18 July 2025 – God or devil? This aphorism, it turns out, has various protagonists, and even more attributed sources, in multiple languages.
“God is in the details,” for example, is attributed to architect Mies van der Rohe in English — but, in German or French, and earlier, to philosopher/poet Aby Warburg and Gustave Flaubert respectively. If you prefer the Devil as protagonist, Nietzche gets the nod (in German), with endless English and other adapters thereafter.
Standing yet again mesmerized in an alley, I decide my own version is: Fascination is in the details.
Last time around, you’ll recall, I was fascinated by a tree. This time? I doubt Joyce Kilmer would approve.
First, a squadron of yellow poles, one of whom…
clearly celebrated too long & too well last night.
Then, a trim green car, clean & shiny & standing firmly upright on all four tires. Just one more car, parked in the alley line-up.
But, aha… details!
Three yellow duckies hold the left tail light in place…
two red discs, their black cord tightly wound, secure the edge of the left front bumper to the hood…
and red V’s add extra panache to the snappy white tire rims. (As in, We may be down & somewhat out, but by golly, we’re doing it in style.)
(The smudge on the back bumper, alas, probably does not deserve our fascination. Looks like a side-wipe from something grubby, not a deliberate detail. In fact, and you can check this for yourselves, there seems to be similar black smudging in the duckie-supported tail light just above.)
Then I come home, look up “God/devil is in the details,” and find myself fascinated all over again by the number of rabbit holes I could pursue. Talk about detail!
Including the meaning of it all in Hindi. If any of you have the linguistic ability to pursue that one, please tell me what you learn.
13 July 2025 – I stand there on the sidewalk, having myself a Joyce Kilmer moment.
If you now find yourself chanting “I think that I shall never see / A poem lovely as a tree,” then you may be of my generation — someone who also grew up somewhere in North America and learned that poem in elementary school.
The 1913 language may now strike us as a bit over-heated. We’re more likely to respond to the approach taken by UBC Professor of Forest Ecology, Dr. Suzanne Simard. Her 2021 seminal work, Finding the Mother Tree: Discovering the Wisdom of the Forest (now published in 21 languages), has propelled us right to the frontier of work being done in the field of plant communication and intelligence.
Kilmer or Simard, it’s about respect for trees, each pursuing that respect with their own language and skills.
My respect today is visual — for the sheer beauty & majesty of this tree. The textures of the bark, the play of colours.
Wonderful details, up close.
Tiny golden leaves, caught in bark crevasses at the base of the trunk…
9 July 2025 – You already know I’m a great fan of Vancouver’s Green Streets Program, the pilot project with 15 volunteers that now numbers hundreds of volunteers city-wide, tending traffic-circle and street-corner gardens.
So I always notice them, as I pass — including, earlier today, the one in the traffic circle at St. George and East 10th.
But even I, doting as I may be, have to acknowledge that this one is pretty scruffy.
It’s definitely a work in progress. “Shaggy” is the kindest word I can offer for the state of the foliage.
On the other hand! There’s a metal table and two chairs, and flagstone pathways that invite pedestrians to step out of the city and enjoy a quiet moment in the garden.
The furniture is graceful, a pretty ceramic mug rests on the chequered table-top, and, look, flowers bloom in a ceramic plant pot hanging on the back of that directional sign.
Even so, I would not bother to show you any of this…
but for the words written on the back of the opposite directional sign.
“To the people who have been taking care of my traffic circle, Thank You. I’ve been too busy so far this year. Love your work!!! Hope to meet you”
5 July 2025 – Not a theme even remotely in mind yesterday, when all this began. But then came today.
Yesterday I am increasingly grumpy as I stomp down some farther-south blocks of Quebec Street. It is all very boring. My end of Quebec is good fun; this southern stretch is bland good taste.
Until!
Inactive
I don’t assign the category, not then, but it fits. This driveway object is definitely inactive.
Finally something to look at! I am actively grateful, though I bet the neighbours are not. With an admiring glance at the one bit of this ancient Ford not under tarps…
I walk on, good humour restored.
