Negative

11 April 2018 – As in, space.  Negative space. Defined by the edges of the positive-space objects you are actively looking at.

I really don’t spend time in an artistic swoon, thinking I must go out and pay attention to negative space. But, sometimes, it is just right there in front of me, and I notice it.

For example, while waiting for the doors of Christ Church Cathedral to open for an Early Music Vancouver performance.

My eyes slide upward, between the cathedral wall on my right and bank & hotel towers on my left …

and are funnelled into this jagged slice of sky.

Rather the shape of False Creek, I think frivolously to myself, spun 90 degrees clockwise. Except for that pointy bit at the bottom.

Then they open the doors, and I leave frivolous thoughts — and negative space — outside. Inside, there is Bach & Hayden.

A few days later, over at Commercial Drive and East Broadway on a very different outing indeed, I look upward between two Sky Train tracks.

Smooth-curving tracks carve smoothly curved negative space.

That same evening, back in the east end but this time farther downtown, I’m leaving the SFU Goldcorp Centre for the Arts after a DanceHouse sponsored talk about tap dance and jazz.

It is the “blue hour” of early dusk, and the negative space of sky is richly, warmly dramatic.

All the more so for the “W” revolving at its heart — the recreation of the iconic Woodward’s “W” that for so long marked the department store and now stands guard over the redevelopment of that site.

I walk back through Gastown to my bus stop. Lights twinkle and buildings straight to my eye curve magically inward in my camera’s eye …

tenderly embracing one final offering of negative space.

I get on my bus, and go home.

Mood Misty, Mood Indigo

10 January 2016 – A Saturday walk to and from Yorkville, with gallery-hopping in between. The gallery-hopping is great fun, a group activity with volunteer colleagues from the AGO (Art Gallery of Ontario).

The to-and-from is also fun, albeit a solo engagement with real-life tonalities and a much more limited colour palette.

Going up: the muted shades, not just of winter, but also of mist. No “bright blue sky” today! Instead …

lane nr Sherbourne & Dundas

This alley is near home, & one of my favourites. I love the rippling warmth of the old brick on that corner building; I love the care & pride of the residents. Never a scrap of litter; minimal but thoughtful landscaping (the conifer, the rocks, the red barrel that, in summer, bursts with geraniums). Always, too, the signs of active lives — a shining motorcycle just out of frame, and someone’s canoe, tidily racked half-way up a building while it awaits summer.

Later I cut through Wellesley-Magill Park. More near-monochrome, but look at all the texture.

Wellesley-Magill Park, looking west

Veined shrub leaves, in their winter-ochre; crunchy gravel up & down the scale of grey; dark shiny rocks; Ed Pien’s Forest Walk fence with its ribbons of colour toward the rear; pale, strong-lined condos beyond that.

And on, and on some more to Yorkville, to my friends and our visits and chatter — both in the galleries and over tea, coffee & treats later on.

It’s not late when I start back home, about 5 p.m., but we are still caught in short winter days, and the light is already yielding to dusk.

By the time I reach Bloor & Yonge, dusk owns the sky.

One Bloor East condo tower, from the west

I put away my camera, and hike on home.

  • WALKING… & SEEING

    "Traveller, there is no path. Paths are made by walking" -- Antonio Machado (1875-1939)

    "The voyage of discovery is not in seeking new landscapes, but in having new eyes" -- Marcel Proust (1871-1922)

    "A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities" -- Rebecca Solnit, "Wanderlust: A History of Walking"

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