

proving that left-over tassels of autumn red are just as striking as winter moss green.

To my left, farther away, another arched branch…

proving that (nyah nyah) you can have just as much impact, stark naked.

Round another bend in the trail, where first a ragged spire of ancient tree trunk…

and then a fresh-cut end of tree trunk…

prove that, in the bravura sweepstakes, red cedar always wins.

Back home, delighted with memories of both the concert and the trail, I open a text from a friend for yet another delight. It’s a skyscape photo to round off my collection…

her (7:55:07 PST) moon tribute to, as she points out, “the 12th day of the lunar new year.”

Thank you, ST.

On The Bounce

24 February 2026 – Rays of sunshine flashing all over the place, and colours bouncing around with them.

Well, no, not literally. But it looks, it feels, like that.

I stand at the intersection of E. Broadway & Main, deliberately missing two green lights, transfixed by the transformation of the Yarn Bomber’s “Be Kind” slogan and companion heart.

After years of exposure, the colours have faded and the wool is bedraggled. Construction screening now hides all that, and today’s sunshine throws us the words and image in dramatic, high-contrast relief.

Moments later I turn into the alley that will lead me to the Salvation Army drop-off centre, my eye primed for the bounce of light, colour and shadow.

Barely into the alley, and a perfectly ordinary wooden staircase delivers all that.

A few more steps, and look: green/yellow wooden pole, blue/pink/black garbage bins beyond, and down there in the distance, the turquoise blunt end of a Sally Ann truck. (I just have to stand in this ramshackle alley and look around. Colour smacks me in the eye.)

Even this tattered fabric car-shelter is on the bounce. Metallic silver, varying shades of blue in the window panel, and a vivid yellow RESERVED on the pavement for extra impact.

How fitting that right at the Scotia St. end of the alley, just where I turn into the Sally Ann compound, I find the splashiest colour bounce of all: this 2020 VMF mural, Vancouver: a People-Powered Future. (I later learn the artist, Oakland Galbraith, is only 12 years old at the time, which makes it even more wonderful.)

Next day, more sunshine, more bounce — starting with my own slight geographic bounce, down to the Devonian Harbour Park on Burrard Inlet at the edge of Stanley Park.

I happen to think the park’s signature sculpture installation is OK-fine, but not outstanding. Today, in all this blazing sunshine, it is outstanding. Today, there is nothing solo about Solo (Natalie McHaffie, 1986); it offers a whole conversation among its elements.

Neon-bright turquoise cedar panels play against stainless steel framework that seems to ripple in the light…

and, together, they throw sharp black outlines against the green grass.

Later, at the eastern end of my walk, I eye the bright edge to each peak on the Canada Place fabric roof…

and realize the sun can throw sharp white outlines just as easily as black.

Clever old sun.

We Amble

14 February 2026 – Yes, we amble. We are ambling. Were we in West Yorkshire, mind you, we’d be bimbling. But we are not there. We are here in West Vancouver — in Ambleside, in fact — and we are definitely ambling.

(If you’d like to get all lexicological about these delightful words, I suggest you click on the post bimble or amble? in the Walking the Wolds blog. It will equip you to win any pub quiz on the topic, any time, anywhere.)

However my mind is not, at the moment, deep in these words. It is, like my eyes, focused on this building.

We are closing in on the Ferry Building Gallery, which indeed began life more than 100 years ago as a ferry terminal but is now a community arts hub.

The art begins outside, with a giant Pacific squid…

which was constructed last August by eco-artist Nickie Lewis from all-natural materials, and will remain on display until those natural materials begin to decompose.

No sign of that yet, the fibres and their ornaments are still full-on dramatic & vigorous.

Close to the door, a Witch Hazel shrub bears its own ornaments, a spray of bright new blossoms.

Not why we’re here!

We’re here for this:

the Gallery’s Interlace exhibition, whose seven artists have in common their primary materials of fabric, thread and wool.

Woven hangings (Shield, Haley Hunt-Brondwin)…

explosions of silk, leather, wool and thread (Home, Lorna Moffat)…

intricately looped & stitched…

artificial sinews (Untitled, Reggie Harold), looking very natural…

and then what, from a distance, could pass for an impressionistic painting of a stroll (an amble, a bimble) in the forest.