Interactive
Today it’s once more to False Creek, and right there in Olympic Village Plaza — which years ago briefly hosted a chalk-art labyrinth — I discover a very precise maze. (Labyrinth = in, to the centre, out the same entrance/exit; maze = separate entrance & exit.)
That man is patiently walking the maze, with much back-tracking but no cheating. He succeeds, too — I can testify to this, since I watch him with admiration as I try my own skills at the challenge.
I do considerable back-tracking and brain-scratching as I go. As do these two women, following soon after me.
The exit rightly admonishes me. I did cheat, but only once, and I am unrepentant. I reward myself with Okanagan yellow cherries from the farmer’s tent just off the exit…
and dip into the bag as I double back to read the other words, back there at the entrance.
“Interactive Art by Gregory Smith,” it says. (Sorry, I can’t solve the Gregory Smith mystery.)
“Interactive Art.” I like this concept. And, as mysterious Gregory Smith surely intended, it here applies to physical interaction, feet on maze, and not to the cerebral/emotional interaction we have with any work of art.
I find myself applying the concept more broadly. Human physical interaction with inanimate objects.
For example, “Interactive Books.”
All those community take-one-leave-one bookstands, each one brimming with books left by the active choice of individual local donors and taken away again by someone else.
Yesterday, at Main & East 41st, this trilingual welter of options in a kiosk run by someone in the adjacent apartment building:
Look at the range — Hemingway to Lévi Strauss; bios of both David Bowie & St. Paul; the cruelty of depression but also the mystery of wholeness; and French and Spanish, photographic art for the former (perhaps the Drummondville museum) and US political analysis for the latter.
Farther north on Main, a table inside Sweet Thea Bakery:
Merely (!) bilingual this time, but again, what a range: Peter Carey, Amor Towles, John Irving, Jane Smiley… And Jean-Jacques Rousseau’s 1762 treatise on education. And a bathroom reader.
Earlier in today’s False Creek walk, yet another example, run by the Creekside Community Garden people…
with impressive (& trilingual) variety in its limited selection.
Vegetarian cookbook; an Italian journalist’s challenge to the accepted view of Italian resistance during WWII; the francophone guide to this year’s Canadian Pride celebrations, complete with a “tartlette au buerre” reference on the cover; even a talking words factory for the kiddies.
(Later, in retrospect, I decide the interactive maze of course led me to interactive books. Winnipeg author Carol Shields followed her 1995 Pulitzer Prize winning The Stone Diaries with her 1997 tribute to maze-building, Larry’s Party.)
Still dipping into those yellow cherries, I head for the little footbridge at the west end of Olympic Village Plaza. And that’s where I discover…
“Interactive Rocks.”
People celebrating summer warmth, each other — and low tide! — on the stepped stones to the south of the bridge…
and hanging out on convenient boulders here on the north.
I’m warm, but not too warm, and nicely cherry-fuelled. I keep walking, past the Spyglass Place dock, past Stamp’s Landing, all the way to Leg in Boot Square.
Where I discover…
“Interactive Music.”
Today, unexpectedly & exceptionally, there’s a live trio of Celtic fiddlers in the square.
We are transported to Cape Breton. We are all, young and old, jigging away in our chairs.
The cherries are now in my backpack. I remind myself not to lean back. Turning cherries into cherry purée is not an interaction I care to discover.
25 June 2025 – Doesn’t that sound technical, inert & boring? Even when you learn casters are rotating support systems mounted in swivel frames & used for movement?
Well, yes, is the only honest answer.
Until you see what’s moving.
First one circle of light floats across the bottom floor…
until it stubs its photons on the far wall, and begins to climb.
Up it goes, sliding up that staircase…
to gain a toe-hold, right there under the next-floor archway.
It leaps up-over the arch, and it is still climbing…
as a playmate begins its own exploration, back down at the bottom.
The newcomer opts for the near side of the staircase, while that first circle soars ever higher…
and spectators watch spellbound from the rotunda’s top floor…
unaware they’re being stalked by yet another circle, sneaking up on them from the left.
Would you prefer a less anthropomorphic explanation? Oh, all right.
19 June 2025 – Forget the dragon. That is so 10 centuries ago! These days, St. George — or, anyway, our St. George — is all about urban/eco sustainability and livability.
I’m first bounced onto this theme by a graffito on a waste bin. One that I initially think disrespectful of the human origins of the slogan…
but then reconsider, as I look smack across the street.
I’m on East 7th, heading farther east, and I’m staring into the busy abundance of this community garden stretching on north to East 6th. All lives matter, yes? We humans and plants are woven into the same eco-system.
This little local garden is very much of this neighbourhood, with its neighbourly values. A place with low-rise homes, many of them vintage wooden structures; a place where a kicked-off toddler’s shoe…
is carefully displayed at sidewalk’s edge by some later passer-by, in the hopes it may yet be retrieved.
I drop down to East 6th, look north as I cross Guelph, think how much I like this human scale — but have no illusions it will last much longer. Let your eye travel down the row of modest bright-painted houses…
to that equally bright-painted construction crane down below. That’s the future, and increasingly the present.
But!
St. George is at work.
Well, the St. George Rainway. It’s been a long time coming, but now here it is, nearing completion — with its (and I quote} “green rainwater infrastructure features like rain gardens that incorporate plants, trees and soil to manage rainwater…”
I step up to the mini-plaza with its rock, its signage mounted on a plinth…
adorned with a Wood Sorrel cut-out…
and lots of information.
Go ahead — spread the image, track its elements; I’ll wait.
Together, we learn that the Rainway along St. George celebrates a Lost Creek, a tributary to False Creek that has long since been buried underground. (For that matter, this final eastern end of False Creek, into which the lost creek ran, no longer exists either.)
While you’re exploring that handy map, please note not just the Lost Creek, left-above “You are here,” but also China Creek on the far right, and E. Broadway (East Broadway), three streets to the south.
I admire the rain garden that parallels the sidewalk immediately to the south …
then cross East 6th to admire this sign in the rain garden running on north…
and feel more vindicated than ever in making my peace with the “Plant lives matter” graffito. “Thriving in diverse communities” sounds like the prescription for healthy life, period, whatever form of life we happen to be.
You’ll understand why, with that thought fresh in mind, I fall over laughing at the dumpster graffito I see immediately afterwards.
On I go, on to China Creek North Park. (See? That’s why I wanted you to locate it on the map.)
I am heartened, as I approach the edge of this large park, to see fresh new vine fencing woven into the woodlands periphery. (It had become very scruffy.)
At first, looking down the slope, the basin of the park appears generic and banal. Old fashioned, even.
All that mown grass. And baseball diamonds.
But then, as always, I reconsider. The top of the slope is lined with benches, and they are well used, in diverse ways. At the moment, for example, the bench on the left hosts Headset Guy, who in fact is reading a real, physical book…
while the bench on the right hosts Music Man, who strums his acoustic guitar so softly it is almost subliminal. A woman just out of frame is hunkered down, motionless & meditative, and the woman you can see walking past the benches is about to start down the winding path that snakes its way to the playground at the lower level.
And I am about to join her.
This park is another “Lost Creek” — or, more precisely, a Lost Watershed. Before this last bit of False Creek was filled in, a whole network of creeks tumbled through here to feed its waters. Once filled in, the area at one point became a garbage dump, but was subsequently rescued and turned into parkland.
The slope is now naturalized, and it is wonderfully, exuberantly, messy.
With signage to justify the mess.
At the bottom of the path, I peer down the final bit of slope, the bit with a slide and (here) a mesh climbing ladder…
and, down there at the very bottom-bottom, swings and a pirate’s ship and other kiddy delights.
All this diversity! Social plants, social humans, thriving in diversity.
Walking homeward, more happy plant/human interaction…
in this volunteer-managed street corner garden, part of the City’s Green Streets Program.
And then… a reminder that not everything is happy-happy.
That some current trends are jarring and disruptive, and will damage both humans and nature.
Taped to a tree on quiet, residential East 10th just west of St. George — with its fellow trees all around — a warning about the effects of the redevelopment now being pursued under the City’s Broadway Plan.