It is indeed forest, Stopping by the Woods (Eric Goldstein), but step closer and you see…

the play of burlap fibres, gold foil, resin and wood.

In the Gallery alcove, 13 circles making a circle. Moon Circles (Madwyn McConachy) is the artist’s tribute to the 12 monthly moons plus the “mystery moon,” the blue moon (on the left, with bright blue wool).

Over on the right and a little lower down, the Red Sturgeon Moon of August…

a “stitched medication on season, subtle change and belonging, within the natural world.”

Finally, we take ourselves back into that natural world.

We look south & east across Burrard Inlet toward Stanley Park, where a freighter is about to make its way under the Lions Gate Bridge and on to its assigned anchorage in the Port of Vancouver.

We head the other way, west along the Seawall toward Dundarave. The rain is holding off, and gulls & crows are busy exploring the sands, with one more crow swooping in to join them. (Yes. That is a crow flying over the water, not a Coot in the water.)

Down through Lawson Park, with a naked deciduous tree to our left, a clothed evergreen to our right, and, poised high between them, a ghostly sun wrapped in cloud.

More gulls in the kiddy playground, this time perched high on a shipwreck mast.

(One, but only one, of them is real.)

Across one of the rivulets feeding into Burrard Inlet, a long view back toward the bridge…

and then the next rivulet, with its point of rocky foreshore and a patient mum who holds her toddler by the hand. She is watching her slightly older son do what children always do, faced with water and rocks…

namely, hurl the one into the other.

We also watch, but only for a moment.

Then we do what adults do, at mid-day after a gallery exhibition and a pleasant amble along the Seawall.

We lunch.

We walk purposefully (not amble!) up to Marine Drive & into the Vietnamese restaurant Wooden Fish, where we give ourselves over to the pleasure of heaping bowls of Bun Cha.

Suddenly… sunshine!

17 January 2026 – It seems rude to mention sunshine, let alone mild temperatures (9C), when most of Canada is socked with snow, sleet, ice and windstorms. But… here it is. A bright, friendly day.

So we seize it.

We’re off to Burnaby Lake Regional Park. The park surrounds a large glacial lake to the east of Vancouver, and lies within its own dense municipality. Yet it is also home to wildlife (especially birds) and rich with trails for human visitors (walk, cycle, ride a horse, as you wish).

We have no particular plan beyond entering the park at the east end, off Cariboo Rd., and following the Brunette River upstream to the lake. After that? We’ll find out.

It is all magic, right from the get-go.

A great blue heron sits tall, still and stately in his tree beside the river…

winter moss glows incandescent on trees lining the river…

and a snake fence leads us on upstream…

to the Cariboo Dam. Several creeks and a lake feed into Burnaby Lake, which in turn empties into the Brunette River and ultimately into the Fraser. This dam controls the outflow.

An era of sawmills on the lake caused the inevitable toxicity and devastation of salmon and other populations. We stand on the path atop the dam, and see some results of rehab efforts since then.

To the east, the Cariboo Dam Fishway provides upstream access for resurgent fish populations …

and to the west, winter trees cast their delicate embroidery on the system’s much-improved waters.

Trails circle and loop off-shoots all around the lake, but are not always in sight of water. We’re on the Brunette Headwaters Trail, entranced by nature’s response to the minimal human pruning that keeps trails safe and accessible.

Humans cut; nature pretties up the resulting stumps and fallen logs.

Sometimes with cream/black/ochre fungi…

and sometimes with a smacking great burst of red and orange in the wood itself.

(Really! No enhancements.)

And then, as if that weren’t enough, right there in the grasses between stump and tree trunk…

I spy a vivid little slice of off-cut. Which, to my friend’s amusement, I tuck into my knapsack.

On west we go, and turn onto the path that will take us to the viewpoint at the end of Piper Spit.

The waters along this path teem with happy ducks. Even my uneducated eye can pick out mallards, pintails, golden-eye and coots, as they mill about.

In the trees, chickadees and red-wing blackbirds.

I confess: I deny these guys are red-wingers until they flash those chevrons. “Well, they don’t sound like red-wing blackbirds,” I grumble. Then I have to consider that this lot is a long way from the lot that my ear knows best, back in Ontario, and they probably have their own distinctive accent. (Am I right? Am I silly? Somebody please tell me.)