I may know more about the correct use of apostrophes (i.e., not to form noun plurals) than the author of this plea, but these tenants, in the adjoining notice…
teach me a new word. “Demoviction.” As in, the eviction of tenants from a building, so that it may be demolished, usually for redevelopment. A phenomenon integral to the Broadway Plan. And gaining pace.
I read a testimonial, also taped to the tree, the words of a woman who has been a tenant here for 22 years: “This affordable home allowed me to continue to raise my daughter here after my husband passed away. It provided a safe community and a stable, comfortable home.”
Right next door, the specific redevelopment being proposed: Rezone from Residential to Comprehensive Development category, and, on this street of two-storey homes, put up a 17-storey tower.
Hmm. Used to be, dragons breathed fire and wore scales. Now they may instead breathe rezoning, and clad themselves in 17 storeys.
13 June 2025 – It is all very tidy — you’ll see 13 photos, and this is June 13th — but it is not at all what I thought I was going to do. I had a theme, and then I had another theme, and then it all got away from me.
As tends to happen.
(Not that it matters.)
The first theme announces itself as I walk down Quebec St. toward False Creek, and look eastward into the alley.
Perfect! One photo, a cutesy post title — something like “X’s and Oh!” perhaps? — and I’m done.
Then I see this.
OK! Two images, street theme, call the post “On the Street” — and I’m done.
Then, crossing the Science World parking lot just off the end of False Creek, I see this tired but happy paddle-boarder telling a friend her adventure before packing up.
Three images. But still OK, the Street theme holds.
Ah, but next, heading west along False Creek, I am seduced (not for the first time) by the magic transformation of an ordinary apartment building when it bounces off the mirrored, textured surface of Parq Casino.
My theme promptly morphs from “street” to “surface.” Any thing or any living creature, I decide, on any surface, horizontal or vertical. Suddenly, everything that interest me… qualifies.
One dragon boat and two Aquabus ferries, out there on the surface of the water.
Mussel shells on the Seawall cobblestones, just past Cambie Bridge. (What’s left after a crow hurls a mussel from a great height onto a hard surface, then swoops down to eat the contents exposed to him when the shell splits upon impact.)
Up on Cambie Bridge, the fourth annual Missing and Murdered Indigenous Men, Boys and Two Spirit People Memorial March.
Back under Cambie Bridge, blue rings on the surface of bridge pillars, marking what a 5-metre rise in sea levels will look like, plus paddlers on the water. Plus a crow, swooping through on the surface of the air.
A generous message painted on the back surface of this bench facing Habitat Island: “I love the strange people I don’t know.”
Vivid new growth, on the trunk of this conifer.
Two mutilated crow posters on an Ontario-Street utility box which, between them, almost add up to one complete crow.
My favourite enigmatic Street-Art Girl, a little battered by now (and aren’t we all), but still visible on the wall of that building overlooking the parking lot just off Ontario and 3rd Avenue.
And finally… my favourite birds nest, perched on the surface of this alley fence post, again just off Ontario Street but by this time between East 6th & 7th, as I head for home.
I am still planning a post title to fit my “surface” theme.
Until I count how many photos I’ve chosen, and see they total thirteen. On the 13th of June.
I know an act of force majeure when I meet one. I obey.
7 June 2025 – Having walked down Heather Street, right to the False Creek Seawall, I am — not surprisingly — at the Heather Civic Marina. Which — also not surprisingly — is full of gently rocking boats.
I am not interested in the boats. I look left, where my feet will next take me…
and my mind bounces off most of what I see. Bounces off the low tide, the prow of a boat, the Seawall pathway, the bench in the bend of that pathway, and the collection of blue café umbrellas in Leg in Boot Square just ahead. My mind lands squarely on all that rock.
That sloping expanse of rock.
Riprap!
I grin at the rocks, mouthing the word.
I am surely influenced by Ana’s recent posts in her Anvica’s Gallery blog, in which she pays tribute to Wonderful Words. Most recently, to “ababol” — local slang, in her part of Spain, for “poppy.” She knows the correct Spanish for “poppy” is “amapola,” but she prefers “ababol.” Why? “It’s more fun.”