Tip of Piper Spit, we look east at yet more ducks (and gulls, and bird boxes along the shore)…

then west across mud flats toward the shoreline viewing tower.

Back to the main trail, and up the tower…

for a long view across grasses, lake and woods beyond, right to the towers of downtown Burnaby.

Beyond those towers, the Vancouver towers.

Where, once home…

I settle my vivid little off-cut among its new companions.

Forward! In Reverse

1 January 2026 – Well, it is forward, isn’t it, when the reverse of your usual choice offers a new way to look at things. It’s hardly a major life breakthrough, but it does qualify as a pleasing little experiment, and worthy of the first day of a new year.

My “little experiment” is to walk the Burrard Inlet Seawall east-to-west between Waterfront Station and Stanley Park, instead of west-to-east. I know: small stuff indeed. But the fog is burning off, and it isn’t raining, and the temperature is comfortably above zero. Good reasons to drop off a bus at Waterfront Station, and get myself down to the water by Canada Place.

Tourists and locals stroll; the sights present themselves for admiration:

the fabric roof “sails” of Canada Place, the rental bicycles, a SeaBus completing its run from North Vancouver, a laden freighter and, of course, the orange cranes that tend to the freighters.

After that, my eye seems to focus more on slivers of scenes, not the whole panorama.

The tip of The Drop, the 2008 sculpture in Bon Voyage Plaza by the German four-artist collective Inges Idee that honours our temperate rainforest status with one elegant raindrop…

Doug Taylor’s kinetic weathervane Wind Wheel Mobile just west of the Convention Centre, which, from this angle, resembles a bobbing duck more than a weathervane…

Seawall bike lanes bordering the west side of Harbour Green Park, under a russet canopy of (I think!) winter beech leaves…

and the merest ghost of the sun, glimmering through the fog between buildings at the top of a Coal Harbour Park staircase.

I spend a moment with Santa’s floating gift “To YOU” in the Coal Harbour marinas.

Really a lavish Christmas present? Or, wait a minute, a clever-boots For Sale sign? The suspiciously generic label bears the M&P Yacht Centre logo, after all.

Far (west) end of the marinas, and I pause again, this time for something I feel no need to interpret.

A red cube sticker + a vee of water. I just like it.

Then the brass curve of the Coal Harbour Fellowship Bell (commemorating the companies and people of the “self-contained industrial marine community” that, 1891-1979, populated this area)…

and then more red, and another curve. This time red bobbing in the water, not fixed above it, and in a sinuous horizontal arc, not vertical.

A bit more hoofing along, and, finally, I am here.

I am exactly where the map says I am: on the Seawall at the east end of Devonian Harbour Park, in turn a gateway to Stanley Park, and also the end of my route from Waterfront Station, down there in blue/white signage at the bottom of the map.

Time for me to follow the snake fence through the park…

pause to take group pictures for some happy tourists, then….

cross this little bridge, and angle up along the creek to those cranes and new-builds on West Georgia.

Where I hop on a trusty #19, and ride my way home.

(Happy New Year, everyone! I so appreciate your interest and generous good humour.)

Windy & Wet

18 December 2025 – Just a description, mind you, not a complaint. Compared to weather almost everywhere else in the country, including here in BC, Vancouver’s weather is a walk in the park.

But even so, it is still very windy and very wet!

Just look at the air vents blown horizontal in the sodden construction fence fabric, as I splosh my way along West 10th this morning.

By the combined might of word + weather association, I start thinking about anapest metre.

Why? Because wet weather on 8 December caused me to rewrite a limerick to fit, and that in turn caused me to discover the anapest metre and its (quote-unquote) “galloping rhythm.”

So here I am, in yet more wet & windy weather. To distract myself, I compose a limerick. An ode to the anapest metre.

(More throat-clearing)

The anapest metre is now my best friend,

It offers me rhythm without any end,

I gallop and giggle,

I wobble and wiggle.

It distracts me from rain and that’s a great trend!

Once home… and dry… I look up “anapest metre” online. The Poetry Foundation explains it consists of two unaccented syllables followed by one accented syllable, and then helpfully gives two examples of words that — all by themselves! — are anapestic: “underfoot” and “overcome.”

Yah well, here’s the Canadian example: “Newfoundland.”

From now on, let’s all pronounce it correctly.

Finally! A new year’s resolution we can keep.