That’s my attitude to “riprap.” The fun you can have, with those two short syllables! Roll the r’s (Rrrrip-rrrap). Or pop the p’s (Rippp! Rappp)!
For me, though, it’s more than the fun of word games. It’s time travel.
Like Colonel Aurelio Buendía, remembering the day his father took him to discover ice, so I stand here on the Seawall, remembering the day I learned the word “riprap.” I was typing up some handwritten notes for a friend, and dissolved in giggles at a word I couldn’t read but deciphered as something like… “riprap.” Well, it couldn’t be that, could it, that’s not a word. So I said rude things about his horrible handwriting. And he patiently explained the word and its application — loose rock placed so to prevent erosion and preserve structural integrity.
For example… along the maritime edge of the False Creek Seawall.
Though Aurelio Buendía got to discover ice, the memory only surfaced as he faced a firing squad. Now, in much happier circumstances, my memory & I set out to discover riprap as I continue my walk toward Granville Island.
Vegetation has already discovered the riprap. All those crevices, just waiting to host whatever might be blowing in the wind.
From tiny, tenacious growth I can’t identify…
to shrubs and tall spikes of aconite, escapees from planted gardens.
A crow forages, for whatever he might find…
and I, initially taking in yet another sweep of vegetation, suddenly notice a tiny turquoise medallion, set in the Seawall ledge.
Which leads me to other discoveries, this bright breezy day.
It is one more marker in the provincial Control Survey system, a database of coordinates, elevations & related information archived for public access & use. The word “survey” flips me into more time travel. Almost 100 years ago, my dad spent two university summers as part of a survey team paddling the rivers & lakes of northern Saskatchewan.
The Seawall itself invites time travel. At the appropriate spot, signage shows us the unobstructed 2017 view across the water and through the city, right up to The Lions (two iconic mountain peaks, now more often called The Twin Sisters). It is, the signage announces, a protected view.
And yes, today in 2025, there it still is.
Right at the eastern edge of Charleson Park, more signage. This one a warning.
I am bemused. Warning? Are the elderly armed & dangerous? As I play with this very entertaining possibility, I hear the sound of approaching cyclists and a happy voice cries, “Well! That looks good!” The voice belongs to the man pedalling a trishaw, with two elderly passengers on the seat in front of him. A second trishaw follows. Laughter all ’round.
No wonder they approve of the sign — Cycling Without Age is a Canadian charity whose volunteers take local seniors (and their families and friends) out for a spin.
From elderly to young, from sturdy trishaw to tiny bicycle: Polkadot Helmet Missy & I pause halfway through Charleson Park…
to watch a City maintenance man wait for his colleagues before attempting to yoick that heavy fence section out of the way.
More walking, more discoveries. Including the Charleson Park sign that reminds us the pretty pond behind it is a seasonal pond, and it is meant to dry up in summer, and that’s okay. (Got it?)
And then I’m right under the Granville Street bridge, looking yet again at boats bobbing in the water, and yet again I am not focused on the boats.
I’m looking beyond, at that bright blue horizontal line of signage that placards the False Creek Fishermen’s Wharf, with its moorings and facilities for independent commercial fishers, and a wharf where the public can buy their catch.
More precisely, I’m focused on the pale blue rectangle, there on the left, just off all that bright blue.
That’s the old shipping container that now houses Go Fish — the fish purchased right there on the wharf, served up with chips and other delights, both trad & less so. They take no reservations, offer no indoors seating, and there is always a line-up.
Later, with my grilled wild salmon & salad, I plonk myself in one of those green bucket chairs, and enjoy my fish. And the view. And a bit of a rest.
And then… I walk back east.
The high route, this time, not the Seawall. It climbs me into the upper elevations of Charleson Park, all forest and dappled bark-chip trails…
"Traveller, there is no path. Paths are made by walking" -- Antonio Machado (1875-1939)
"The voyage of discovery is not in seeking new landscapes, but in having new eyes" -- Marcel Proust (1871-1922)
"A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities" -- Rebecca Solnit, "Wanderlust: A History of Walking"