That Young Lady from Spain

8 December 2025 – Oh, the limerick!

*Five lines;

* AABBA rhyme scheme;

* a fondness for the galloping anapest meter;

* and (says a man who knows) “a propensity for the perverse.”

I am not thinking of the perverse. I am, however, thinking of a limerick that meets all the 5 lines-AABBA-anapest-meter requirements. I am thinking of the one that begins: “There was a young lady from Spain.”

Only when I look around online do I discover that this Young Lady goes on to have many different limerick adventures.

My particular Young Lady has her adventures on the train. To wit:

“There was a young lady from Spain / Who used to get sick on the train.”

I herewith offer you a timely Vancouver re-write of those first two (AA) lines. After that, it’s the same BBA outcome that the Young Lady knows well.

(Ahem. Throat-clearing.)

“I really do hate to complain,

“But this season we only have rain —

“Not once or twice,

“Which is decent and nice,

“But again and again and again.”

Change

10 October 2025 – Given this is a simple post about a simple walk on a route we have walked before, you and I, it does seem excessive to lead with a philosophic tussle about the nature of “change.” But tussle we shall. Precisely because , for me anyway, same-old and change are a package deal.

On the one hand, French critic/novelist Jean-Baptiste Alphonse Karr, who, in 1849, penned the epigram we quote to this day: “Plus ça change, plus c’est la même chose” (The more things change, the more they stay the same). On the other hand, Zen Buddhist monk Shunryu Suzuki, who, when asked after a California lecture in 1968 to express core Buddhist philosophy in a way ordinary people could understand, replied: “Everything changes.”

The “same,” in this post, is yet another walk along Lost Lagoon. You know the route! Bus ride to the edge of Stanley Park; Lost Lagoon trail out to Second Beach on English Bay; Seawall for a bit up toward Third Beach & down again; out through Morton Park; on down Denman Street; that same bus, reverse direction.

Ohhh… let’s just toss French philosophers & Zen Buddhist monks to one side. Let’s acknowledge what every walker of familiar pathways knows: the same is never the same.

Each time, you & your mood & the place & the weather & all the swirling molecules of the universe dance together in new patterns to create a new experience.

It is therefore my pleasure to offer you moments from this day’s totally different version of the same old Lost Lagoon walk.

This specific Canada Goose, pensive on his rock in Lost Lagoon…

specific people & pooches along the way, including Hamish the wag-tail dog and the Vivaldi fan listening (very quietly) to The Four Seasons while resting on a weathered Seawall bench…

and another bench, the bench itself and the plaque it bears both brand-new.

We carefully cross the bike path and move closer. Flowers, notes, CDs and plaque — a multi-dimensioned tribute by local fans to Hong Kong Mandopop artist Khalil Fong, who shot to fame with Soulboy in 2005 and died this year, just months after the release of The Dreamer.

Out in English Bay, this specific moment’s arrangement of the same-old tableau: rocks & tide & freighters & Seawall pedestrians & trees & sky & clouds.

Up close: tidal flats silvered in this afternoon’s watery light.

Also up close: a burst of green & ochre.

And then, medium-distance, a moment’s drama, out there in the bay.

We have just watched this couple strip to bathing suits and stride into those chilly waters. Chest-high, no hesitation.

It is all about to change. He (L) is about to duck-dive and fully embrace the moment. She (R) is about to un-embrace the moment, and head smartly for shore.

We, snug in our fall clothing, head smartly for Denman Street, Delaney’s Coffee House, and a flat white & latte respectively. And then, warm inside & out, on down Denman to the bus.

See? It’s the same-old.

And every bit of it wonderfully different.

Seen? Not Seen?

6 October 2025 – We are up & off the Sea to Sky Highway, just beyond Squamish, toes to rivulets of the Cheakamus River.

The salmon run season has begun and — if we’re lucky — we’ll see salmon battling their way back upstream in their natal creeks & rivers, to spawn.

We couldn’t ask for better conditions. The day is sunny & mild, and the view, whether downstream…

or upstream…

is glorious.

Our eyes are trained on the turbulent white water in that far upstream channel, over there high on the left.

We tell ourselves: Yes! A flash of fins! An arched back! Yes!

(Truth is, I’m not sure. Not really-truly.)

But, y’know…

The mud flats gleam with swirling chocolate patterns…

the pebbles & rocks are varied & colourful…

the sun is warm on our backs…

and the music of tumbling water fills our ears.

So…. did I see any salmon? Don’t really know. 

Don’t much care!

Snowy Owl + Mailbox Spider

12 September 2025 – More old + new, here in Toronto. The joy of time with old friends and familiar places, but also the joy of discovery.

For example, Biidaasige Park — some 40 hectares once complete, down at the mouth of the Don River and part of an even larger overall program to re-gentle, re-green and detoxify the sprawling Port Lands for what we now understand to be wiser, more multi-purpose and more inclusive use. Read more about Biidaasige (“Bee-daw-SEE-geh” with a hard “g”) on the City‘s website, on an analytical design website, and in her 6 September “As I walk Toronto” post by our WordPress colleague, Mary C.

The park is very much a work in progress, but some elements are already in place. They include several imaginative children’s playgrounds, one of which has as its guardian spirit, Snowy Owl.

Not only is his open tummy a stage for all kinds of child-friendly events, the interior of his body is open to visitors as well. You can walk inside…

and start climbing. Stairs, then ladders, and up you go.

Bang-thwack-ouch! Smack your head a few times and you finally realize the structure is child-scale. You learn to bend and duck accordingly.

Your reward? You get to look out through the Owl’s eyes, across the undulating playground, across Commissioner St. and westward toward downtown.

I scramble back down. We take ourselves off to explore trails down in the marshy areas around the various channels.

I am awestruck. This grubby, much-abused waterfront is being transformed. We lean on the railing of this pedestrian bridge and admire the grace of the new vehicular bridges, the abundant wild greenery along the banks, the habitat all this must offer for so many species. (Plus the knowledge of habitat yet to come, in plans for housing and further human community and settlement as well.)

And then… we move on.

The day is hot, and sunny, and, thanks to on-going park construction, noisy. We want still to be close to nature, but somewhere that offers soothing shade and a lack of noise.

All of which leads us to discover…

Mailbox Spider.

He is only some 4-5 km. away, slightly south-west of Biidaasige Park…

but in a very different world. The world of the Toronto islands.

More specifically and of importance to me, we are on one small island within that larger cluster: Algonquin Island, which is reached by a pedestrian bridge close to the Ward’s Island ferry dock.

Trace your finger over that pedestrian bridge and tap the intersection just off the bridge: Omaha and Ojibway avenues. Got it? Right there on that corner lot, almost invisible within its own mini-forest of trees and shrubbery, there is a white cottage. The white cottage where, 60 years ago, I used to live.

So it’s heavy-duty nostalgia time for me, and my friend is generously indulgent.

We stop, immediately off the bridge, to explore the community take/leave stand. It was active decades ago and, to my delight, is still active now.

A couple of Algonquin residents are near-by, people about my age. We chat, I explain I used to live here, I name a few names and they smile. We three didn’t know each other, but we each knew these other people.

Then, my friend and I, we just weave slowly up and down the narrow, car-free streets. (It is on Ojibway that we meet Mailbox Spider, with his blue cottage tucked away in the rear.)

The atmosphere is leafy, and peaceful. It is now a world of pretty smooth relations between residents and City — the welcome resolution of the long fight by residents and supporters to protect any residential community at all, in the face of the City’s desire to remove everybody and make the entire islands cluster into one big park. Now most of the land mass is park, but residential communities are recognized and stable on both Ward’s and Algonquin.

We reach the foot of Ojibway Avenue, down at Seneca, which runs along the island’s harbour-side waterfront, and offers panoramic views back across the water to the city core.

Including that CN Tower. I gave you only a distant and slivered view in my previous post; here it is, front and centre.

Still on Seneca, a good example of visitor/resident co-existence:

a bench for tourists and residents alike; one of the island’s many art boxes, again for the pleasure of tourists and residents alike — and a hammock in a resident’s front yard. For that family only, thank you!

Finally, my nostalgia satisfied and our minds and bodies refreshed by the peaceful environment…

we board a ferry, and head back to the city.

  • WALKING… & SEEING

    "Traveller, there is no path. Paths are made by walking" -- Antonio Machado (1875-1939)

    "The voyage of discovery is not in seeking new landscapes, but in having new eyes" -- Marcel Proust (1871-1922)

    "A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities" -- Rebecca Solnit, "Wanderlust: A History of Walking"

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